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エヴァンゲリオン初号機・暴走

『ヱヴァンゲリヲン』より、初号機の暴走シーンを描きました。炎に照らされたその姿は、まさに絶対的な存在感で、私もその力強さに改めて魅了されています。この迫力を少しでも感じていただけたら嬉しいです！ぜひいいねとフォロー、そして感想をコメントで聞かせてくださいね。

#Mecha #Neon Genesis Evangelion #Battle #No humans #Glowing eyes #Fire #Evangelion Unit-01 #Evangelion: 2.0 You Can (Not) Advance

Published on Nov 5, 2026

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character: eva_01, copyright: neon_genesis_evangelion 1 mecha, solo, Evangelion Unit-01, berserk state, out of control, rampage, side profile, facing sideways, profile, from side, single horn, horn, purple armor, green armor, multicolored armor, helmet, red eyes, yellow eyes, glowing eyes, open mouth, roaring, teeth bared, hunched forward, lunging, outstretched arm, claws, clawed hand, reaching, dynamic pose, tension cables, torn cables, broken restraints, debris, sparks, smoke, damage, city ruins, night, from below, dutch angle, dramatic angle, foreshortening, backlighting, rim light, high contrast, cinematic lighting A true side profile view, the whole frame turned so the biomechanical titan is read only as a silhouette against the night: seen from a low, tilted angle with the camera near the ground, its bulk filling the left two-thirds of the frame as it lunges toward the right edge, one foot slammed forward onto a crushed roadway with the other leg driving behind, hip low and shoulders hunched, the long neck thrust out and the head tipped so the jaw juts past the chest line. From this angle the single horn rises clean off the crown of the helmet in an unbroken curve against the sky, the purple and green armor plates of the shoulder pylon and flank catching the only light, and the head is turned a half-step past pure profile so one eye burns into the frame: a red iris inside a yellow ring, lid peeled back, and below it the mouth split open in a raw bellow, teeth crowded and bared, jaw unhinged wider than the armor was built to allow. Restraint pylons hang off the shoulder in shattered halves, ducts and cable bundles torn loose and whipping back along the spine, one snapped cable still sparking where it drags across the concrete. The arm nearer the camera swings out and forward, elbow locked, three-fingered clawed hand splayed open so the talons read separately against the dark, each one throwing its own thin highlight; the far arm is a shadow behind the chest, gripping into the debris. Rain-slick asphalt under the forward foot reflects the eye's glow as a stretched red streak that is dimmer and softer than the source, and a shallow crater of shattered slab rings the impact point, hairline cracks running out along the seams of the road while dust and glass dust lift and hang around the shin. The light source is low and behind: a burning city block off-frame right, orange and sodium-warm, rimming the horn, spine pylons and the leading edge of the jaw in hot amber, leaving the near flank in deep bruised violet shadow, with the eye's own red as a second, colder accent. Above, a black sky cut by one tilted slice of moonlit cloud; the left third of the frame is empty dark to hold the silhouette. Palette limited to purple, green, black, and the orange rim, with red reserved for the eye and its reflection. Every plate edge sharp and crisp, cel-shaded armor with hard shadow terminators and no soft airbrush. Monstrous, uncontainable.

エヴァンゲリオン初号機・暴走

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