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AI artwork featuring #Genshin Impact, #Scaramouche and #Raiden Shogun
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Scaramouche, Raiden Shogun

#Genshin Impact#Scaramouche#Raiden Shogun
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Luiz Gabriel

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character: raiden_shogun 2girls? no โ€” solo, one adult woman, one small boy, raiden_shogun, purple hair, long hair, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, purple kimono, japanese clothes, sash, bridal gauntlets, lying on bed, lying on stomach, propped on elbows, holding phone, looking at phone, smartphone glow, from above, from side, bed, pillow, blanket, night, dark room, moonlight through window, mother and son, child, small boy, short dark hair, sleeping, arm draped over his back, bare feet, feet up, warm and cool light mix, intimate, quiet View from above and slightly to the side, looking down across a wide bed at night. The woman with long purple hair lies on her stomach along the left half of the mattress, her body angled diagonally from the lower left toward the upper right of the frame, propped on both forearms so her shoulders lift off the sheet; her long single braid trails over her right shoulder and pools in a loose S-curve on the pillow beside her cheek, and the pale hair ornament at the back of her head catches a thin edge of light. Her blunt bangs hang forward off her brow. She holds a smartphone in both hands just above the mattress, tilted toward her face, thumbs resting on the screen edges; the cold white glow from the display lights the underside of her chin, the bridge of her nose and both cheekbones, and leaves the top of her head and the far side of her face in shadow. Both eyes are lowered to the screen, one brow faintly drawn, lips slightly parted in the slack concentration of late-night scrolling. She wears a loose purple kimono with a soft sash, the front panel fallen open a little at the collarbone, the fabric creased and dragged into long diagonal folds across the sheet; her bridal gauntlets sit pushed back on her forearms, their armored plates catching a small hard highlight. Her right foot is lifted slightly off the mattress behind her, toes curled, knee bent, an idle counterweight to her propped upper body. Tucked against her left side, half under the same quilt, her small son sleeps curled on his side facing her: short dark hair mussed flat against the pillow, one cheek squashed, mouth slightly open, one small hand loose near his chin. Her left forearm rests along the mattress beside his shoulder without touching, and the quilt is drawn up over his ribs and pulled down away from hers, so the blanket lies in two different levels across the bed. His chest rises against the quilt's edge. The room is dark and close: a wooden headboard behind them, a low nightstand at the right edge with a glass of water and a folded book, the rest of the room falling into unlit shadow. A window off-frame to the upper left lets in a narrow band of cool blue moonlight that crosses the pillow and the sheet behind her head, drawing a long soft-edged rectangle of pale light that stops short of her face and does not reach the boy. The phone screen is the warm-white second source, much smaller and closer, and the two lights do not mix where they meet on the sheet between her elbows โ€” the moonlit patch stays blue, the phone's pool stays white. Everything else is one continuous dark violet-brown. The only cast shadows are short and doubled: a soft blue shadow of her braid falling away from the window, a hard small shadow of the phone under her hands. Deep violet, dusty plum, cold blue and a single warm phone-white; nothing else admitted. Detail budget on her hands, the phone's glow on her face, the braid's loose coil and the sleeping boy's slack cheek. Quiet, tender.
Show Parameters
Original Prompt
Raiden shogun looking on her phone while lying on bed with her son,night time.
