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tanukino
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- Original Prompt
- (masterpiece, best quality:1.2), ใกใณใญใฃใฉๅ่บซใใใใใใฎใกใณใญใฃใฉใSDใๅฐไบบใๆบใฎไธใใกใณใญใฃใฉใไธฆใใง่ก้ฒใใใใใใใๅฅณใฎๅญใใๅฅๅ จ, ,(very detailed and beautiful:1.2), (perfect details:1.2), score_9, score_8_up, score_7_up,
- Mode
- pro
- Style
- Vintage Collage
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Vintage Collage
Prompt Helper
Model & LoRA used
Similar Images
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t
chibi, super deformed, multiple chibi clones, many tiny people, miniature figures, marching in a line, walking in single file across a desk, desk surface, cute girl, pastel pink cotton dress, white lace collar, white stockings, shoulder-length hair, two small pigtails, satin hair ribbons, wholesome, full body, wide shot, from above, high angle, dutch angle, layered composition, arms swinging mid-stride, one leg lifted, looking ahead, looking at another, light smile, :d, open mouth, blush, still air, warm tabletop surface
A high-angle view looks down and slightly across a broad wooden desk, and the same cute girl appears many times over as tiny chibi clones of herself, all of them mid-march in one long single-file line that snakes from the lower left of the desk toward the upper right. Each clone is a miniature super-deformed figure with an oversized round head, stubby limbs and a small compact body; they share the same shoulder-length hair tied into two small pigtails with satin ribbons, the same pastel pink cotton dress with a white lace collar and the same small white stockings. The line is caught mid-step: each clone has one small foot planted flat on the wood and the other lifted, arms swinging in a swinging counter-swing, bodies leaning a few degrees forward into the walk so the line reads as motion rather than a row of statues. The front clone has her chin up and her eyes on the far edge of the desk; the next few behind her glance sideways at the one ahead, mouths open in little :d grins; further back, a clone has turned her face up toward the camera with a soft blush and a wide-eyed open-mouthed smile.
The desk gives the line its ground: pale wood grain runs away from the viewer, a few tiny eraser crumbs and a scattered pencil lie far to the right as scale cues at the edge of the frame, and the desk's back edge cuts a clean horizontal across the upper third of the image. Contact is stated plainly -- every planted stocking foot presses and slightly flattens against the wood, and each lifted foot carries a small short shadow beneath it. Light comes warm and low from the upper left, so each chibi casts a short soft shadow to her lower right and the warm wood picks up a honey tone across the front of the line; the far clones fall a shade darker so the march recedes into depth. The palette is pastel pink, white lace and honey wood, nothing else admitted, with the ribbons as the single saturated note.
The rendering is an anime illustration built as a collage: mixed media texture in the paper-like cut edges of each chibi's silhouette, cut paper elements for the desk plane, layered composition with the front clone overlapping the clones behind her, and a scrapbook aesthetic with a vintage magazine cutout feel in slight paper seams at the frame's corners. (masterpiece, best quality:1.2), (very detailed and beautiful:1.2), (perfect details:1.2) carry through the crisp shading on the dress folds and the clean linework of each small face. Wholesome, gently cheerful.
tanukino
t
chibi, super deformed, multiple chibi clones, many tiny people, miniature figures, marching in a line, walking in single file across a desk, desk surface, cute girl, pastel pink cotton dress, white lace collar, white stockings, shoulder-length hair, two small pigtails, satin hair ribbons, wholesome, full body, wide shot, from above, high angle, dutch angle, layered composition, arms swinging mid-stride, one leg lifted, looking ahead, looking at another, light smile, :d, open mouth, blush, still air, warm tabletop surface
A high-angle view looks down and slightly across a broad wooden desk, and the same cute girl appears many times over as tiny chibi clones of herself, all of them mid-march in one long single-file line that snakes from the lower left of the desk toward the upper right. Each clone is a miniature super-deformed figure with an oversized round head, stubby limbs and a small compact body; they share the same shoulder-length hair tied into two small pigtails with satin ribbons, the same pastel pink cotton dress with a white lace collar and the same small white stockings. The line is caught mid-step: each clone has one small foot planted flat on the wood and the other lifted, arms swinging in a swinging counter-swing, bodies leaning a few degrees forward into the walk so the line reads as motion rather than a row of statues. The front clone has her chin up and her eyes on the far edge of the desk; the next few behind her glance sideways at the one ahead, mouths open in little :d grins; further back, a clone has turned her face up toward the camera with a soft blush and a wide-eyed open-mouthed smile.
The desk gives the line its ground: pale wood grain runs away from the viewer, a few tiny eraser crumbs and a scattered pencil lie far to the right as scale cues at the edge of the frame, and the desk's back edge cuts a clean horizontal across the upper third of the image. Contact is stated plainly -- every planted stocking foot presses and slightly flattens against the wood, and each lifted foot carries a small short shadow beneath it. Light comes warm and low from the upper left, so each chibi casts a short soft shadow to her lower right and the warm wood picks up a honey tone across the front of the line; the far clones fall a shade darker so the march recedes into depth. The palette is pastel pink, white lace and honey wood, nothing else admitted, with the ribbons as the single saturated note.
