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- Original Prompt
- (masterpiece, best quality:1.4), ultra-detailed, 8k, intricate details, highres, absurdres, official art, BREAK 1girl, abe nana from the idolmaster cinderella girls, is indoors in a brightly lit studio in a front view. BREAK She is wearing a tight dark navy blue school swimsuit (dark navy blue school swimsuit, one-piece swimsuit:1.5). BREAK On her legs, she is wearing tight white knee-high socks (white knee-high socks, zettai ryouiki:1.5). BREAK She is looking directly at the viewer, striking a cute idol pose with a bright smile (cute idol pose, bright smile:1.4).
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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1girl, solo, Nishino Kumiko, bunny girl outfit, playboy bunny, black leotard, strapless leotard, bare shoulders, black pantyhose, white collar, black bowtie at the throat, white cuffs, bunny ears on head, rabbit ears, embarrassed smile, bashful, blush across the cheeks, light smile with corners pressed tight, one eye half closed, looking away, looking to the side, peace sign, v, hand raised, arm up, head tilt, cowboy shot, from below, dutch angle, looking down at viewer, single subject
The camera crouches low and tilts a few degrees off level, so the girl is seen from below in a loose cowboy shot cropped just under the hips: she has just hopped half a step back from the lens and her weight is planted on her left foot, right knee bent and turned inward, hips canted in the opposite direction from her shoulders. Her right arm swings up and out so the raised hand sits high beside her cheek, two fingers up in a peace sign with the wrist tipped outward and the middle and ring fingers folded, and the white cuff at that wrist is the closest thing to the lens; her left hand hangs low and presses flat against the outside of her thigh, fingertips dimpling the leotard fabric. Her head tips toward her raised shoulder so a strand of hair falls across the bowtie. Her chin is tucked, cheeks flooded pink, one eye squeezed half shut and the other slid off to the side rather than into the lens, and her lips are pressed into a narrow closed smile that fights the flush and keeps escaping it. The bunny ears sit slightly askew on the back of her head, their tips nodding forward under her motion, and the tail of her hair swings forward over the far shoulder from the turn. She stands close to the shuttered entrance of an after-hours club on a quiet side street, a rolled-down metal shutter behind her, the concrete step under her left foot, nothing else in frame but the shutter and the step. The only light is a wall lamp mounted above the shutter on her right: it falls hard across the right side of her torso and the top of the raised arm, leaves the underside of her jaw and the inside of the bent knee in deep shadow, and throws a long blunt shadow of the raised arm down the shutter behind her. Palette is narrow and cool -- black leotard and pantyhose, warm skin, the white collar, bowtie cuffs and ear tips catching the lamp, the dirty grey of the shutter, a single sodium warmth in the lamp glow. The lamp's heat makes the shutter metal tick and a fine dust drift through the beam between her and the camera, and behind her the shutter's corrugation breaks up her shadow. Quietly giddy, a little mortified.
こんとるぽわ〜ん
1girl, solo, Nishino Kumiko, bunny girl outfit, playboy bunny, black leotard, strapless leotard, bare shoulders, black pantyhose, white collar, black bowtie at the throat, white cuffs, bunny ears on head, rabbit ears, embarrassed smile, bashful, blush across the cheeks, light smile with corners pressed tight, one eye half closed, looking away, looking to the side, peace sign, v, hand raised, arm up, head tilt, cowboy shot, from below, dutch angle, looking down at viewer, single subject
The camera crouches low and tilts a few degrees off level, so the girl is seen from below in a loose cowboy shot cropped just under the hips: she has just hopped half a step back from the lens and her weight is planted on her left foot, right knee bent and turned inward, hips canted in the opposite direction from her shoulders. Her right arm swings up and out so the raised hand sits high beside her cheek, two fingers up in a peace sign with the wrist tipped outward and the middle and ring fingers folded, and the white cuff at that wrist is the closest thing to the lens; her left hand hangs low and presses flat against the outside of her thigh, fingertips dimpling the leotard fabric. Her head tips toward her raised shoulder so a strand of hair falls across the bowtie. Her chin is tucked, cheeks flooded pink, one eye squeezed half shut and the other slid off to the side rather than into the lens, and her lips are pressed into a narrow closed smile that fights the flush and keeps escaping it. The bunny ears sit slightly askew on the back of her head, their tips nodding forward under her motion, and the tail of her hair swings forward over the far shoulder from the turn. She stands close to the shuttered entrance of an after-hours club on a quiet side street, a rolled-down metal shutter behind her, the concrete step under her left foot, nothing else in frame but the shutter and the step. The only light is a wall lamp mounted above the shutter on her right: it falls hard across the right side of her torso and the top of the raised arm, leaves the underside of her jaw and the inside of the bent knee in deep shadow, and throws a long blunt shadow of the raised arm down the shutter behind her. Palette is narrow and cool -- black leotard and pantyhose, warm skin, the white collar, bowtie cuffs and ear tips catching the lamp, the dirty grey of the shutter, a single sodium warmth in the lamp glow. The lamp's heat makes the shutter metal tick and a fine dust drift through the beam between her and the camera, and behind her the shutter's corrugation breaks up her shadow. Quietly giddy, a little mortified.
