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Joshua Froat
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- Original Prompt
- a pure white skinned demon woman, pure white eyes, black squiggly tattoo going from the corner of both eyes to her ears,plump black lips, pointed ears, wide hips, large breasts, long black hair with bangs, black finger nails,seo Black horns on her forehead,a womb tattoo,a long black demon tail wearing a open lavender leather jacket that's slight to big and covers cost of her hand with one sleeve rolled up, a fishnet shirt with a tube top over it, a pair of tight short leather shorts, fish net stokings, Japanese sandles, in hell, throwing kunai at a target
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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1girl, solo, demon girl, non-human, pure white skin, solid white eyes, white irises with faint inner structure, black squiggly tattoo from the outer corner of both eyes running back to the pointed ears, pointed ears, plump black lips, wide hips, large breasts, long black hair, hair past the waist, blunt bangs, black fingernails, two black horns on the forehead curving up and slightly back, womb tattoo low on the belly, long black demon tail, open lavender leather jacket, oversized jacket, jacket sleeves covering most of both hands, one sleeve rolled up to the elbow on her left arm, fishnet shirt, tube top, tight short black leather shorts, fishnet stockings, japanese sandals, geta, in-ear headphones, earphones in both ears, listening to music, dancing, mid-dance, arms up, one arm raised overhead, weight on one leg, contrapposto, hips swung out, looking to the side, eyes half closed, light smile, parted lips, from below, low angle, cowboy shot, hell, infernal landscape, red sky, brimstone, embers, dynamic pose, dutch angle
The camera sits low, looking up from roughly her knee height, tilted a few degrees off level so the horizon of the infernal plain slants behind her; the shot is a cowboy shot, cutting her at mid-thigh so the sandals sit just at the bottom edge. She is caught mid-dance: her weight is on her right leg, hip thrust out to that side, left leg bent at the knee with the heel of her sandal lifted off the cracked ground; her right arm hangs low and loose, the oversized lavender cuff swallowing her hand to the fingertips with only black nails showing past the leather, while her left sleeve is bunched in folds at her elbow where it was pushed up, the bare white forearm and fishnet shirt cuff visible below it. Her left arm is flung up and slightly out, wrist loose, head tipped back and turned about thirty degrees to her right, so her bangs part away from one black horn; both eyes are half-lidded, faintly smiling with her plump black lips parted on a breath, gazing off across the plain toward a distant glow rather than at the lens. The two black horns rise from her forehead with light striking a wet highlight along their front ridge; the squiggly black tattoo on each side crawls from the corner of her eye across her cheekbone and disappears behind the pointed tip of each ear. Her long black hair swings as one heavy mass away from her turning head, whipping across her right shoulder and lifting off the back of the jacket.
The jacket hangs open and a size too big, its shoulders slipping down past her own, the lavender leather creased deeply at the inner elbow so the open front falls wide and reveals the fishnet shirt straining over her large breasts with the tube top pulled down snug over it, mesh diamonds stretching into wider diamonds at the stretch points. The womb tattoo sits low on the flat white belly just above the waistband of the tight black leather shorts, which cut high on her wide hips and crease at the crotch as her hip juts; below them the fishnet stockings run down both legs, and her long black tail sweeps out low behind her, arcing to the right and lifting its tip clear of the ground, the only part of her breaking the silhouette of her legs.
Black earbud headphones sit seated in both ears, their thin cable dropping from her left bud down across the jacket collar and vanishing into the rolled sleeve near her elbow, swaying with her motion. The setting is hell: a blasted plain of cracked black basalt runs away behind her toward a low jagged ridge, the sky above it a heavy clot of crimson and charcoal cloud lit from below, sulfurous haze hanging in bands, thin embers drifting upward and glowing brighter against the dark ridge. The light comes from a distant infernal glow low and behind her right shoulder, so it rims the back of her jacket, her hair and the edge of her tail with hot orange while her front falls into cool shadow, the white skin keeping a faint violet-grey cast except where the embers catch her cheek, shoulder and belly. Dust and small stones are kicked up around the lifted heel of her sandal. Palette of red and charcoal and ember orange against the flat white of her skin and the muted lavender of the leather, everything else held dark. Atmospheric, sultry.