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1056 x 1888
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.92k

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lg
character: raiden_shogun 2girls? no โ€” solo, one adult woman, one small boy, raiden_shogun, purple hair, long hair, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, purple kimono, japanese clothes, sash, bridal gauntlets, lying on bed, lying on stomach, propped on elbows, holding phone, looking at phone, smartphone glow, from above, from side, bed, pillow, blanket, night, dark room, moonlight through window, mother and son, child, small boy, short dark hair, sleeping, arm draped over his back, bare feet, feet up, warm and cool light mix, intimate, quiet View from above and slightly to the side, looking down across a wide bed at night. The woman with long purple hair lies on her stomach along the left half of the mattress, her body angled diagonally from the lower left toward the upper right of the frame, propped on both forearms so her shoulders lift off the sheet; her long single braid trails over her right shoulder and pools in a loose S-curve on the pillow beside her cheek, and the pale hair ornament at the back of her head catches a thin edge of light. Her blunt bangs hang forward off her brow. She holds a smartphone in both hands just above the mattress, tilted toward her face, thumbs resting on the screen edges; the cold white glow from the display lights the underside of her chin, the bridge of her nose and both cheekbones, and leaves the top of her head and the far side of her face in shadow. Both eyes are lowered to the screen, one brow faintly drawn, lips slightly parted in the slack concentration of late-night scrolling. She wears a loose purple kimono with a soft sash, the front panel fallen open a little at the collarbone, the fabric creased and dragged into long diagonal folds across the sheet; her bridal gauntlets sit pushed back on her forearms, their armored plates catching a small hard highlight. Her right foot is lifted slightly off the mattress behind her, toes curled, knee bent, an idle counterweight to her propped upper body. Tucked against her left side, half under the same quilt, her small son sleeps curled on his side facing her: short dark hair mussed flat against the pillow, one cheek squashed, mouth slightly open, one small hand loose near his chin. Her left forearm rests along the mattress beside his shoulder without touching, and the quilt is drawn up over his ribs and pulled down away from hers, so the blanket lies in two different levels across the bed. His chest rises against the quilt's edge. The room is dark and close: a wooden headboard behind them, a low nightstand at the right edge with a glass of water and a folded book, the rest of the room falling into unlit shadow. A window off-frame to the upper left lets in a narrow band of cool blue moonlight that crosses the pillow and the sheet behind her head, drawing a long soft-edged rectangle of pale light that stops short of her face and does not reach the boy. The phone screen is the warm-white second source, much smaller and closer, and the two lights do not mix where they meet on the sheet between her elbows โ€” the moonlit patch stays blue, the phone's pool stays white. Everything else is one continuous dark violet-brown. The only cast shadows are short and doubled: a soft blue shadow of her braid falling away from the window, a hard small shadow of the phone under her hands. Deep violet, dusty plum, cold blue and a single warm phone-white; nothing else admitted. Detail budget on her hands, the phone's glow on her face, the braid's loose coil and the sleeping boy's slack cheek. Quiet, tender.
Luiz Gabriel
AI artwork
lg
character: raiden_shogun 2girls? no โ€” solo, one adult woman, one small boy, raiden_shogun, purple hair, long hair, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, purple kimono, japanese clothes, sash, bridal gauntlets, lying on bed, lying on stomach, propped on elbows, holding phone, looking at phone, smartphone glow, from above, from side, bed, pillow, blanket, night, dark room, moonlight through window, mother and son, child, small boy, short dark hair, sleeping, arm draped over his back, bare feet, feet up, warm and cool light mix, intimate, quiet View from above and slightly to the side, looking down across a wide bed at night. The woman with long purple hair lies on her stomach along the left half of the mattress, her body angled diagonally from the lower left toward the upper right of the frame, propped on both forearms so her shoulders lift off the sheet; her long single braid trails over her right shoulder and pools in a loose S-curve on the pillow beside her cheek, and the pale hair ornament at the back of her head catches a thin edge of light. Her blunt bangs hang forward off her brow. She holds a smartphone in both hands just above the mattress, tilted toward her face, thumbs resting on the screen edges; the cold white glow from the display lights the underside of her chin, the bridge of her nose and both cheekbones, and leaves the top of her head and the far side of her face in shadow. Both eyes are lowered to the screen, one brow faintly drawn, lips slightly parted in the slack concentration of late-night scrolling. She wears a loose purple kimono with a soft sash, the front panel fallen open a little at the collarbone, the fabric creased and dragged into long diagonal folds across the sheet; her bridal gauntlets sit pushed back on her forearms, their armored plates catching a small hard highlight. Her right foot is lifted slightly off the mattress behind her, toes curled, knee bent, an idle counterweight to her propped upper body. Tucked against her left side, half under the same quilt, her small son sleeps curled on his side facing her: short dark hair mussed flat against the pillow, one cheek squashed, mouth slightly open, one small hand loose near his chin. Her left forearm rests along the mattress beside his shoulder without touching, and the quilt is drawn up over his ribs and pulled down away from hers, so the blanket lies in two different levels across the bed. His chest rises against the quilt's edge. The room is dark and close: a wooden headboard behind them, a low nightstand at the right edge with a glass of water and a folded book, the rest of the room falling into unlit shadow. A window off-frame to the upper left lets in a narrow band of cool blue moonlight that crosses the pillow and the sheet behind her head, drawing a long soft-edged rectangle of pale light that stops short of her face and does not reach the boy. The phone screen is the warm-white second source, much smaller and closer, and the two lights do not mix where they meet on the sheet between her elbows โ€” the moonlit patch stays blue, the phone's pool stays white. Everything else is one continuous dark violet-brown. The only cast shadows are short and doubled: a soft blue shadow of her braid falling away from the window, a hard small shadow of the phone under her hands. Deep violet, dusty plum, cold blue and a single warm phone-white; nothing else admitted. Detail budget on her hands, the phone's glow on her face, the braid's loose coil and the sleeping boy's slack cheek. Quiet, tender.