The rendering is an anime illustration built as a collage: mixed media texture in the paper-like cut edges of each chibi's silhouette, cut paper elements for the desk plane, layered composition with the front clone overlapping the clones behind her, and a scrapbook aesthetic with a vintage magazine cutout feel in slight paper seams at the frame's corners. (masterpiece, best quality:1.2), (very detailed and beautiful:1.2), (perfect details:1.2) carry through the crisp shading on the dress folds and the clean linework of each small face. Wholesome, gently cheerful.
tanukino
t
chibi, super deformed, multiple chibi clones, many tiny people, miniature figures, marching in a line, walking in single file across a desk, desk surface, cute girl, pastel pink cotton dress, white lace collar, white stockings, shoulder-length hair, two small pigtails, satin hair ribbons, wholesome, full body, wide shot, from above, high angle, dutch angle, layered composition, arms swinging mid-stride, one leg lifted, looking ahead, looking at another, light smile, :d, open mouth, blush, still air, warm tabletop surface
A high-angle view looks down and slightly across a broad wooden desk, and the same cute girl appears many times over as tiny chibi clones of herself, all of them mid-march in one long single-file line that snakes from the lower left of the desk toward the upper right. Each clone is a miniature super-deformed figure with an oversized round head, stubby limbs and a small compact body; they share the same shoulder-length hair tied into two small pigtails with satin ribbons, the same pastel pink cotton dress with a white lace collar and the same small white stockings. The line is caught mid-step: each clone has one small foot planted flat on the wood and the other lifted, arms swinging in a swinging counter-swing, bodies leaning a few degrees forward into the walk so the line reads as motion rather than a row of statues. The front clone has her chin up and her eyes on the far edge of the desk; the next few behind her glance sideways at the one ahead, mouths open in little :d grins; further back, a clone has turned her face up toward the camera with a soft blush and a wide-eyed open-mouthed smile.
The desk gives the line its ground: pale wood grain runs away from the viewer, a few tiny eraser crumbs and a scattered pencil lie far to the right as scale cues at the edge of the frame, and the desk's back edge cuts a clean horizontal across the upper third of the image. Contact is stated plainly -- every planted stocking foot presses and slightly flattens against the wood, and each lifted foot carries a small short shadow beneath it. Light comes warm and low from the upper left, so each chibi casts a short soft shadow to her lower right and the warm wood picks up a honey tone across the front of the line; the far clones fall a shade darker so the march recedes into depth. The palette is pastel pink, white lace and honey wood, nothing else admitted, with the ribbons as the single saturated note.
The rendering is an anime illustration built as a collage: mixed media texture in the paper-like cut edges of each chibi's silhouette, cut paper elements for the desk plane, layered composition with the front clone overlapping the clones behind her, and a scrapbook aesthetic with a vintage magazine cutout feel in slight paper seams at the frame's corners. (masterpiece, best quality:1.2), (very detailed and beautiful:1.2), (perfect details:1.2) carry through the crisp shading on the dress folds and the clean linework of each small face. Wholesome, gently cheerful.
tanukino
t
(masterpiece, best quality:1.2), (very detailed and beautiful:1.2), (perfect details:1.2), chibi, SD proportions, super deformed, 4 girls, multiple chibi girls, tiny people, cute girl, miniature girls, marching, walking in a line, in single file, on top of a desk, desk surface, wooden desk, soft pink cotton dress, white lace collar, white stockings, short twin pigtails, red hair ribbons, from above, high angle, wide shot, looking up, wholesome, safe-for-work, chibi march, tiny footsteps, office desk props, pencil, eraser, notebook, coffee mug, pastel palette, clean linework, sticker-like composition
Seen from a high angle looking down, four tiny chibi girls with oversized heads and stubby limbs march in a single file across the surface of a wooden desk, each one stepping in time behind the one ahead, their little arms swinging. The leader, a cute girl with short twin pigtails tied in red ribbons, wears a soft pink cotton dress with a white lace collar and small white stockings; the other three follow in identical outfits, each with pigtails and red ribbons, their chubby legs mid-stride and tiny shoes tapping the wood. Their round faces tilt slightly up and forward, eyes bright and fixed on the path ahead, mouths open in a cheerful little marching chant. Around them, desk items loom like scenery: a yellow pencil lying as a fallen log, a pale eraser like a boulder, a spiral notebook forming a low wall, and a coffee mug rising as a tower. Soft, even daylight from a window above casts short round shadows directly beneath each marcher, and the desk grain shows fine detail. The palette stays pastel pink, warm wood brown, cream, and soft mint, with the red ribbons as the only vivid accent. Playful, wholesome, and adorable.
tanukino
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