Joshua Froat
1girl, solo, demon girl, pure white skin, pure white eyes, blank white irises, black squiggly tattoo from both eye corners to ears, plump black lips, pointed ears, wide hips, large breasts, long black hair, bangs, black fingernails, black horns on forehead, womb tattoo on lower abdomen, long black demon tail, open lavender leather jacket, oversized jacket, jacket covers most of hands, one sleeve rolled up, fishnet shirt, tube top over fishnet shirt, tight short leather shorts, fishnet stockings, japanese sandals, geta, sitting, sitting on bench, holding phone, smartphone, scrolling, looking at phone, crossed legs, leaning back, hell, hellscape, flames, embers, dark red sky, dutch angle, cowboy shot, from below, looking down,
Low dutch angle, cowboy shot from slightly below: a single demon woman slouches at one end of a scarred iron-and-bone bench, her weight dropped onto the right hip with the right thigh crossed over the left, the left sandal hanging half off the toes of her foot. Her torso leans back against the bench's cold upright, shoulders loose, head tipped forward and down so her bangs fall across her brow and her pure white eyes โ white irises with only the faintest ring of structure, no visible pupil โ fix on the phone screen in her right hand. Her right thumb hovers just above the glass, mid-scroll. Everything above her collarbone is closed by the described anatomy: pure white skin without a blemish, plump black lips parted slightly on a slow exhale, pointed ears breaking the silhouette of her hair, the two black squiggly tattoos scribbling from the outer corners of both eyes back to the ears, and the black horns rising from her forehead in front of her long black hair. The white of her eyes catches the phone's glow as two small hard rectangles.
The lavender leather jacket sits open and a size too big on her, its shoulders slipping wide past her own, the left cuff swallowing most of her hand so only her black-nailed fingertips and the phone's lower edge emerge; the right sleeve is rolled once, tight above the wrist, leaving her bare white forearm and the black nails of her right hand fully visible around the phone's body. Under the jacket, a black fishnet shirt, and over the fishnet a tube top stretched across her large chest. Below it, tight short black leather shorts crease at the hip, and the fishnet stockings run down over her wide hips' line to the geta sandals. The womb tattoo sits at her lower abdomen just above the shorts' waistband, its lines partly crossed by the fishnet's grid. Her long black demon tail slides off the bench's edge behind her, its spade tip hanging beside the left rear leg, the tip twitching slightly.
The bench stands mid-frame on a cracked basalt ledge; behind her the hellscape falls away in receding layers โ a broken iron railing, distant tower silhouettes jagged against a churning dark-red sky, and lower still the glow of a lava channel running through the rock. Embers drift upward on the thermal draft, and every one that lands on an upward-facing surface โ the bench's top edge, her shoulders, the phone's screen bezel โ sits there and dims, while the undersides of the bench and her jaw stay in shadow. The only real light on her comes from below-left: the lava's orange-red bounce, which rims the underside of her chin, the inner edges of her arms, and the undersides of her breasts where the tube top meets skin, leaving her crown and the tops of her horns in near-dark. The phone throws a second, smaller cold white light straight up into her face, and that is the light her white eyes and black lips are reading against. Palette: white skin, black hair and ink, lavender leather, and the red-orange hellglow โ nothing else. Moody, unhurried.
Joshua Froat
1girl, solo, demon girl, pure white skin, pure white eyes, white irises with visible pupils, black squiggly tattoo from both eye corners to ears, plump black lips, pointed ears, wide hips, large breasts, long black hair, bangs, black fingernails, black horns on forehead, womb tattoo, long black demon tail, open oversized lavender leather jacket, jacket covers most of her hands, one sleeve rolled up to the elbow, fishnet shirt, tube top over fishnet shirt, tight short black leather shorts, fishnet stockings, japanese sandals, sitting cross-legged, reading manga, holding book, looking down at book, hell, from side, dutch angle, cowboy shot, lava glow, floating embers, adult
The view is a low three-quarter angle from her left side, tilted a few degrees off level, cropping her at mid-thigh. She sits cross-legged on a flat slab of cracked black basalt, her weight settled back on her hips with her right knee dropped low and her left ankle drawn in over the opposite shin, both sandals pushed half off her heels so her soles rest flat against the stone. Her torso leans a little forward over the book. Both forearms come forward, and the manga โ a small tankลbon with a glossy dark cover and a splash of pale pink on the front โ is held open in both hands at chest height: the lavender sleeve swallows her right hand to the knuckles so only black-nailed fingertips curl over the book's spine edge, while the left sleeve is rolled into a thick cuff at the elbow, baring a white forearm and five black fingernails pressed flat on the opposite page. Her chin is tipped down and her white eyes are fixed on the open spread, lids lowered, one brow faintly arched at what she reads, her plump black lips pressed together and slightly pulled at one corner.
