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utena

AI art by utena on PixAI. Made with Tsubaki.3 Flash.

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character: leonie_pinelli, marianne_von_edmund, hilda_valentine_goneril, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4 girls, night, night sky, moonlight, marianne_von_edmund, blue hair, braid, crown braid, short hair, brown eyes, long sleeves rolled up, bare arms, armpits, armpits exposed, arms up, leonie_pinelli, orange hair, short hair, orange eyes, fingerless gloves, shorts, bare arms, armpits, armpits exposed, stretching, hilda_valentine_goneril, pink hair, long hair, twintails, pink eyes, hoop earrings, dress, glove removed, bare arms, armpits, armpits exposed, hands behind head, lysithea_von_ordelia, white hair, long hair, hair ornament, pink eyes, purple dress, long sleeves pushed up, bare arms, armpits, armpits exposed, arm raised, group, looking at each other, candid, from below, dutch angle, low angle, wide shot, bonfire, campfire, warm firelight, cool moonlight, sleeves, hair ornaments, jewelry, no shirtsleeves down, all sleeves pushed up or removed from shoulder to wrist, arms fully bared from shoulder to glove, elbow above shoulder height, palms turned inward, midriff covered, skirts and shorts intact, campfire in a forest clearing at night. Four of them stand together in a loose arc around a small campfire in a forest clearing, and the camera looks up at them from knee height, tilted a few degrees off level so the treeline cuts a diagonal through the top of the frame. The fire sits low in the foreground between the viewer and the group, orange coals glowing at the center of the frame, and everything above the group is night sky: deep indigo, a scatter of stars, and the moon high and off to the left, so the two light sources are cleanly separated -- warm firelight climbing their fronts from below, cool moonlight from the upper left rimming the outer edges of their hair and shoulders. Every one of them has her arms raised above the level of her shoulders, sleeves pushed back or peeled away to the wrist, so that the underside of the upper arm faces outward and catches light along its whole length. On the far left, the girl with the short orange hair stands with her weight on her back foot, one arm thrown straight up and bent at the elbow while the other reaches across to hook a thumb behind her opposite shoulder, a full overhead pull that opens both armpits toward the fire. Her fingerless gloves leave her fingers bare; the bare skin of her forearms is faintly sun-browned compared to the paler inner arm. She is turned in three-quarter view, chin lifted, glancing sideways at the group to see if they've noticed her stretching. Next to her the girl with the blue hair in its crown braid stands more carefully, one hand lifted to hold her braid away from her neck while the other arm rests bent on top of her own head. Both elbows are out. Her long sleeves are pushed to a clumsy roll just above the elbow, and she is looking down at the fire rather than at the others, mouth slightly parted as if she'd rather not be doing this. The firelight lands on the underside of her raised arm and her throat; the moonlight edges the crown braid. To her right the girl with the pink twintails has her hands clasped behind her head, both elbows flung wide, her chest open and her head tipped back toward the sky in a posture that reads as delight rather than stretch. Her hoop earrings swing forward off her jaw with the tilt of her head. One glove is peeled off and tucked into her sash; the other hand still wears its glove against her hair. She is grinning upward and sideways at the girl beside her, and her twintails hang loosely down her back with the ends guttering a little in the fire's warm air. On the right, the girl with the long white hair has one arm lifted straight up, fingers curled toward the sky, the other held out at a lower angle to the side; her purple dress sleeve is pushed all the way up past the elbow and bunched there. Her white hair spills down over the raised arm's shoulder and slips forward, and she has turned her face slightly toward the girl with the pink twintails, one eye narrowed against the smoke. The fire's light is the only warm source: it underlights chins, the undersides of arms, and the folds of their clothing, and behind them the forest goes black almost immediately, with the fire's glow reaching only a couple of trees back. Stars are visible only in the gap between the treeline and the moon. Smoke lifts in a thin column that bends off to the right, and where it crosses the moonlight it goes pale. Cinders rise a little way and die out before they reach the lowest leaves. The palette is almost entirely two-note -- orange and indigo, with the flame's amber on skin and fabric and the moon's cold blue on the outer edges. Campfire shadows stretch long and wavering away from the fire behind each of them, collapsing and lengthening as the flames move. The mood is cheerful and conspiratorial, a summer night's abandon.
