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Breasts, Bra

AI art by Василий Осипов on PixAI. Made with Tsubaki.3 Flash.

#Breasts #Bra #Black Bra

Published on Nov 5, 2026

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Василий Осипов

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character: izumi_sagiri, copyright: eromanga_sensei 1girl, solo, izumi sagiri, long white hair, pale grey-blue hair, blue eyes, pink bow hair ornament, sidelocks, small breasts, medium ass, sexy black lace bra, matching black lace panties, bare shoulders, bare legs, sitting on chair, sitting on wooden chair, body facing viewer, leaning back startled, shoulders drawn up, open mouth, very shy embarrassed expression, heavy blush, wide-eyed, looking at viewer, holding sketchbook in both hands, pencil in hand, drawing, pajamas folded on the bed, bedroom, no table, clear floor, from above, close-up, dutch angle, startled, flustered, adult, seductive, trembling, sweat, blurry background, The camera looks down from above and slightly off-axis, tilted a few degrees, so the wood floor of the bedroom runs diagonally behind her and the chair she sits on fills the lower half of the frame. Sagiri sits squarely facing the viewer on a plain wooden chair, her back not resting against it: the chair's front edge presses into the backs of her thighs, both feet flat on the bare floorboards with her knees pressed close together, and her weight has rocked backwards so the chair's front legs carry it while her upper body leans away in the first instant of the surprise. Long pale white hair with a faint blue-grey cast falls past her shoulders on both sides, her sidelocks framing a face turned fully to the lens, and the pink bow sits high at the back of her head where it catches the light. Her eyes are wide, irises ringed white with alarm, the pupils pinned small, and a dark flush spreads across both cheeks and the bridge of her nose; her jaw has dropped into a small open oval of a mouth, caught mid-breath, and her brows are lifted and pinched at the inner ends. Both hands are up in front of her chest, clutching a small sketchbook against her sternum with the left hand spread flat across its page and the right hand still holding a pencil poised just above the paper, the graphite tip stopped in the middle of a stroke. Over her torso sits a black lace bra with thin straps and a scalloped edge, the lace's openwork showing the pale skin beneath at the cups, and matching black lace panties at her hips; her shoulders are bare, her collarbones lifted by the startled breath, and her arms and legs are bare from the lace down to her bare feet. She is not touching anything but the chair, the sketchbook, the pencil and the floor. Her gaze goes straight out of the picture at the viewer, and the whole pose reacts to that gaze: the drawn-up shoulders, the recoil, the hands frozen mid-drawing. Behind her, a rumpled bed takes up the right of the background with a folded pair of pajamas laid on the quilt, soft flannel with a small pattern, one sleeve hanging over the edge of the mattress; the left side of the room is a clear expanse of bare wood floor with no table and no desk in it, only a low shelf against the far wall and a curtain at the window. Daylight enters from the window at the left, cool and diffuse, laying a pale band across the floorboards and along the left side of her face, arm and thigh, while her right side falls into a soft grey shadow and a long thin shadow of the chair legs stretches to the right across the boards. The palette stays narrow: the white and blue-grey of her hair, the warm honey of the wood and the bed, the black lace, and the pink of the bow and the blush as the only saturated accents. Detail concentrates on her face, the open mouth, the clutch of her fingers on the sketchbook and the lace texture; the room is simplified into big soft shapes behind her. Flustered, caught red-handed.

Breasts, Bra

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