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フィッシュ竹中

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フィッシュ竹中

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character: takega_satsu, magic_the_gandhi 2girls, takega_satsu, short grey hair, grey hair in low twin tails tied with thin black ribbons, brown eyes, white long-sleeved sailor blouse with sailor collar and front ribbon, black pleated skirt, white socks, brown loafers, magic_the_gandhi, very long wavy hair gradient from dark brown roots to red ends, dark skin, brown eyes, small mole under the left eye, tall and broad-shouldered, oversized cream knit cardigan over a loose charcoal shirt, wide dark trousers, canvas sneakers, standing back to back, arms crossed, head turned, looking over shoulder, looking at another, sideways glance, half-closed eyes, light smile, smug, one eyebrow raised, from below, cowboy shot, dutch angle, two-shot, hallway, lockers, fluorescent light, candid The camera sits low and tilts a few degrees off level, looking up at the two of them from hip height: the short grey-haired girl in the white sailor blouse and black pleated skirt stands back to back with the tall dark-skinned figure in the cream cardigan, spine to spine, and the low angle makes the taller one loom and the shorter one hold her ground. Neither faces the lens. The girl's twin tails, tied with thin black ribbons, hang down between her shoulders and swing slightly to her right as she rocks her weight onto her left heel; both her arms are folded tight across her chest, and she has turned her chin over her right shoulder so one brown eye slides up at her companion with a flat, unimpressed look, her mouth set in a lopsided line, one brow arched. The taller one's long wavy hair — dark brown at the crown, going red toward the ends — spills over the cardigan's shoulder and pools between the two backs; she has her head tipped down and turned to her left, so the mole under her left eye shows in three-quarter profile, her lashes heavy and half lowered, a faint closed-lip smile at one corner of her mouth while her eyes slide down toward the shorter girl's ribbon. Her arms are crossed too, but her right elbow rests against the other's shoulder blade, so the contact reads as a lean rather than a wall. They stand in a school corridor after hours, seen from close to the floor: a row of grey-green metal lockers stretches away behind them in perspective, its vertical seams converging toward the far end, and a scuffed cream floor carries a long soft reflection of the ceiling fixtures. Cold white fluorescent tubes overhead are the only light; they strike down on the taller one's shoulder and the crown of her hair, leave the girl's face in the shadow of her own turned cheek, and throw a doubled shadow onto the lockers just behind their backs — one long vertical blur where the two bodies fuse. Nothing else in the frame is legible: the far announcement board is bleached into a pale illegible rectangle. Palette is cold institutional white, grey-green metal and cream floor, with the warm red at the ends of the long hair and the black skirt and ribbons as the only saturated notes. Quiet, dry comedy.
Show Parameters
Original Prompt
takega satsu, magic the gandhi
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
フ
character: takega_satsu, magic_the_gandhi 2girls, takega_satsu, short grey hair, grey hair in low twin tails tied with thin black ribbons, brown eyes, white long-sleeved sailor blouse with sailor collar and front ribbon, black pleated skirt, white socks, brown loafers, magic_the_gandhi, very long wavy hair gradient from dark brown roots to red ends, dark skin, brown eyes, small mole under the left eye, tall and broad-shouldered, oversized cream knit cardigan over a loose charcoal shirt, wide dark trousers, canvas sneakers, standing back to back, arms crossed, head turned, looking over shoulder, looking at another, sideways glance, half-closed eyes, light smile, smug, one eyebrow raised, from below, cowboy shot, dutch angle, two-shot, hallway, lockers, fluorescent light, candid The camera sits low and tilts a few degrees off level, looking up at the two of them from hip height: the short grey-haired girl in the white sailor blouse and black pleated skirt stands back to back with the tall dark-skinned figure in the cream cardigan, spine to spine, and the low angle makes the taller one loom and the shorter one hold her ground. Neither faces the lens. The girl's twin tails, tied with thin black ribbons, hang down between her shoulders and swing slightly to her right as she rocks her weight onto her left heel; both her arms are folded tight across her chest, and she has turned her chin over her right shoulder so one brown eye slides up at her companion with a flat, unimpressed look, her mouth set in a lopsided line, one brow arched. The taller one's long wavy hair — dark brown at the crown, going red toward the ends — spills over the cardigan's shoulder and pools between the two backs; she has her head tipped down and turned to her left, so the mole under her left eye shows in three-quarter profile, her lashes heavy and half lowered, a faint closed-lip smile at one corner of her mouth while her eyes slide down toward the shorter girl's ribbon. Her arms are crossed too, but her right elbow rests against the other's shoulder blade, so the contact reads as a lean rather than a wall. They stand in a school corridor after hours, seen from close to the floor: a row of grey-green metal lockers stretches away behind them in perspective, its vertical seams converging toward the far end, and a scuffed cream floor carries a long soft reflection of the ceiling fixtures. Cold white fluorescent tubes overhead are the only light; they strike down on the taller one's shoulder and the crown of her hair, leave the girl's face in the shadow of her own turned cheek, and throw a doubled shadow onto the lockers just behind their backs — one long vertical blur where the two bodies fuse. Nothing else in the frame is legible: the far announcement board is bleached into a pale illegible rectangle. Palette is cold institutional white, grey-green metal and cream floor, with the warm red at the ends of the long hair and the black skirt and ribbons as the only saturated notes. Quiet, dry comedy.
