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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Shahnozaxon Ilhomova

si
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Shahnozaxon Ilhomova

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character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
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Original Prompt
Sexy style , glossy skin , toddler loli child size ino and Sakura-Haruno обоим по 5 лет и меньше , ино и сакура с аниме Наруто они с 1 сезона рост тела волосы,, wataa , малолетние сучки , in a средневековье костюм принцессы сучки , wet full body ,
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flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

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Tsubaki.3 Flash
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AI artwork
si
character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
Shahnozaxon Ilhomova
AI artwork
si
character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
Shahnozaxon Ilhomova
#Naruto#Ino Yamanaka#Naruto
AI artwork
si
character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
Shahnozaxon Ilhomova

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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