Luiz Gabriel
AI artwork
lg
character: raiden_shogun 2girls? no โ€” solo, one adult woman, one small boy, raiden_shogun, purple hair, long hair, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, purple kimono, japanese clothes, sash, bridal gauntlets, lying on bed, lying on stomach, propped on elbows, holding phone, looking at phone, smartphone glow, from above, from side, bed, pillow, blanket, night, dark room, moonlight through window, mother and son, child, small boy, short dark hair, sleeping, arm draped over his back, bare feet, feet up, warm and cool light mix, intimate, quiet View from above and slightly to the side, looking down across a wide bed at night. The woman with long purple hair lies on her stomach along the left half of the mattress, her body angled diagonally from the lower left toward the upper right of the frame, propped on both forearms so her shoulders lift off the sheet; her long single braid trails over her right shoulder and pools in a loose S-curve on the pillow beside her cheek, and the pale hair ornament at the back of her head catches a thin edge of light. Her blunt bangs hang forward off her brow. She holds a smartphone in both hands just above the mattress, tilted toward her face, thumbs resting on the screen edges; the cold white glow from the display lights the underside of her chin, the bridge of her nose and both cheekbones, and leaves the top of her head and the far side of her face in shadow. Both eyes are lowered to the screen, one brow faintly drawn, lips slightly parted in the slack concentration of late-night scrolling. She wears a loose purple kimono with a soft sash, the front panel fallen open a little at the collarbone, the fabric creased and dragged into long diagonal folds across the sheet; her bridal gauntlets sit pushed back on her forearms, their armored plates catching a small hard highlight. Her right foot is lifted slightly off the mattress behind her, toes curled, knee bent, an idle counterweight to her propped upper body. Tucked against her left side, half under the same quilt, her small son sleeps curled on his side facing her: short dark hair mussed flat against the pillow, one cheek squashed, mouth slightly open, one small hand loose near his chin. Her left forearm rests along the mattress beside his shoulder without touching, and the quilt is drawn up over his ribs and pulled down away from hers, so the blanket lies in two different levels across the bed. His chest rises against the quilt's edge. The room is dark and close: a wooden headboard behind them, a low nightstand at the right edge with a glass of water and a folded book, the rest of the room falling into unlit shadow. A window off-frame to the upper left lets in a narrow band of cool blue moonlight that crosses the pillow and the sheet behind her head, drawing a long soft-edged rectangle of pale light that stops short of her face and does not reach the boy. The phone screen is the warm-white second source, much smaller and closer, and the two lights do not mix where they meet on the sheet between her elbows โ€” the moonlit patch stays blue, the phone's pool stays white. Everything else is one continuous dark violet-brown. The only cast shadows are short and doubled: a soft blue shadow of her braid falling away from the window, a hard small shadow of the phone under her hands. Deep violet, dusty plum, cold blue and a single warm phone-white; nothing else admitted. Detail budget on her hands, the phone's glow on her face, the braid's loose coil and the sleeping boy's slack cheek. Quiet, tender.
Luiz Gabriel

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