フィッシュ竹中
AI artwork
フ
character: takega_satsu, magic_the_gandhi 2girls, takega_satsu, short grey hair, grey hair in low twin tails tied with thin black ribbons, brown eyes, white long-sleeved sailor blouse with sailor collar and front ribbon, black pleated skirt, white socks, brown loafers, magic_the_gandhi, very long wavy hair gradient from dark brown roots to red ends, dark skin, brown eyes, small mole under the left eye, tall and broad-shouldered, oversized cream knit cardigan over a loose charcoal shirt, wide dark trousers, canvas sneakers, standing back to back, arms crossed, head turned, looking over shoulder, looking at another, sideways glance, half-closed eyes, light smile, smug, one eyebrow raised, from below, cowboy shot, dutch angle, two-shot, hallway, lockers, fluorescent light, candid The camera sits low and tilts a few degrees off level, looking up at the two of them from hip height: the short grey-haired girl in the white sailor blouse and black pleated skirt stands back to back with the tall dark-skinned figure in the cream cardigan, spine to spine, and the low angle makes the taller one loom and the shorter one hold her ground. Neither faces the lens. The girl's twin tails, tied with thin black ribbons, hang down between her shoulders and swing slightly to her right as she rocks her weight onto her left heel; both her arms are folded tight across her chest, and she has turned her chin over her right shoulder so one brown eye slides up at her companion with a flat, unimpressed look, her mouth set in a lopsided line, one brow arched. The taller one's long wavy hair — dark brown at the crown, going red toward the ends — spills over the cardigan's shoulder and pools between the two backs; she has her head tipped down and turned to her left, so the mole under her left eye shows in three-quarter profile, her lashes heavy and half lowered, a faint closed-lip smile at one corner of her mouth while her eyes slide down toward the shorter girl's ribbon. Her arms are crossed too, but her right elbow rests against the other's shoulder blade, so the contact reads as a lean rather than a wall. They stand in a school corridor after hours, seen from close to the floor: a row of grey-green metal lockers stretches away behind them in perspective, its vertical seams converging toward the far end, and a scuffed cream floor carries a long soft reflection of the ceiling fixtures. Cold white fluorescent tubes overhead are the only light; they strike down on the taller one's shoulder and the crown of her hair, leave the girl's face in the shadow of her own turned cheek, and throw a doubled shadow onto the lockers just behind their backs — one long vertical blur where the two bodies fuse. Nothing else in the frame is legible: the far announcement board is bleached into a pale illegible rectangle. Palette is cold institutional white, grey-green metal and cream floor, with the warm red at the ends of the long hair and the black skirt and ribbons as the only saturated notes. Quiet, dry comedy.
フィッシュ竹中
AI artwork
フ
character: takega_satsu, magic_the_gandhi 2girls, takega_satsu, short grey hair, grey hair in low twin tails tied with thin black ribbons, brown eyes, white long-sleeved sailor blouse with sailor collar and front ribbon, black pleated skirt, white socks, brown loafers, magic_the_gandhi, very long wavy hair gradient from dark brown roots to red ends, dark skin, brown eyes, small mole under the left eye, tall and broad-shouldered, oversized cream knit cardigan over a loose charcoal shirt, wide dark trousers, canvas sneakers, standing back to back, arms crossed, head turned, looking over shoulder, looking at another, sideways glance, half-closed eyes, light smile, smug, one eyebrow raised, from below, cowboy shot, dutch angle, two-shot, hallway, lockers, fluorescent light, candid The camera sits low and tilts a few degrees off level, looking up at the two of them from hip height: the short grey-haired girl in the white sailor blouse and black pleated skirt stands back to back with the tall dark-skinned figure in the cream cardigan, spine to spine, and the low angle makes the taller one loom and the shorter one hold her ground. Neither faces the lens. The girl's twin tails, tied with thin black ribbons, hang down between her shoulders and swing slightly to her right as she rocks her weight onto her left heel; both her arms are folded tight across her chest, and she has turned her chin over her right shoulder so one brown eye slides up at her companion with a flat, unimpressed look, her mouth set in a lopsided line, one brow arched. The taller one's long wavy hair — dark brown at the crown, going red toward the ends — spills over the cardigan's shoulder and pools between the two backs; she has her head tipped down and turned to her left, so the mole under her left eye shows in three-quarter profile, her lashes heavy and half lowered, a faint closed-lip smile at one corner of her mouth while her eyes slide down toward the shorter girl's ribbon. Her arms are crossed too, but her right elbow rests against the other's shoulder blade, so the contact reads as a lean rather than a wall. They stand in a school corridor after hours, seen from close to the floor: a row of grey-green metal lockers stretches away behind them in perspective, its vertical seams converging toward the far end, and a scuffed cream floor carries a long soft reflection of the ceiling fixtures. Cold white fluorescent tubes overhead are the only light; they strike down on the taller one's shoulder and the crown of her hair, leave the girl's face in the shadow of her own turned cheek, and throw a doubled shadow onto the lockers just behind their backs — one long vertical blur where the two bodies fuse. Nothing else in the frame is legible: the far announcement board is bleached into a pale illegible rectangle. Palette is cold institutional white, grey-green metal and cream floor, with the warm red at the ends of the long hair and the black skirt and ribbons as the only saturated notes. Quiet, dry comedy.
フィッシュ竹中

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