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View detailsaxelff23405
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- Original Prompt
- lois lane, con pelo largo ,ojos violeta. en la cama con una campera de cuero y una tanguita roja
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- pro
- Quality Tag
- ﹝Prompts﹞
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- 1104 x 1824
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- lowres, worst quality, low quality, bad anatomy, explicit
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character: yor_briar
1girl, solo, yor_briar, black hair, long hair, sidelocks, gold hairband, red hair flower, red eyes, kneeling on bed, on bed, leather jacket, open jacket, black bikini, bikini, one eye closed, wink, smiling, closed mouth smile, looking at viewer, head tilt, leaning forward, hand on own hip, one arm support, from above, cowboy shot, bedroom, pillows, rumpled sheets, warm lamplight, candy colors, hyper saturated, high contrast, neon accents, pop art energy,
Seen from above and slightly in front, the woman kneels upright in the middle of a wide bed, both knees sunk deep into a soft mattress, sheets and a pillow crushed and folded back around her shins where her weight presses them down. Her black hair, long and falling in two sidelocks past her shoulders, is held back by a gold hairband with a red flower tucked at one side. She wears a black bikini, and over it an open black leather jacket whose sleeves are pushed to her forearms, the stiff collar standing up at her neck and the front hanging open on both sides of her chest. She leans her upper body a little toward the camera, one hand planted flat on the mattress beside her hip for balance, the other arm bent with the fist resting loosely at her waist, shoulder line tilted off-axis.
Her head tips to one side and she looks straight up into the lens: one eye squeezed shut in a wink with the cheek pushed up around it, the other red eye open and bright, lips closed in a wide, pleased smile, a breath of amusement showing at the corner of her mouth. The lamplight comes from one low bedside source at the left of the frame, so the left side of her face and the shine of the leather catch warm light, a soft shadow drops to the right across the duvet, and the jacket's open edge casts a narrow dark line down the bikini top. Palette is held to hot pink bedding, cyan-lit wall behind, black leather and black hair, with the red flower and red eyes as the sharp accent, everything at high saturation. The mattress dips visibly under her knees and one hand, and the sheet creases radiate from each contact point. Playful, effortlessly bold.
axelff23405
scheherazade (fate), fate, 1girl, solo, lying, sleeping, high camera angle, camera angle near to head, closed eyes, spread arms, in bed, white tank top, short pant, high quality, armpit
TryArcher
a2
character: lilithmon
1girl, solo, lilithmon, kneeling on bed, on bed, leather jacket, open jacket, bikini, black bikini, winking, one eye closed, smiling, grin, black hair, short hair, hair between eyes, hair bun, hair ornament, blue eyes, pointy ears, demon horns, forehead mark, purple eyeshadow, black wings, bare shoulders, looking at viewer, from above, cowboy shot, bed, bedsheets, pillow, bedroom, warm lamp light, purple and black palette
The camera looks down from above and slightly to her right, a cowboy shot cropping at mid-thigh, so the whole bed fills the frame beneath her. She kneels upright at the centre of the mattress on both knees, weight settled back onto her heels, thighs together and pressed into the rumpled duvet, toes tucked under behind her. The black leather jacket hangs open off both shoulders, its collar standing up loose around her bare neck and its sleeves pushed to the elbows; the front panels fall apart in two clean vertical lines that leave the black bikini top and the bare plane of her stomach fully in view, the jacket's hem breaking across her hips just above the bikini bottoms. The sheet is dragged into a nest of low folds around her knees, one corner of the duvet hauled up behind her heels where her weight has dragged it.
Her chin tips down a touch so she looks up at the lens from under her brows: her left eye is shut hard in a wink, lashes pressed into a firm curve, while her right eye stays open and bright and locks straight on the viewer, and the corner of her mouth on the winked side pulls higher into a lopsided grin that shows a sliver of teeth. One hand rests flat on the mattress beside her right knee, fingers spread and denting the duvet; the other lifts to the collar of the jacket, thumb and forefinger pinching the lapel and easing it back off her shoulder. The black wings lift behind her shoulder blades, their tips rising past the top edge of the frame so they unfurl away from the pillows, and the short black hair at the nape stirs as they shift. The horns curve up out of her hair, and the forehead mark and the purple eyeshadow sit flat and unshadowed in the light.