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ๅคœใ€‚ใ€‚ใƒ•ใ‚กใ‚คใ‚ขใƒผใ‚จใƒ ใƒ–ใƒฌใƒ ้ขจ่Šฑ้›ชๆœˆใฎใƒžใƒชใ‚ขใƒณใƒŒใ€ใƒฌใ‚ชใƒ‹ใƒผใ€ใƒ’ใƒซใƒ€ใ€ใƒชใ‚ทใƒ†ใ‚ขใ€‚่…‹ใซๆณจ็›ฎใ€‚่…‹ใฟใ›
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u
character: leonie_pinelli, marianne_von_edmund, hilda_valentine_goneril, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4 girls, night, night sky, moonlight, marianne_von_edmund, blue hair, braid, crown braid, short hair, brown eyes, long sleeves rolled up, bare arms, armpits, armpits exposed, arms up, leonie_pinelli, orange hair, short hair, orange eyes, fingerless gloves, shorts, bare arms, armpits, armpits exposed, stretching, hilda_valentine_goneril, pink hair, long hair, twintails, pink eyes, hoop earrings, dress, glove removed, bare arms, armpits, armpits exposed, hands behind head, lysithea_von_ordelia, white hair, long hair, hair ornament, pink eyes, purple dress, long sleeves pushed up, bare arms, armpits, armpits exposed, arm raised, group, looking at each other, candid, from below, dutch angle, low angle, wide shot, bonfire, campfire, warm firelight, cool moonlight, sleeves, hair ornaments, jewelry, no shirtsleeves down, all sleeves pushed up or removed from shoulder to wrist, arms fully bared from shoulder to glove, elbow above shoulder height, palms turned inward, midriff covered, skirts and shorts intact, campfire in a forest clearing at night. Four of them stand together in a loose arc around a small campfire in a forest clearing, and the camera looks up at them from knee height, tilted a few degrees off level so the treeline cuts a diagonal through the top of the frame. The fire sits low in the foreground between the viewer and the group, orange coals glowing at the center of the frame, and everything above the group is night sky: deep indigo, a scatter of stars, and the moon high and off to the left, so the two light sources are cleanly separated -- warm firelight climbing their fronts from below, cool moonlight from the upper left rimming the outer edges of their hair and shoulders. Every one of them has her arms raised above the level of her shoulders, sleeves pushed back or peeled away to the wrist, so that the underside of the upper arm faces outward and catches light along its whole length. On the far left, the girl with the short orange hair stands with her weight on her back foot, one arm thrown straight up and bent at the elbow while the other reaches across to hook a thumb behind her opposite shoulder, a full overhead pull that opens both armpits toward the fire. Her fingerless gloves leave her fingers bare; the bare skin of her forearms is faintly sun-browned compared to the paler inner arm. She is turned in three-quarter view, chin lifted, glancing sideways at the group to see if they've noticed her stretching. Next to her the girl with the blue hair in its crown braid stands more carefully, one hand lifted to hold her braid away from her neck while the other arm rests bent on top of her own head. Both elbows are out. Her long sleeves are pushed to a clumsy roll just above the elbow, and she is looking down at the fire rather than at the others, mouth slightly parted as if she'd rather not be doing this. The firelight lands on the underside of her raised arm and her throat; the moonlight edges the crown braid. To her right the girl with the pink twintails has her hands clasped behind her head, both elbows flung wide, her chest open and her head tipped back toward the sky in a posture that reads as delight rather than stretch. Her hoop earrings swing forward off her jaw with the tilt of her head. One glove is peeled off and tucked into her sash; the other hand still wears its glove against her hair. She is grinning upward and sideways at the girl beside her, and her twintails hang loosely down her back with the ends guttering a little in the fire's warm air. On the right, the girl with the long white hair has one arm lifted straight up, fingers curled toward the sky, the other held out at a lower angle to the side; her purple dress sleeve is pushed all the way up past the elbow and bunched there. Her white hair spills down over the raised arm's shoulder and slips forward, and she has turned her face slightly toward the girl with the pink twintails, one eye narrowed against the smoke. The fire's light is the only warm source: it underlights chins, the undersides of arms, and the folds of their clothing, and behind them the forest goes black almost immediately, with the fire's glow reaching only a couple of trees back. Stars are visible only in the gap between the treeline and the moon. Smoke lifts in a thin column that bends off to the right, and where it crosses the moonlight it goes pale. Cinders rise a little way and die out before they reach the lowest leaves. The palette is almost entirely two-note -- orange and indigo, with the flame's amber on skin and fabric and the moon's cold blue on the outer edges. Campfire shadows stretch long and wavering away from the fire behind each of them, collapsing and lengthening as the flames move. The mood is cheerful and conspiratorial, a summer night's abandon.
