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AI art "girl" featuring #My Hero Academia and #Izuku Midoriya
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girl

girl AI art by Shuna on PixAI. Made with Vixon's Noob Illust Merge.

#My Hero Academia#Izuku Midoriya
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Young heroine with green-black medium-length hair, skin-tight suit, dark blue iris, and black cornea, hoop earrings, Kohei Horikoshi, My Hero Academia, MHA style, large and detailed eyes, beautiful girl, mha_oc_style(male), bnha_style, screencap style
Show Parameters
Size
706 x 1024
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
6
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

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Avatar image of Bryan Luna
character: midnight_(boku_no_hero_academia) 2girls, 1boy, hug from behind, back hug, male hugging female from behind, injured, bandage, bruise, blood, torn clothes, midnight_(boku_no_hero_academia), tall woman, black hair, long hair, high ponytail, spiked hair, blue eyes, black leotard, white bodysuit, purple thighhighs, black boots, semi-rimless eyewear, glasses, male, tactical outfit, combat vest, cargo pants, utility boots, matte black gear, from side, cowboy shot, over-shoulder composition, standing, leaning back, arms around waist, protective embrace, looking to the side, exhausted expression, half-closed eyes, light smile, parted lips, no speech bubbles, no text, A cowboy-shot profile view from the side of a ruined street, the two figures standing close in the midground. On the right of frame stands a tall woman, her back to the chest of the man behind her, weight settled onto her right hip so her body lists back against him. Her long black hair is pulled up into a high spiked ponytail; a loose strand has slipped free and hangs across her cheek. She wears the black leotard over a white bodysuit, purple thighhighs running up her legs, black boots planted wide, and semi-rimless glasses sitting slightly askew on her nose. Her body carries fresh injuries: a split at her left brow with a thin line of dried blood down to her jaw, a dark bruise blooming across her bare right shoulder and upper arm, a grazed scrape along her ribs where the leotard fabric has torn at the side seam, and dirt smeared across one thighhigh. The man stands directly behind her, his chest pressed to her upper back, both arms wrapped around her waist and cinched at her stomach. He is built broad, a matte black tactical outfit covering him entirely โ€” a rigid combat vest strapped across his chest with visible buckle webbing, cargo pants with reinforced knee panels, and utility boots set shoulder-width apart behind her heels. The top of his chin rests near her temple, his face turned toward the side of her head; he is not visible past her shoulders except for jaw, ear and the short crop of his hair. His gaze is fixed forward and down at her profile. Her eyes are half-closed and turned to the side away from the contact, chin tipped slightly, lips parted on an exhale; a faint, tired smile at one corner of her mouth. One of her gloved hands rests loosely over his forearm where it crosses her stomach; her other arm hangs at her side. Behind them the street recedes in soft focus: cracked asphalt, a toppled barrier, dust hazing the air. Low late light pushes in from frame-left, striking the woman's cheek, the front of her thigh and the edge of the man's vest, leaving their right sides and the space between their bodies in deep shadow; a long shadow stretches from their feet to the right edge of the frame. Palette is held to dusty concrete grey, black, the deep indigo of her hair and purple of the thighhighs, warmed at the rim by the low amber light, with a single hot note of dried red at her brow and ribs. Quiet exhaustion, held and steady.
Bryan Luna

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