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AI art "Wedding Riju" featuring #The Legend of Zelda, #Riju, #The Legend of Zelda: Tears of the Kingdom and #PixAI Halloween 2026
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Wedding Riju

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#The Legend of Zelda#Riju#The Legend of Zelda: Tears of the Kingdom
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character: riju 1girl, solo, riju, red hair, shoulder-length hair, voluminous hair, thick hair strands, hair rings, gold hair ornaments, pointy ears, dark skin, red eyeshadow, glittery eyeshadow, light-blue lips, glossy lips, gold crown, sheer veil, organza bridal veil, off-shoulder wedding dress, white-silver dress, silk, figure-hugging bodice, flared skirt, knee-high skirt slit, long train, long white silk gloves, gold embroidery, white diamond studs, light-blue gemstones, bouquet, white flowers, holding bouquet, standing, church interior, altar, stained glass, stained-glass windows, smiling, looking at viewer, from below, cowboy shot, shimmering fabric, high contrast, saturated colors, Viewed from below at a slight upward angle, she stands at the church altar caught in the instant before the ceremony begins: her weight rests on her right leg so her left hip carries a relaxed counter-curve, shoulders turned a quarter off-axis, her chin lifted a touch as she smiles -- a soft closed-lip smile that reaches her cheeks, not aimed straight at the lens but drifting just past the viewer toward the nave doors where she is waiting for her husband, then a flick back toward the lens. Both gloved hands clasp the bouquet low at her waist, wrists crossing at the stems, the flowers' white petals brushing the gold embroidery of her bodice; the bouquet's ribbon tail hangs against the silk where it catches the light. Her shoulder-length red hair is broken into separate heavy voluminous strands that fall clear of her bare shoulders, each strand threaded through small gold rings so the rings sit visibly along the locks and glint with her movements; a gold crown rests low over her brow. The sheer organza veil lifts and floats behind her head, its luster brightening where the window light passes through it, the hem a faint trembling shimmer. Her dress is a white-silver silk that hugs the bodice, off the shoulder and baring the top of her arms where they emerge above long gloves of the same fabric ending at mid-upper-arm; the skirt flares and parts in a slit at knee height, and the train sweeps back across the altar steps and out of frame behind her. Gold embroidery runs along the bodice and up the gloves in fine curling thread; small white diamond studs sprinkle the seams and cuffs; a few big light-blue gemstones sit at the shoulder, the waist and the back of each glove, their facets throwing small bright points. The silk is very shiny and shimmers with a deep rolling highlight along every fold, the same in the fitted gloves. The light source is the stained-glass window at the back and up the right side: a tall arched window of deep blue, ruby red and amber glass, cut into panels, mounted above and behind her, its colored light fanning across the altar steps and mixing with a soft white daylight. The colored beams strike the floor in front of the altar and the lower folds of her train, while the upper body stays in the clean white pool of ambient light; behind her, the church stone recedes in cool shadow, and her cast shadow runs long toward the camera, tinted by the glass. Stained glass renders as luminous shapes with dark lead lines, not flat colors. On the altar rail beside her, a single lit candle makes one more small warm source, its flame doubled in a nearby polished brass surface. Palette: white-silver silk as the dominant mass, clear red for the hair, deep blue and ruby from the glass, gold as the warm accent on thread, crown and hair rings, and the light-blue gems and lips as the cool spark. The composition keeps her centered but slightly off-axis, the train as a leading line from the bottom of frame back to the altar, the window arch as the enclosing shape above her head. Everything physical stays consistent: the bouquet's stem ribbons drape downward under their own weight, and the sheer veil floats upward and outward because the air behind her is moving. Serene, luminous, tender.
Show Parameters
Original Prompt
Riju from Zelda Tears of the Kingdom game, with her recognisable red hair, shoulder length, divided into separate voluminous strands and decorated with gold rings, red glittering eyeshadows and light-blue lipstick with gloss. Riju wearing a long, off-the-shoulder, white-silver silk wedding dress, hugging the figure, perfectly fitting, with a flared skirt that flows into a long train at the back, parting at knee height. Long gloves of the same fabric are also featured. The silk texture of the dress and gloves is very shiny, silky, and shimmers in the light. The dress and gloves are decorated with gold embroidery, little white diamond studs, and big light-blue gemstones. Riju wears her signature gold crown and a sheer, shimmering wedding veil of lustrous, airy organza. She holds a wedding bouquet of white flowers. Riju stands at the church altar, against a backdrop of beautiful stained-glass windows. It's her wedding ceremony, she is waiting her husband and smiles.
Mode
pro
Style
Hyper Pop
Quality Tag
﹝Prompts﹞
Size
944 x 1584
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Hyper Pop
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