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Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- jacques de molay (foreigner) (fate), goat kigurumi, huge breasts, wide hips, thick thighs
- Mode
- flash
- Size
- 768 x 1280
Prompt Helper
Model & LoRA used
Similar Images
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character: jacques_de_molay_(foreigner)_(fate)
1girl, solo, jacques de molay \(foreigner\) \(fate\), goat kigurumi, hooded onesie, hood up, goat hood with floppy ears, small curved horns on hood, huge breasts, wide hips, thick thighs, curvy figure, short hair, grey hair, blonde hair, two-tone hair, blue eyes, purple eyes, yellow eyes, glasses, round glasses, from below, full body, standing, standing on one leg, tiptoes, leaning forward, hands clasped behind back, looking down, looking at viewer, head tilt, open mouth, grin, one eye closed, blush, bare feet, sleeves past wrists, tail wagging, soft fabric folds, ceiling light, empty room, flat indoor lighting, pale mint green walls, warm white key light, cool shadow, soft cel shading, clean linework, playful
The camera looks up from just above floor level, so the figure towers and then tilts: she balances on tiptoe on her right foot, left leg bent back with the toes hooked behind her right calf, hips canted so the wide hip line pushes out to her left and the thick thigh of the raised leg reads fully under the fabric. She leans far forward from the waist toward the lens, shoulders rolled in, both hands clasped behind her back so the huge chest swings forward heavy and low inside the goat kigurumi, the loose onesie tenting at the bust and pulling taut across it, the zipper seam bowing. Bare feet, pale heels off the floorboards, soles compressed flat and just lit.
The kigurumi is one loose pale cream fleece piece with a hood pulled up over her head: a goat hood with two floppy ears hanging beside her cheeks and two small hard curved horns sewn at the crown, a stitched snout and button eyes sitting on her forehead above her own face. Her own short two-tone hair, blonde through the fringe and grey at the sides, spills out under the hood's edge and sticks to her temple. Round glasses sit low on her nose and catch a bright window-reflection stripe. Her chin is tucked, head tilted, one eye squeezed shut and the other wide and looking straight down the barrel of the lens at the viewer, lips parted into a lopsided open grin with the tip of her tongue just visible; a blush sits high on both cheeks. The oversized sleeves swallow her forearms to the fingertips where they are hidden behind her back.
The room is a bare, empty interior: pale mint-green wall meeting a warm wooden floorboard floor, a simple ceiling fixture above and slightly behind her. That single fixture is the only light; it strikes the top of the hood, the horns, the upper slope of her chest and the tops of her feet, and it leaves the wall shade below her hips darker, with a squashed soft shadow pooling to her right, shortened and thrown sideways by the upward angle. The fleece's nap is visible only where the light rakes across it.
Palette: cream fleece, mint wall, honey floor, her blonde hair and grey hair as the two-tone accents, and the soft warm-blue of her eyes behind the glass, nothing else admitted. Playful, slightly teasing.
Errant
e
character: jacques_de_molay_(foreigner)_(fate)
1girl, solo, jacques de molay \(foreigner\) \(fate\), goat kigurumi, hooded onesie, hood up, goat hood with floppy ears, small curved horns on hood, huge breasts, wide hips, thick thighs, curvy figure, short hair, grey hair, blonde hair, two-tone hair, blue eyes, purple eyes, yellow eyes, glasses, round glasses, from below, full body, standing, standing on one leg, tiptoes, leaning forward, hands clasped behind back, looking down, looking at viewer, head tilt, open mouth, grin, one eye closed, blush, bare feet, sleeves past wrists, tail wagging, soft fabric folds, ceiling light, empty room, flat indoor lighting, pale mint green walls, warm white key light, cool shadow, soft cel shading, clean linework, playful
The camera looks up from just above floor level, so the figure towers and then tilts: she balances on tiptoe on her right foot, left leg bent back with the toes hooked behind her right calf, hips canted so the wide hip line pushes out to her left and the thick thigh of the raised leg reads fully under the fabric. She leans far forward from the waist toward the lens, shoulders rolled in, both hands clasped behind her back so the huge chest swings forward heavy and low inside the goat kigurumi, the loose onesie tenting at the bust and pulling taut across it, the zipper seam bowing. Bare feet, pale heels off the floorboards, soles compressed flat and just lit.
The kigurumi is one loose pale cream fleece piece with a hood pulled up over her head: a goat hood with two floppy ears hanging beside her cheeks and two small hard curved horns sewn at the crown, a stitched snout and button eyes sitting on her forehead above her own face. Her own short two-tone hair, blonde through the fringe and grey at the sides, spills out under the hood's edge and sticks to her temple. Round glasses sit low on her nose and catch a bright window-reflection stripe. Her chin is tucked, head tilted, one eye squeezed shut and the other wide and looking straight down the barrel of the lens at the viewer, lips parted into a lopsided open grin with the tip of her tongue just visible; a blush sits high on both cheeks. The oversized sleeves swallow her forearms to the fingertips where they are hidden behind her back.
The room is a bare, empty interior: pale mint-green wall meeting a warm wooden floorboard floor, a simple ceiling fixture above and slightly behind her. That single fixture is the only light; it strikes the top of the hood, the horns, the upper slope of her chest and the tops of her feet, and it leaves the wall shade below her hips darker, with a squashed soft shadow pooling to her right, shortened and thrown sideways by the upward angle. The fleece's nap is visible only where the light rakes across it.