Her long black hair falls in a heavy straight curtain past her shoulders, bangs cut blunt across her forehead just below the two short black horns that curve up and back from the hairline; a few strands slip forward over the open jacket's collar. The black squiggly tattoos run in wobbling lines from the outer corner of each eye back across her cheekbones and disappear into her hair in front of the pointed ears. The jacket hangs unfastened and too big, its panels falling away from her chest so the tube top and the diamond lattice of the fishnet underneath read clearly between the lapels, and the tight leather shorts crease at the hip where she sits. The womb tattoo sits low on her belly below the tube top's hem. Her long black tail lies slack across the stone behind her hip, its tip curling up off the rock in a lazy loop.
Behind and below the slab, hell opens out: a chasm of black rock shelves stepping down into a slow churning lake of orange lava, distant spires and broken archways silhouetted against the glow, ash drifting in the air. The lava is the only light source, and it lights her from below and behind her left shoulder โ a hot orange rim along her jaw, the underside of her horns, the rolled cuff, the edges of the book โ while the front of her face and the inside of the jacket fall into cool violet shadow; her cast shadow stretches away from the lava, long and sharp, across the basalt. The palette is held to white skin, black hair, leather and ink, lavender, and the one hot orange of the molten lake. Embers rise past her and one has settled, cooling, on the upward face of the stone beside her knee. The book's page catches a faint orange bounce that fades toward the spine. Lazy, wicked and unhurried.
Joshua Froat
1girl, solo, demon girl, blue skin, athletic, muscular female, tall, heavy-lidded eyes, shark eyes, half-closed eyes, thick eyelashes, black and red eyelashes, two-tone eyelashes, eyeshadow, high cheekbones, plump lips, black lips, black and red hair, two-tone hair, high topknot bun, tight bun, hair loops framing face, two hair loops, pointed ears, elf ears, earrings, two curved horns, horns on forehead, curved horns, flame tattoo, facial tattoo, tattoo over right eye, wide hips, large breasts, thick thighs, curvy, black leather dress, chinese dress, qipao, sleeveless qipao, red flame patterns, flame motifs on dress, black stockings, thighhighs, red silk arm bands, silk ribbons on arms, black and red chinese slippers, martial arts, training, fighting stance, high kick, raised leg, arms up, outstretched arm, dynamic pose, motion blur, swirling embers, hell, lava, fire, brimstone, from below, dutch angle, foreshortening, cowboy shot, looking down at viewer, smug, open mouth, grin, parted lips, dutch angle, cinematic lighting, strong rim light, warm underlighting, high contrast, hellish atmosphere, dark fantasy, dramatic, powerful
A low, tilted dutch-angle cowboy shot from below, the camera close to the cracked basalt ground so that the crouched martial-arts stance looms and the figure's raised leg and snapping arm read larger than life through foreshortening. She is caught mid-movement in a training drill: pivoting on the ball of her left foot in its black and red Chinese slipper, right knee lifted and snapped forward at hip height, toes pointed inside the stocking, her weight travelling through the supporting shin while the hips twist sharply so the wide curve of her ass and the flare of the leather qipao swing away from the kick. One arm is extended in a claw-like guard, fingers spread, the red silk band wound around that forearm lifting and curling in the hot updraft; the other arm is pulled back tight against her ribs, fist at her waist, the second silk band streaming behind her elbow.
Her head is tilted down the line of the raised leg and she looks straight down into the lens from under those heavy shark lids, half-lowered, unimpressed and predatory, mouth open in a smug lopsided grin, plump black lips parted over a flash of teeth. The thick black lashes with red tips lie heavy along the upper lid; the eyeshadow is a deep smoky red-violet smeared out toward the temple, and the flame tattoo over her right eye coils visibly across the cheekbone, its outline stretched by the cheek's high ridge. The tightly pulled high topknot sits at the crown, black hair shot with red and lacquered flat to the scalp, and the two hair loops hang down either side of the face, their red streaks catching the glow; the two curved horns sweep back from the forehead above the brow. Pointed ears break the silhouette on both sides, each earring swinging out from the lobe with the turn of the head.
Below the hip-slit dress her stockings run uninterrupted into the slippers, the leather qipao's red flame patterns licking up the front and around the hip where the fabric tauts. Behind and beneath her a hellscape of black volcanic rock shelves and a cracked floor veined with molten orange: the primary light comes from below and behind, molten light in the fissures throwing hot orange up the undersides of her jaw, arms and raised thigh, rimming the black leather with a burning edge, while the smoke above her skull dries into a dark ceiling. Sparks and fine embers drift upward from the fissures and gather around the silk bands, which are lighter than the air and lift first; a thin sheen of sweat on her blue shoulders picks up the orange from below and a sharper white highlight from the upper haze. Palette locked to blue skin, black leather and hair, red flame and red silk, and the molten orange of hell -- nothing else. The tension held in her still-hovering back fist keeps the whole frame coiled, powerful, dangerous.
Joshua Froat
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