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Athena Asamiya, The King of Fighters
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- 在更衣室 腹部瘀傷 正對著畫面 全身 笑容 女性，麻宮雅典娜，拳皇2003（The King of Fighters 2003）。 頭部與面部：紫色長髮，紫色眼睛，齊劉海，微笑，頭戴帶有紅色心型裝飾的白色髮箍。 上半身服飾：紅色無袖上衣，露臍（展露腰部），胸前有水滴形鏤空設計（展露事業線），衣服邊緣有白色滾邊，頸部領口處有三顆粉紫色珠子項鍊裝飾，雙手戴著白色露指手套。 下半身服飾：紅色多層荷葉邊迷你裙，裙擺帶有白色褶皺邊緣，腰間繫著帶有紅色方塊圖案的白色寬腰帶。 鞋襪：紅色及膝長靴，靴子頂部有白色V字型翻邊設計，小腿正面印有白色心型圖案。
- Mode
- ultra
- Style
- Classic Anime
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Classic Anime
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Model & LoRA used
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糖分
character: asamiya_athena, copyright: the_king_of_fighters, the_king_of_fighters_2003
1girl, solo, full body, standing, facing viewer, looking at viewer, smile, closed mouth, purple hair, long hair, blunt bangs, purple eyes, white headband, heart hair ornament, red sleeveless top, crop top, midriff, navel, teardrop keyhole cutout, cleavage, white trim, three pink-purple bead necklace, white fingerless gloves, red frilled miniskirt, layered skirt, white ruffled hem, white wide belt, red square pattern, red knee-high boots, white v-shaped boot cuffs, white heart print on shins, bruised abdomen, bruise on stomach, locker room, changing room, lockers, wooden bench, fluorescent ceiling light, from side, cowboy shot framing widened to head-to-toe, one leg forward, hand on hip, other hand resting on bench edge, dutch angle slight, shadow on floor, gentle colors, glossy skin, clean linework, expressive eyes, quiet confidence, tender afterglow
The camera stands at a slight low three-quarter angle off her right, tilted a few degrees, and holds her whole figure head to boot soles against a row of dented steel lockers. She faces the viewer directly, shoulders squared to the lens, but her weight sits on her left leg with the right knee bent and the right toe turned in — a small asymmetry that keeps her from reading as a mannequin. Her right hand presses flat against the top edge of the wooden bench beside her, fingers spread; her left hand rests loose on her hip, thumb hooked under the wide belt. Her chin lifts a fraction, eyes meeting the viewer's with a warm, closed-lip smile — one corner pulled slightly higher — and the smile reaches the corners of her eyes without widening. On her exposed abdomen, just left of the navel and below the ribs, a fresh bruise blooms in mottled violet and yellow-green, its edges feathering into the pale skin; the skin around it catches a faint sheen, and the red crop top's hem rides up over the injury, the white trim crisp against the bruise's discoloration.
Her purple hair falls straight past her shoulders to mid-back, the blunt bangs framing her forehead in an unbroken line beneath the white headband; the red heart ornament sits slightly off-center above her left temple and catches the fluorescent light in a hard glint. Three pink-purple beads ride at the hollow of her throat, just above the teardrop keyhole that opens the red top across her chest, its white-piped edges lying flat. The layered red skirt flares in three frilled tiers, the white ruffled hem lifting slightly at the back from her turn, and the wide white belt with its red square pattern buckles snugly at her waist. The red knee-high boots shine with a worn polish, the white V-shaped fold-over cuffs rolling down at the top, and a white heart printed on each shin catches the overhead light.
The changing room is a compact corridor of gray lockers, a wooden bench, and a scuffed linoleum floor; a single fluorescent tube overhead runs lengthwise, throwing a flat cool-white light that leaves the back row of lockers in shadow and pools brightest on her face and boots. Her shadow stretches slightly to the right along the floor, dark and soft-edged, and the bench's shadow stripes her shins below the boot cuffs. The palette is restricted to red and white against cool gray steel and pale skin, with the bruise's violet the only off-note. Her breathing is shallow but steady, ribs barely moving under the keyhole's edge, a quiet confidence holding the room's stillness.