utena
AI artwork
u
character: leonie_pinelli, marianne_von_edmund, hilda_valentine_goneril, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4 girls, night, night sky, moonlight, marianne_von_edmund, blue hair, braid, crown braid, short hair, brown eyes, long sleeves rolled up, bare arms, armpits, armpits exposed, arms up, leonie_pinelli, orange hair, short hair, orange eyes, fingerless gloves, shorts, bare arms, armpits, armpits exposed, stretching, hilda_valentine_goneril, pink hair, long hair, twintails, pink eyes, hoop earrings, dress, glove removed, bare arms, armpits, armpits exposed, hands behind head, lysithea_von_ordelia, white hair, long hair, hair ornament, pink eyes, purple dress, long sleeves pushed up, bare arms, armpits, armpits exposed, arm raised, group, looking at each other, candid, from below, dutch angle, low angle, wide shot, bonfire, campfire, warm firelight, cool moonlight, sleeves, hair ornaments, jewelry, no shirtsleeves down, all sleeves pushed up or removed from shoulder to wrist, arms fully bared from shoulder to glove, elbow above shoulder height, palms turned inward, midriff covered, skirts and shorts intact, campfire in a forest clearing at night. Four of them stand together in a loose arc around a small campfire in a forest clearing, and the camera looks up at them from knee height, tilted a few degrees off level so the treeline cuts a diagonal through the top of the frame. The fire sits low in the foreground between the viewer and the group, orange coals glowing at the center of the frame, and everything above the group is night sky: deep indigo, a scatter of stars, and the moon high and off to the left, so the two light sources are cleanly separated -- warm firelight climbing their fronts from below, cool moonlight from the upper left rimming the outer edges of their hair and shoulders. Every one of them has her arms raised above the level of her shoulders, sleeves pushed back or peeled away to the wrist, so that the underside of the upper arm faces outward and catches light along its whole length. On the far left, the girl with the short orange hair stands with her weight on her back foot, one arm thrown straight up and bent at the elbow while the other reaches across to hook a thumb behind her opposite shoulder, a full overhead pull that opens both armpits toward the fire. Her fingerless gloves leave her fingers bare; the bare skin of her forearms is faintly sun-browned compared to the paler inner arm. She is turned in three-quarter view, chin lifted, glancing sideways at the group to see if they've noticed her stretching. Next to her the girl with the blue hair in its crown braid stands more carefully, one hand lifted to hold her braid away from her neck while the other arm rests bent on top of her own head. Both elbows are out. Her long sleeves are pushed to a clumsy roll just above the elbow, and she is looking down at the fire rather than at the others, mouth slightly parted as if she'd rather not be doing this. The firelight lands on the underside of her raised arm and her throat; the moonlight edges the crown braid. To her right the girl with the pink twintails has her hands clasped behind her head, both elbows flung wide, her chest open and her head tipped back toward the sky in a posture that reads as delight rather than stretch. Her hoop earrings swing forward off her jaw with the tilt of her head. One glove is peeled off and tucked into her sash; the other hand still wears its glove against her hair. She is grinning upward and sideways at the girl beside her, and her twintails hang loosely down her back with the ends guttering a little in the fire's warm air. On the right, the girl with the long white hair has one arm lifted straight up, fingers curled toward the sky, the other held out at a lower angle to the side; her purple dress sleeve is pushed all the way up past the elbow and bunched there. Her white hair spills down over the raised arm's shoulder and slips forward, and she has turned her face slightly toward the girl with the pink twintails, one eye narrowed against the smoke. The fire's light is the only warm source: it underlights chins, the undersides of arms, and the folds of their clothing, and behind them the forest goes black almost immediately, with the fire's glow reaching only a couple of trees back. Stars are visible only in the gap between the treeline and the moon. Smoke lifts in a thin column that bends off to the right, and where it crosses the moonlight it goes pale. Cinders rise a little way and die out before they reach the lowest leaves. The palette is almost entirely two-note -- orange and indigo, with the flame's amber on skin and fabric and the moon's cold blue on the outer edges. Campfire shadows stretch long and wavering away from the fire behind each of them, collapsing and lengthening as the flames move. The mood is cheerful and conspiratorial, a summer night's abandon.