こんとるぽわ〜ん
1girl, solo, Nishino Kumiko, bunny girl outfit, playboy bunny, black leotard, strapless leotard, bare shoulders, black pantyhose, white collar, black bowtie at the throat, white cuffs, bunny ears on head, rabbit ears, embarrassed smile, bashful, blush across the cheeks, light smile with corners pressed tight, one eye half closed, looking away, looking to the side, peace sign, v, hand raised, arm up, head tilt, cowboy shot, from below, dutch angle, looking down at viewer, single subject
The camera crouches low and tilts a few degrees off level, so the girl is seen from below in a loose cowboy shot cropped just under the hips: she has just hopped half a step back from the lens and her weight is planted on her left foot, right knee bent and turned inward, hips canted in the opposite direction from her shoulders. Her right arm swings up and out so the raised hand sits high beside her cheek, two fingers up in a peace sign with the wrist tipped outward and the middle and ring fingers folded, and the white cuff at that wrist is the closest thing to the lens; her left hand hangs low and presses flat against the outside of her thigh, fingertips dimpling the leotard fabric. Her head tips toward her raised shoulder so a strand of hair falls across the bowtie. Her chin is tucked, cheeks flooded pink, one eye squeezed half shut and the other slid off to the side rather than into the lens, and her lips are pressed into a narrow closed smile that fights the flush and keeps escaping it. The bunny ears sit slightly askew on the back of her head, their tips nodding forward under her motion, and the tail of her hair swings forward over the far shoulder from the turn. She stands close to the shuttered entrance of an after-hours club on a quiet side street, a rolled-down metal shutter behind her, the concrete step under her left foot, nothing else in frame but the shutter and the step. The only light is a wall lamp mounted above the shutter on her right: it falls hard across the right side of her torso and the top of the raised arm, leaves the underside of her jaw and the inside of the bent knee in deep shadow, and throws a long blunt shadow of the raised arm down the shutter behind her. Palette is narrow and cool -- black leotard and pantyhose, warm skin, the white collar, bowtie cuffs and ear tips catching the lamp, the dirty grey of the shutter, a single sodium warmth in the lamp glow. The lamp's heat makes the shutter metal tick and a fine dust drift through the beam between her and the camera, and behind her the shutter's corrugation breaks up her shadow. Quietly giddy, a little mortified.
こんとるぽわ〜ん
1girl, solo, Nishino Kumiko, bunny girl outfit, playboy bunny, black leotard, strapless leotard, bare shoulders, black pantyhose, white collar, black bowtie at the throat, white cuffs, bunny ears on head, rabbit ears, embarrassed smile, bashful, blush across the cheeks, light smile with corners pressed tight, one eye half closed, looking away, looking to the side, peace sign, v, hand raised, arm up, head tilt, cowboy shot, from below, dutch angle, looking down at viewer, single subject
The camera crouches low and tilts a few degrees off level, so the girl is seen from below in a loose cowboy shot cropped just under the hips: she has just hopped half a step back from the lens and her weight is planted on her left foot, right knee bent and turned inward, hips canted in the opposite direction from her shoulders. Her right arm swings up and out so the raised hand sits high beside her cheek, two fingers up in a peace sign with the wrist tipped outward and the middle and ring fingers folded, and the white cuff at that wrist is the closest thing to the lens; her left hand hangs low and presses flat against the outside of her thigh, fingertips dimpling the leotard fabric. Her head tips toward her raised shoulder so a strand of hair falls across the bowtie. Her chin is tucked, cheeks flooded pink, one eye squeezed half shut and the other slid off to the side rather than into the lens, and her lips are pressed into a narrow closed smile that fights the flush and keeps escaping it. The bunny ears sit slightly askew on the back of her head, their tips nodding forward under her motion, and the tail of her hair swings forward over the far shoulder from the turn. She stands close to the shuttered entrance of an after-hours club on a quiet side street, a rolled-down metal shutter behind her, the concrete step under her left foot, nothing else in frame but the shutter and the step. The only light is a wall lamp mounted above the shutter on her right: it falls hard across the right side of her torso and the top of the raised arm, leaves the underside of her jaw and the inside of the bent knee in deep shadow, and throws a long blunt shadow of the raised arm down the shutter behind her. Palette is narrow and cool -- black leotard and pantyhose, warm skin, the white collar, bowtie cuffs and ear tips catching the lamp, the dirty grey of the shutter, a single sodium warmth in the lamp glow. The lamp's heat makes the shutter metal tick and a fine dust drift through the beam between her and the camera, and behind her the shutter's corrugation breaks up her shadow. Quietly giddy, a little mortified.
こんとるぽわ〜ん
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