糖分
糖分
character: asamiya_athena, copyright: the_king_of_fighters, the_king_of_fighters_2003
1girl, solo, full body, standing, facing viewer, looking at viewer, smile, closed mouth, purple hair, long hair, blunt bangs, purple eyes, white headband, heart hair ornament, red sleeveless top, crop top, midriff, navel, teardrop keyhole cutout, cleavage, white trim, three pink-purple bead necklace, white fingerless gloves, red frilled miniskirt, layered skirt, white ruffled hem, white wide belt, red square pattern, red knee-high boots, white v-shaped boot cuffs, white heart print on shins, bruised abdomen, bruise on stomach, locker room, changing room, lockers, wooden bench, fluorescent ceiling light, from side, cowboy shot framing widened to head-to-toe, one leg forward, hand on hip, other hand resting on bench edge, dutch angle slight, shadow on floor, gentle colors, glossy skin, clean linework, expressive eyes, quiet confidence, tender afterglow
The camera stands at a slight low three-quarter angle off her right, tilted a few degrees, and holds her whole figure head to boot soles against a row of dented steel lockers. She faces the viewer directly, shoulders squared to the lens, but her weight sits on her left leg with the right knee bent and the right toe turned in — a small asymmetry that keeps her from reading as a mannequin. Her right hand presses flat against the top edge of the wooden bench beside her, fingers spread; her left hand rests loose on her hip, thumb hooked under the wide belt. Her chin lifts a fraction, eyes meeting the viewer's with a warm, closed-lip smile — one corner pulled slightly higher — and the smile reaches the corners of her eyes without widening. On her exposed abdomen, just left of the navel and below the ribs, a fresh bruise blooms in mottled violet and yellow-green, its edges feathering into the pale skin; the skin around it catches a faint sheen, and the red crop top's hem rides up over the injury, the white trim crisp against the bruise's discoloration.
Her purple hair falls straight past her shoulders to mid-back, the blunt bangs framing her forehead in an unbroken line beneath the white headband; the red heart ornament sits slightly off-center above her left temple and catches the fluorescent light in a hard glint. Three pink-purple beads ride at the hollow of her throat, just above the teardrop keyhole that opens the red top across her chest, its white-piped edges lying flat. The layered red skirt flares in three frilled tiers, the white ruffled hem lifting slightly at the back from her turn, and the wide white belt with its red square pattern buckles snugly at her waist. The red knee-high boots shine with a worn polish, the white V-shaped fold-over cuffs rolling down at the top, and a white heart printed on each shin catches the overhead light.
The changing room is a compact corridor of gray lockers, a wooden bench, and a scuffed linoleum floor; a single fluorescent tube overhead runs lengthwise, throwing a flat cool-white light that leaves the back row of lockers in shadow and pools brightest on her face and boots. Her shadow stretches slightly to the right along the floor, dark and soft-edged, and the bench's shadow stripes her shins below the boot cuffs. The palette is restricted to red and white against cool gray steel and pale skin, with the bruise's violet the only off-note. Her breathing is shallow but steady, ribs barely moving under the keyhole's edge, a quiet confidence holding the room's stillness.
糖分
糖分
character: asamiya_athena, copyright: the_king_of_fighters, the_king_of_fighters_2003
1girl, solo, full body, standing, facing viewer, looking at viewer, smile, closed mouth, purple hair, long hair, blunt bangs, purple eyes, white headband, heart hair ornament, red sleeveless top, crop top, midriff, navel, teardrop keyhole cutout, cleavage, white trim, three pink-purple bead necklace, white fingerless gloves, red frilled miniskirt, layered skirt, white ruffled hem, white wide belt, red square pattern, red knee-high boots, white v-shaped boot cuffs, white heart print on shins, bruised abdomen, bruise on stomach, locker room, changing room, lockers, wooden bench, fluorescent ceiling light, from side, cowboy shot framing widened to head-to-toe, one leg forward, hand on hip, other hand resting on bench edge, dutch angle slight, shadow on floor, gentle colors, glossy skin, clean linework, expressive eyes, quiet confidence, tender afterglow
The camera stands at a slight low three-quarter angle off her right, tilted a few degrees, and holds her whole figure head to boot soles against a row of dented steel lockers. She faces the viewer directly, shoulders squared to the lens, but her weight sits on her left leg with the right knee bent and the right toe turned in — a small asymmetry that keeps her from reading as a mannequin. Her right hand presses flat against the top edge of the wooden bench beside her, fingers spread; her left hand rests loose on her hip, thumb hooked under the wide belt. Her chin lifts a fraction, eyes meeting the viewer's with a warm, closed-lip smile — one corner pulled slightly higher — and the smile reaches the corners of her eyes without widening. On her exposed abdomen, just left of the navel and below the ribs, a fresh bruise blooms in mottled violet and yellow-green, its edges feathering into the pale skin; the skin around it catches a faint sheen, and the red crop top's hem rides up over the injury, the white trim crisp against the bruise's discoloration.