utena
AI artwork
u
character: leonie_pinelli, marianne_von_edmund, hilda_valentine_goneril, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4 girls, night, night sky, moonlight, marianne_von_edmund, blue hair, braid, crown braid, short hair, brown eyes, long sleeves rolled up, bare arms, armpits, armpits exposed, arms up, leonie_pinelli, orange hair, short hair, orange eyes, fingerless gloves, shorts, bare arms, armpits, armpits exposed, stretching, hilda_valentine_goneril, pink hair, long hair, twintails, pink eyes, hoop earrings, dress, glove removed, bare arms, armpits, armpits exposed, hands behind head, lysithea_von_ordelia, white hair, long hair, hair ornament, pink eyes, purple dress, long sleeves pushed up, bare arms, armpits, armpits exposed, arm raised, group, looking at each other, candid, from below, dutch angle, low angle, wide shot, bonfire, campfire, warm firelight, cool moonlight, sleeves, hair ornaments, jewelry, no shirtsleeves down, all sleeves pushed up or removed from shoulder to wrist, arms fully bared from shoulder to glove, elbow above shoulder height, palms turned inward, midriff covered, skirts and shorts intact, campfire in a forest clearing at night. Four of them stand together in a loose arc around a small campfire in a forest clearing, and the camera looks up at them from knee height, tilted a few degrees off level so the treeline cuts a diagonal through the top of the frame. The fire sits low in the foreground between the viewer and the group, orange coals glowing at the center of the frame, and everything above the group is night sky: deep indigo, a scatter of stars, and the moon high and off to the left, so the two light sources are cleanly separated -- warm firelight climbing their fronts from below, cool moonlight from the upper left rimming the outer edges of their hair and shoulders. Every one of them has her arms raised above the level of her shoulders, sleeves pushed back or peeled away to the wrist, so that the underside of the upper arm faces outward and catches light along its whole length. On the far left, the girl with the short orange hair stands with her weight on her back foot, one arm thrown straight up and bent at the elbow while the other reaches across to hook a thumb behind her opposite shoulder, a full overhead pull that opens both armpits toward the fire. Her fingerless gloves leave her fingers bare; the bare skin of her forearms is faintly sun-browned compared to the paler inner arm. She is turned in three-quarter view, chin lifted, glancing sideways at the group to see if they've noticed her stretching. Next to her the girl with the blue hair in its crown braid stands more carefully, one hand lifted to hold her braid away from her neck while the other arm rests bent on top of her own head. Both elbows are out. Her long sleeves are pushed to a clumsy roll just above the elbow, and she is looking down at the fire rather than at the others, mouth slightly parted as if she'd rather not be doing this. The firelight lands on the underside of her raised arm and her throat; the moonlight edges the crown braid. To her right the girl with the pink twintails has her hands clasped behind her head, both elbows flung wide, her chest open and her head tipped back toward the sky in a posture that reads as delight rather than stretch. Her hoop earrings swing forward off her jaw with the tilt of her head. One glove is peeled off and tucked into her sash; the other hand still wears its glove against her hair. She is grinning upward and sideways at the girl beside her, and her twintails hang loosely down her back with the ends guttering a little in the fire's warm air. On the right, the girl with the long white hair has one arm lifted straight up, fingers curled toward the sky, the other held out at a lower angle to the side; her purple dress sleeve is pushed all the way up past the elbow and bunched there. Her white hair spills down over the raised arm's shoulder and slips forward, and she has turned her face slightly toward the girl with the pink twintails, one eye narrowed against the smoke. The fire's light is the only warm source: it underlights chins, the undersides of arms, and the folds of their clothing, and behind them the forest goes black almost immediately, with the fire's glow reaching only a couple of trees back. Stars are visible only in the gap between the treeline and the moon. Smoke lifts in a thin column that bends off to the right, and where it crosses the moonlight it goes pale. Cinders rise a little way and die out before they reach the lowest leaves. The palette is almost entirely two-note -- orange and indigo, with the flame's amber on skin and fabric and the moon's cold blue on the outer edges. Campfire shadows stretch long and wavering away from the fire behind each of them, collapsing and lengthening as the flames move. The mood is cheerful and conspiratorial, a summer night's abandon.
utena

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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