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Halloween Night Out #44

Delphis (🤍): "Huh?! I hear two more people somewhere in the basement!" Cithera (🦋): "You've got to be kidding me! More people?!" Delphis (🤍): "Hear me out, do you want to go with me?" Cithera (🦋): "I'm good, we got caught the last time we followed a path with noise. Before you leave, give me Atra's knife."

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026

#Thigh-highs #Kemonomimi #Dress #Knife #long hair #Sweatdrop #orange hair #Black thigh-highs #Grey hair #Wings #Dagger #Skindentation #Multiple Girls #Shirt #Long sleeves #Black Dress #Holding #Wavy Hair #red shirt

Published on Nov 6, 2026

Diatom

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2girls, medium shot, from side, side view, profile, night, abandoned building, decrepit dank basement, spider webs, mushrooms, creepy atmosphere, opossum girl, white eyes, long hair, fluffy hair, silver hair, black streaks in hair, bangs, opossum ears, ear fluff, hairless opossum tail, pink tail, bald tail, medium breasts, scarecrow costume, long-sleeved red plaid shirt, orange ascot, black suspender skirt, black thighhighs, stitched face makeup, black eye makeup, stitched mouth makeup, worried expression, parted lips, looking back, holding knife, knife in one hand, moth girl, orange eyes, long hair, messy hair, orange hair, swept bangs, black frilled hairband headphones, orange antennae, orange moth wings, tattered black gothic lolita dress, skull print, long puffy sleeves, worried expression, confused expression, parted lips, forehead sweat, sweat drops, bags under eyes, white makeup, black eyeliner, hands on own legs, clenched hands, crouching, looking at another, dark palette, dim lantern light The shot is a true side angle at medium-shot distance: the moth girl crouches in the left foreground, the opossum girl stands a half-step behind her to the right, and both are seen in profile against the depth of the basement, so the camera stays level with their hips and chests and never turns toward the lens. The opossum girl stands with her weight sunk into her right hip, left knee slightly bent, shoulders drawn up and in toward her chest in a flinch; her long-sleeved red plaid shirt hangs loose over her torso and the black suspender skirt straps cut over it, the orange ascot bunched and rucked at her throat. Black thighhighs sheath her legs down into the shadow. Her long, fluffy silver hair with black streaks spills over her back and shoulders, bangs pushed across her forehead, and the round opossum ears lift with ear fluff bristling inside them. Her hairless, bald pink opossum tail trails from under the skirt hem, curving low and bare behind her hips, catching a thin sheen of damp. Across her face the black makeup draws stitch lines over her eyes and across her cheeks, and her white eyes are open wide; she has twisted her head back over her right shoulder to look behind her, lips parted, and her right hand grips the knife low at her hip with the blade angled down and forward, knuckles pale around the handle. Her left hand hovers half-raised before her chest. The moth girl is down on her haunches in the near foreground, seen mostly from the side and a little from behind: her hands are clenched into fists pressed on her own thighs just above the knees, elbows locked. Her tattered black gothic lolita dress falls around her with the skull print repeating over the skirt and the long puffy sleeves sagging in loose folds at her wrists; her orange moth wings are held folded and drooping at her back, their upper edges dipping below her shoulders. The black frilled hairband-shaped headphones sit over her messy long orange hair, swept bangs falling across her brow, and the orange antennae curve up from her crown. Her face is pale with white makeup, black eyeliner drawing sharp lines around her orange eyes, dark bags sitting under them; a bead of sweat rolls from her forehead down past her temple, and her lips are parted in a confused, worried grimace, her gaze cutting sideways and up toward the opossum girl. The surroundings press close: the walls are stained and peeling, grey-brown and black with damp, and spider webs sag in thick veils between the joists above them, one strand bowing across the frame at the left; clusters of pale mushrooms push from the base of the back wall and from a split beam behind them, their caps catching a faint sheen. The only light is a single dim lantern off-frame to the right, so their faces are lit along the right contour and their backs and the far corner fall into deep black; the damp on the floor mirror-glints that one light, and the webs shine only along the strands facing it. The palette is closed to damp grey, black and rust-brown, with the red plaid, the orange ascot and hair, and the pink tail as the only warm breaks. Quiet dread.

Halloween Night Out #44

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