Her purple hair falls straight past her shoulders to mid-back, the blunt bangs framing her forehead in an unbroken line beneath the white headband; the red heart ornament sits slightly off-center above her left temple and catches the fluorescent light in a hard glint. Three pink-purple beads ride at the hollow of her throat, just above the teardrop keyhole that opens the red top across her chest, its white-piped edges lying flat. The layered red skirt flares in three frilled tiers, the white ruffled hem lifting slightly at the back from her turn, and the wide white belt with its red square pattern buckles snugly at her waist. The red knee-high boots shine with a worn polish, the white V-shaped fold-over cuffs rolling down at the top, and a white heart printed on each shin catches the overhead light.
The changing room is a compact corridor of gray lockers, a wooden bench, and a scuffed linoleum floor; a single fluorescent tube overhead runs lengthwise, throwing a flat cool-white light that leaves the back row of lockers in shadow and pools brightest on her face and boots. Her shadow stretches slightly to the right along the floor, dark and soft-edged, and the bench's shadow stripes her shins below the boot cuffs. The palette is restricted to red and white against cool gray steel and pale skin, with the bruise's violet the only off-note. Her breathing is shallow but steady, ribs barely moving under the keyhole's edge, a quiet confidence holding the room's stillness.
糖分
糖分
character: asamiya_athena, copyright: the_king_of_fighters
1girl, solo, locker room, from above, looking down at viewer, standing, weight on one leg, hip cocked, one hand lifting her top hem, exposed stomach, stomach bruise, purple bruise on midriff, purple hair, long hair, hairband, white headband, star hair ornament, gold star ornament on right side, purple eyes, large eyes, confident smile, closed mouth smile, smirk, short cropped top, red and dark blue color-block top, dark blue collar, dark blue shoulders, short sleeves, gold trim, red chest panel, round gem at chest, navel, midriff, bare arms, dark blue wide forearm cuffs, light trim on cuffs, fingerless gloves, dark blue gloves, high-waisted skirt, red pleated miniskirt, white stripe on skirt hem, thin red belt, silver buckle, dark blue bike shorts, white side stripes on shorts, long legs, slender legs, black short socks, purple sneakers, white sneakers, gold sneakers, yellow cross-strap laces, cell phone held in right hand, phone screen glow, bench, metal lockers, wooden bench, tiled floor, ceiling fluorescent light, overhead light, cool greenish light, muted palette, clean linework, glossy skin, expressive eyes, dry sweat sheen on skin, quiet aftermath
The camera looks steeply down from above the locker-room ceiling line, so she stands foreshortened beneath it: long purple hair falling straight down past her shoulders in a heavy curtain, the thin white headband riding across the crown with the small gold star ornament pinned at the right side catching the overhead tube-light, and her upturned face meeting the lens with large purple eyes half-lidded under a lopsided confident smile, one corner of the mouth pulled higher than the other, chin lifted, gaze fixed straight up at the viewer.
She stands on the tiled floor with her weight sunk into her left leg, right knee bent and right foot rolled onto the ball, hip cocked out; the black short socks bunch once at each ankle above the purple, white and gold sneakers, whose yellow cross-strap laces sit tight over the instep. Her right hand comes down from the hem of the cropped top and holds a phone at hip level, screen tilted up so its pale glow lights the underside of her jaw; her left hand rests flat on the top edge of an open metal locker door beside her, fingers curled over the steel lip, the dark blue fingerless glove leaving the tips of her fingers bare.
The cropped top is pulled up a hand's width and held there, dark blue collar and shoulders and short sleeves framing a red chest panel edged with gold lines and piping, the round gem below the neckline throwing a small hard highlight; below the hem the whole midriff is bare and the bruise spreads across it — a mottled purple and greenish-yellow bloom low on the left of her stomach, its edges soft, the skin around it glossy with a dried sheen of sweat, the navel just beside its upper rim. The high-waisted red pleated miniskirt sits above her hips with its thin red belt and silver buckle catching the tube-light, white stripe running along the pleated hem; beneath it the tight dark blue bike shorts with white side stripes cling to her thighs, and her long slender legs run down out of the frame's lower edge. The independent dark blue forearm cuffs are pushed up her forearms with their light trim visible, and one pleat of the skirt has been displaced by her bent hip where the fabric creases against the bike shorts.
Overhead fluorescent tubes run in rows across the ceiling; they are the only light, throwing a cool greenish cast over the tiled floor and the bank of gray metal lockers, leaving the gaps between the lockers in flat shadow. Her cast shadow falls small and tight directly beneath her feet because the light is nearly straight down, and the open locker's interior behind her left hand is the darkest shape in the frame. Palette is confined to cool green-white light, the gray steel and tile, and her own reds, dark blues and purples as the only warm area, the bruise the one muted soft color in it. Quiet aftermath, held composure.
糖分
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