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AI art "블루 로즈 & 루나·타이거 & 버니" featuring #Wink, #Black hair, #blue hair, #Pointing, #Multiple Girls, #Night, #Looking at viewer and #Blue Rose
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블루 로즈 & 루나·타이거 & 버니

『타이거 & 버니』의 블루 로즈와 루나를 그려봤어요. 도시의 밤을 배경으로 두 사람의 개성 넘치는 매력이 잘 드러나도록 신경 썼답니다. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 응원해주시면 다음 작품 제작에 큰 힘이 될 거예요.

#Wink#Black hair#blue hair#Pointing#Multiple Girls#Night#Looking at viewer#Blue Rose
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character: blue_rose_(tiger_&_bunny), karina_(aespa) two girls, 2girls, blue hair, short hair, blue eyes, black hair, long hair, hair bun, blunt bangs, floating hair, mole under eye, y2k fashion, earrings, elbow gloves, crystal earrings, bare shoulders, thigh boots, high heels, hat, from above, dutch angle, leaning forward, looking up at viewer, outstretched arm, pointing at viewer, head tilt, one eye closed, open mouth, :d, blush, standing on one leg, close-up, upper body, dynamic angle, depth of field, night city, neon, rooftop ledge, wind, hair blowing Shot from above at a canted dutch angle: the black-haired girl with the tight hair bun and blunt bangs leans far out over a rooftop parapet toward the lens, one knee hooked over the concrete lip, her supporting foot planted flat on the parapet's inner edge while her other leg lifts behind her, hips cantilevered past the edge so her weight rides on that single hooked knee and the flat of one palm pressed hard into the parapet cap. Her free arm stretches down and out toward the camera, index finger aimed straight at the viewer, foreshortened so the hand reads huge and the shoulder behind it small. She tilts her head, one eye squeezed shut, the other fixed on the lens, open-mouthed grin with the tip of her tongue just showing; the mole under her eye sits on the lit cheek. Behind and below her, the blue-haired girl with the short bob and crystal earrings crouches back on the ledge in a low crouch, both elbow-gloved hands braced on the parapet, chin lifted, watching the black-haired girl's face rather than the lens, a half-lidded sideways smile on her mouth; her bare shoulder is pressed to the black-haired girl's hip to brace her, and her thigh boots grip the ledge's outer rim with the heels hanging over empty air. The blue hair whips up and across both their faces in the updraft, her strands crossing in front of the black bangs; the black hair strains forward off the crown of the bun, loosened strands dragging toward the drop. Below the ledge the city falls away in depth-of-field haze, neon signs bleeding cyan and magenta into a wet street far down, everything under the ledge deliberately soft and small. Light comes only from that neon below and behind them -- cool cyan rims their shoulders, hair ends and the parapet's top edge, magenta catches the undersides of chins and the palm on the concrete; their faces facing the lens sit in the soft spill with the dark above them absolute. Rooftop grit, painted-over old signage blurred to illegibility on the wall behind. Breezy, electric.
Show Parameters
Original Prompt
카리나
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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2boys, two cute feminine boys, male crossdressers, femboy, long hair, blue hair, black hair, two-tone hair, race queen, race queen outfit, halterneck, halter top, sleeveless, bare shoulders, bare arms, bare midriff, highleg, high-leg leotard, highleg cut, thigh strap, detached sleeves, long gloves, boots, facing viewer, looking at viewer, standing, posing, side by side, contrapposto, hand on own hip, outstretched arm, v, head tilt, talking, open mouth, grin, one eye closed, blush, sociable smile, cowboy shot, from below, foreground figure, background figure, depth of field, cinematic lighting, vivid colors, sharp focus, detailed eyes, detailed face, high detail From a low camera angled slightly upward so the two fill the frame and the white cyclorama rises behind them, two slender feminine boys stand shoulder to shoulder, both turned square to the lens with their hips canted and their weight loaded onto the leg nearest the other, so the pair reads as one V-shaped pose. On the left, the one with long straight blue hair: a deep, saturated cobalt that falls past the collarbone in a heavy curtain, parted so one strand swings forward over the halter strap at his near shoulder; the hair's sheen is the only cool note in an otherwise warm skin register, and the ends flick with the air his half-turn has set moving. On the right, the one with long black hair, worn loose and glossy, tucked behind the far ear and lying over the shoulder closest to his companion, where a single lock has been pushed back by his own raised arm. The outfit on both is the same design: a halterneck top that knotted behind the neck leaves the shoulders, arms and lower back entirely bare, the collar of the halter cutting a sharp line across the chest and pulling the fabric slightly upward at the sternum; below the waist, high-leg bottoms whose cut rides high at the hip bone, so the long bare flank between the halter hem and the leg opening is the widest uninterrupted area of the composition and is lit as such. No fabric crosses the upper chest or the shoulder; the exposed skin is bounded only by the halter's cord, the hip's cut, and the boot tops. The blue-haired boy on the left leans his upper body a few degrees toward the centre, left hand planted flat on his own hip bone with the fingers spread over the high cut and pressing a small crease into the fabric, right arm lifted and bent to bring a palm up beside his cheek in a two-finger V, elbow angled forward so the arm foreshortens. His chin tips down and his eyes come up under his brows at the lens; the right eyelid is lowered into a slow wink while the left stays wide, lips parted around a half-finished word. The black-haired boy on the right does not mirror him: his right hand rests low across his own waist, thumb hooked just above the high-leg edge, and his left arm crosses in front of his companion's shoulder as he leans in to speak to him, head turned almost to profile and tipped so the long black hair slides across his back. His mouth is open, mid-sentence, brows lifted, and his gaze lands on the blue-haired boy's cheek and stays there; the blue-haired boy's near shoulder is turned a little toward him in answer, so the wink to the camera and the side-long attention of the other are visibly two different conversations happening at once. The lighting is a single soft key high and left of frame: it lays a bright edge down the blue hair, the left shoulder and the lifted forearm, leaves the jawlines and the hollows under the halter's knot in gentle shadow, and throws a soft paired shadow onto the cyclorama behind and to the right of both figures, the two shadows overlapping where the pair meet. Fill is minimal, so the unlit side of each face holds a low, warm darkness. The palette stays tight: cobalt and black in the hair, warm skin, a single hot accent of red in the boot cuff and the halter's cord against the seamless off-white field, nothing else admitted. Depth is shallow: the two bodies are both sharp, the black-haired boy's crossing arm caught a half-step nearer the lens, and the empty sweep behind them is clean enough that the eye reads only the silhouettes and the shoulder-to-shoulder contact. Playful, effortlessly stylish.
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