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新山聡美(薬師まつり・藤原行列)

Contest Entry

Anything Goes Casual Posting Festival!

#MILF #Festival #Smile #Holding #Sound! Euphonium #Queue #Satomi Niiyama #Road #Low ponytail #Kasa #Parade

Published on Nov 6, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, adult lady, 33 years old, medium breasts, anime-style, official style, anime keyvisual, on a sunny midday in early November, a natural and realistic festival photograph looking like a live-action photo, depicting the Fujiwara procession of the traditional event "Yakushi Matsuri" held in the Tsukidate district of Kurihara City, Miyagi Prefecture. Reenacting the historical procession of the Heian period Fujiwara clan visiting Sugi Yakushi for a thanksgiving pilgrimage, women and male attendants in gorgeous period costumes, and an ox-drawn goshoguruma (court carriage), slowly advance down the street of a contemporary local shopping district. In the foreground of the screen, two women wearing vivid orange traditional costumes walk side by side, each holding a large circular woven straw hat (amigasa) in front of their bodies. Behind them, men dressed in green costumes hold the reins of an ox, and even further behind, a traditional black goshoguruma follows. A scene like a documentary festival photograph where the gorgeous procession reminiscent of a Heian period historical picture scroll naturally merges with the modern shopping street cityscape. [Character Placement and Roles: Most Important] In the foreground of the screen, two women walk side by side on the left and right. The woman on the left is the main character of this piece, the very woman specified by the character LoRA. The woman on the right is another festival participant, having distinct facial features not too similar to the woman on the left. Both wear vivid orange traditional costumes, each holding a large circular woven straw hat in front of their bodies. The woman on the left is placed in the close foreground to the camera, giving her sufficient presence in the frame. The woman on the right is placed on the right side of the frame with a slight interval from the woman on the left. There is a moderate space between the two, allowing their faces, costumes, and woven hats to be clearly distinguished. The woman on the left is not cropped out at the edge of the frame, ensuring her face, both hands, and woven hat are fully visible. [Woman on the Left: Character LoRA] The woman specified by this LoRA is the woman walking in the left foreground of the frame. A married woman in her early 30s, with a neat and elegant atmosphere and long hair. While maintaining the facial features, eye shape, and character design specified by the character LoRA, she is depicted as a woman participating in the Fujiwara procession of Yakushi Matsuri. This LoRA is used only for the woman on the left, not applied to the woman on the right or the men in the background. The woman's hair is long hair elegantly tied back at the nape, appropriate for a festival. While retaining the length and natural gloss specified by the LoRA, the hair is tied at a low position on the back of the head. Part of the tied hair flows naturally down her back, with a few soft strands remaining around her face. Her bangs and facial framing hair are neat, allowing her expression to be clearly seen. Without modern flashy hair ornaments, it is an elegant hairstyle suited for traditional festival attire. The woman's costume is a vivid orange festival attire reminiscent of Heian period noblewomen. From upper body to below the knees, she wears a long robe primarily in orange and vermilion. On the surface of the robe, numerous circular patterns of various sizes combining white, yellow, red, blue, dark purple, and other colors are drawn. The circular patterns are arranged regularly, each containing detailed floral patterns and traditional decorative motifs. The fabric is high-quality woven textile, showing natural luster and weave texture. Draped from shoulders to arms is a wide outer robe of vivid red or vermilion. The outer robe has a loose shape spreading wide on both sides, with inner robes of pale pink and white visible from the cuffs and hem. The sleeves are long and flare softly when moving arms. Below the waist are layered garments of pale pink and light crimson, with traditional patterns visible at the hem. Blue-green or pale light-blue undergarments peek out in places, creating a beautiful color contrast with the orange costume. The entire outfit is gorgeous yet elegant, fitting for a woman participating in a festival. The woman's facial expression is a natural, bright smile showing a little teeth. It conveys the joy of participating in the festival and friendliness toward the people along the street. Not an overly exaggerated laugh, but a natural smile looking toward the front or