Palette: cream fleece, mint wall, honey floor, her blonde hair and grey hair as the two-tone accents, and the soft warm-blue of her eyes behind the glass, nothing else admitted. Playful, slightly teasing.
Errant
e
character: jacques_de_molay_(foreigner)_(fate)
1girl, solo, jacques de molay \(foreigner\) \(fate\), goat kigurumi, hooded onesie, hood up, goat hood with floppy ears, small curved horns on hood, huge breasts, wide hips, thick thighs, curvy figure, short hair, grey hair, blonde hair, two-tone hair, blue eyes, purple eyes, yellow eyes, glasses, round glasses, from below, full body, standing, standing on one leg, tiptoes, leaning forward, hands clasped behind back, looking down, looking at viewer, head tilt, open mouth, grin, one eye closed, blush, bare feet, sleeves past wrists, tail wagging, soft fabric folds, ceiling light, empty room, flat indoor lighting, pale mint green walls, warm white key light, cool shadow, soft cel shading, clean linework, playful
The camera looks up from just above floor level, so the figure towers and then tilts: she balances on tiptoe on her right foot, left leg bent back with the toes hooked behind her right calf, hips canted so the wide hip line pushes out to her left and the thick thigh of the raised leg reads fully under the fabric. She leans far forward from the waist toward the lens, shoulders rolled in, both hands clasped behind her back so the huge chest swings forward heavy and low inside the goat kigurumi, the loose onesie tenting at the bust and pulling taut across it, the zipper seam bowing. Bare feet, pale heels off the floorboards, soles compressed flat and just lit.
The kigurumi is one loose pale cream fleece piece with a hood pulled up over her head: a goat hood with two floppy ears hanging beside her cheeks and two small hard curved horns sewn at the crown, a stitched snout and button eyes sitting on her forehead above her own face. Her own short two-tone hair, blonde through the fringe and grey at the sides, spills out under the hood's edge and sticks to her temple. Round glasses sit low on her nose and catch a bright window-reflection stripe. Her chin is tucked, head tilted, one eye squeezed shut and the other wide and looking straight down the barrel of the lens at the viewer, lips parted into a lopsided open grin with the tip of her tongue just visible; a blush sits high on both cheeks. The oversized sleeves swallow her forearms to the fingertips where they are hidden behind her back.
The room is a bare, empty interior: pale mint-green wall meeting a warm wooden floorboard floor, a simple ceiling fixture above and slightly behind her. That single fixture is the only light; it strikes the top of the hood, the horns, the upper slope of her chest and the tops of her feet, and it leaves the wall shade below her hips darker, with a squashed soft shadow pooling to her right, shortened and thrown sideways by the upward angle. The fleece's nap is visible only where the light rakes across it.
Palette: cream fleece, mint wall, honey floor, her blonde hair and grey hair as the two-tone accents, and the soft warm-blue of her eyes behind the glass, nothing else admitted. Playful, slightly teasing.
Errant
e
character: artemis_(fate)
1girl, solo, artemis_(fate), wolf kigurumi, animal hood, wolf hood, wolf ears on hood, wolf tail, long hair, silver hair, white hair, sidelocks, blue eyes, green eyes, huge breasts, wide hips, thick thighs, curvy, full body, standing, from below, looking down at viewer, head tilt, one eye closed, light smile, hands in pockets, hood up, bare legs, bare feet, seamless studio sweep, empty background, soft gradient backdrop, design piece
The camera sits low and close, tilted up: a full-body figure seen from below against a seamless studio sweep, the floor and wall one continuous field of pale slate grey with no horizon line. She stands with her weight sunk into her right hip, left knee bent and carried slightly across, so the silhouette reads as one long asymmetric curve from the wolf hood's ears down through the wide flare of her hips to her planted feet. Both hands are pushed into the kigurumi's front pouch pocket, thumbs hooked on the seam, shoulders relaxed and drawn back; the pose pulls the fleece taut across her huge breasts, the soft fabric wrinkling in short radiating creases from each armpit and dipping in a shallow shadow fold between them, while below the pouch hem the loose fleece falls and then flares again over wide hips and thick thighs, the cuffs ending mid-calf so her bare calves and bare feet sit flat on the grey floor. The hood is up: a plush wolf muzzle juts above her forehead, two felt ears stand and one tips slightly sideways, and her long silver hair spills out from under the hood in heavy sidelocks that fall in front of both shoulders and sweep past her waist, its strands catching a cool edge-light. One strand lies across the fleece of her chest and follows its curve. The kigurumi is a soft heather-grey fleece, faintly darker than the backdrop, with a paler cream belly panel and cream inner ears and muzzle, and a thick wolf tail of the same fleece hangs behind her right thigh, its tip just visible past the hip. Her head is tilted a few degrees to her left; her right eye is closed in a lazy wink, the left open and looking straight down the lens, one brow lifted. Light is a single large softbox high and slightly to the left: it rims the top of the hood and the crown of silver hair in a cool white line, leaves the undersides of the breasts, chin and hem in soft grey shade, and lays a short, compact shadow directly under her feet that tightens where her weight presses the fleece cuffs against the floor. Palette is limited to heather grey, cream, cool silver-white and a single note of blue-green in the open eye. Detail is spent on the fleece's nap and creases, the hair's strand structure and the point where her bare feet meet the floor. Effortlessly soft, quietly playful.
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