A single warm bedside lamp stands somewhere off the upper-left of the frame, out of shot; it rakes across the left side of her face, the top of her bare shoulder and the raised ridges of the duvet, and drops everything at the lower right of the bed into a deep plum darkness, so that her cast shadow falls long and soft across the mattress towards the bottom corner. The palette is committed: black leather, black hair and black feathers against the deep violet sheets, with the only warm notes the skin and the single lamp's amber pool. Where her knees press down, the duvet bulges up in two taut convex mounds around them, and the leather of the jacket takes one hard specular streak down the sleeve. Effortlessly wicked.
axelff23405
吉
1girl, solo, 19 years old, tall female, 180cm, large build, voluptuous, curvy figure, long legs, beautiful legs, large breasts, black hair, blue streaks in hair, blue mesh highlights, long hair, casual cropped top, midriff exposed, navel visible, leather jacket, open jacket, silver necklace, pendant necklace, denim shorts, sitting, sitting on sofa, one knee bent, knee up, hand on own cheek, head resting on hand, supporting head with hand, elbow on knee, looking at viewer, gazing at viewer, half-closed eyes, light smile, head tilt, from below, cowboy shot, three-quarter view, indoor, living room, warm lamp light
The camera sits low and slightly off her left side, looking up at her from just above knee height, so her raised knee reads large in the near foreground while her shoulders lean back and away: a tall, broad-shouldered woman seen from below, seen three-quarter. She lounges deep in the corner of a low dark-brown leather sofa, torso angled toward the room but her face turned square to the lens. Her right foot is planted flat on the sofa cushion, the right knee drawn up and leaning outward; the raised knee is the nearest thing to the camera and her right forearm crosses it, so the point of her right elbow sinks into the top of her knee and her cheek rests heavily on the heel of her open right hand, fingers loosely spread along her jaw, two fingertips pressed into her cheek and pushing the skin up slightly. Her left arm drapes along the sofa's backrest behind her, hand hanging slack over the far armrest, thumb hooked on the cushion seam. Her hips are slung to the left so her weight rides the left seat bone; the left leg stretches out along the sofa seat toward the right edge of the frame, long and unbroken from the swell of the thigh to the slender ankle, the calf lying across the cushion with the toes of the left foot just off the edge. Denim shorts, cut high, ride up on the raised right thigh so the frayed hem sits at the crease of the hip, the stitched edge fraying into loose pale threads. The cropped casual top is a soft heather-grey jersey, sleeveless, loose at the armholes, ending a hand's width under the bust so a straight span of bare midriff shows from the ribcage down to the low waistband of the shorts, with the navel set in the middle of that bare skin and one faint crease across it where she is sitting bent. Over it the black leather jacket hangs open and slides half off her left shoulder, the collar shoved back at the nape, both sleeves pushed to below the elbow and bunched in thick folds; the leather catches light along the top of the sleeve roll and dulls into matte black in the folds. The silver necklace is a fine flat chain with a small solid oval pendant, sitting on her collarbone, catching a bright pinprick and dropping a tiny white highlight onto the skin under it. Her black hair is long and heavy, parted off-centre, with narrow ribbons of electric blue running through it from temple to ends; it falls over the jacket's pushed-back collar on the right side and slides forward across the side of her throat, the loose ends brushing her right wrist where it holds her head. Her eyes are half-lidded and level, locked straight on the viewer without a flicker of shyness, dark irises with a small wet catchlight, brows level, mouth closed on a faint lopsided smile that pulls a little higher at the left corner. The pose compresses the cushion under her left hip and back, and the leather sofa back dents where her shoulder leans in.
The room falls off into dark behind her: a warm floor lamp stands out of frame to the left at about her shoulder height, its light raking across the left side of her face, the left edge of the open jacket and the top of her raised knee, while the right side of her jaw, the underside of the bent knee and the sofa behind her sink into deep brown shadow. The lamp is the only light source; beyond its falloff the background dissolves into a near-black wall with one dim framed rectangle reading as unlit glazing. Palette restricted to warm amber light, black leather and hair, pale heather grey, faded indigo denim, and the single cold blue note of the hair streaks and the silver chain. Fabric and leather are rendered with visible grain and stitching; the skin keeps a soft matte sheen with one specular line along the top of the raised knee and the collarbone. Quiet, confident, effortlessly cool.
吉田晴樹
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