camera. The LoRA is used for the facial features and basic character structure, while hairstyle, costume, accessories, how the woven hat is held, posture, and expression are depicted according to the text instructions. [Woven Straw Hat (Amigasa) Held by the Woman on the Left: Most Important] The woman on the left holds a large circular woven straw hat in front of her body. The woven hat is not worn on the head, but is a large circular festival prop held with hands. The hat is finely woven from natural straw or reeds, showing a pale ochre or natural light-brown color. On the surface are fine concentric weave stitches expanding from the center outward, showing the handmade texture of a traditional hat. The whole is a large flat disc shape, with a slightly raised round portion in the center, from which weaves spread outward. The hat is held vertically in front of the woman's chest to waist. The circular surface faces the camera, revealing weave details and the raised center. The size of the hat is roughly equal to the width of the woman's torso, a large size supported with both hands. The woman holds it naturally by supporting the left and right sides or bottom of the hat with both hands so as not to drop it. Part of the costume is hidden by the hat, but the woman's face, shoulders, arms, costume sleeves, and both hands are clearly visible. The hat is not worn on the head, not carried on the back, and not placed on the ground. She participates in the procession holding a large circular woven hat in front of her body. [Attendant Woman on the Right] On the right side of the frame walks another female attendant side by side. This woman is a different person from the LoRA woman, with distinct facial features and hairstyle. She wears a long orange costume suited for a traditional festival, decorated with numerous small circular patterns in white, yellow, red, blue, purple, etc. Over her shoulders is a vivid red outer robe, with pale pink and blue layered garments visible from cuffs and hem. Her hair is neatly tied back at the back of the head into a traditional festival hairstyle. The woman on the right also holds a large circular woven hat of the same type in front of her body. The hat is finely woven from natural straw in pale ochre, showing concentric weaves and a raised round center. The woman supports the sides or bottom of the hat with both hands, holding it vertically from chest to waist. The surface of the hat faces the camera, clearly showing its circular shape. The woman on the right is not confused with the LoRA woman on the left, but drawn clearly as a distinct person. While both women wear the same style of festival attire and woven hats, their facial features, hairstyles, and builds are each different. They walk abreast at the front of the procession, advancing in roughly the same direction. Each woven hat is independent; the hats do not merge between the two, nor do they hold the same hat together. [Male Attendants and Ox in the Background] Behind the two women are two male attendants dressed in green traditional costumes. The men wear loose tunics of deep green or dark grass green, paired with white hakama or loose white trousers on the lower body. On their heads they wear black pointed hats in the style of eboshi, an attire recreating Heian period male attendants. They wear traditional footwear on their feet. The costumes have natural fabric folds and layering, with subdued coloring. The two men stand on the left and right sides of an ox, each holding a thick white or pale grey rope in hand. The ropes connect to the ox's head or harness, showing that the men are guiding the ox's walk. The men's arms reach naturally forward, gripping the ropes firmly. They walk keeping an appropriate distance from the ox, posing naturally as attendants leading the procession. Between the two men is a large ox of blackish-brown or dark brown color. The ox has a realistic ox build and natural four legs, with horns extending to the sides from its head. A traditional decorative cloth is attached to its forehead and head, and festival pulling harnesses are fitted on its neck and torso. The ox walks slowly on the street, guided by the ropes of the men on both sides. The ox's head, horns, torso, and four legs look natural, without its body unnaturally merging with the men or carriage. [Goshoguruma in the Background] Further behind the ox, a traditional goshoguruma in black or very dark brown follows. The goshoguruma is a large vehicle with a black box-shaped body, recreating the ox carriage ridden by Heian period nobles. At the top is a black latticed roof, and inside the carriage red fabric and gold decorations are visible. Small decorative tassels of red and white hang from the front opening, with black frames and pillars surrounding the body.

新山聡美(薬師まつり・藤原行列)

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