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Sonia and Gloria taped up

Sonia and Gloria from pokemon sword and shield is kidnapped

#Kidnapped #Pokémon Sword and Shield #Gloria #Sonia

Published on Nov 6, 2026

Fuetixly

character: gloria_(pokemon), sonia_(pokemon), copyright: pokemon_sword_and_shield, pokemon 2girls, gloria_(pokemon), sonia_(pokemon), brown hair, short hair, brown eyes, green hat, tam o' shanter, mantle, long sleeves, orange hair, side ponytail, hair ornament, heart hair ornament, long hair, swept bangs, wavy hair, aqua eyes, lab coat, bound to chair, sitting, silver duct tape, tape gag, multiple strips of duct tape over mouth, arms duct taped behind back, ankles bound, legs taped together, angry, shaking, struggling, gritted teeth, furrowed brow, glaring, looking at another, from side, dutch angle, cowboy shot, ransacked laboratory, night, broken glass, overturned desk, scattered papers, knocked-over equipment, dark room, single overhead light, cold blue palette, desperation, tense The shot is a low dutch angle from the side, the floor tilted a few degrees off level, and it holds both women in a single frame: Sonia in the near-side foreground on the left, Gloria set slightly deeper and to the right, both shoved back-to-back onto two heavy laboratory chairs that have been dragged into the middle of the wrecked room, the chairs' legs splayed on the tiled floor. Sonia's orange wavy hair spills loose from its side ponytail and swings across her lab coat's shoulder as she thrashes; her heart-shaped hair ornament knocks against the coat's collar; her aqua eyes are wide and furious above the tape, glaring past the camera toward the unseen intruder who left the room this way, her chin thrust forward and her jaw working uselessly against five overlapping strips of silver duct tape sealed across her mouth from cheek to cheek, the top strip creasing her upper lip. She wears only the loose white lab coat over her usual shirt, its sleeves bunched at her elbows where both arms are wrenched behind the chair back and wrapped wrist to wrist in a tight band of silver tape, the tape's torn edge lifted and curling. Gloria sits at her shoulder in the green tam o' shanter and the long-sleeved pink dress under a heavy cape mantle pinned at the throat, the mantle's hem shoved askew across one shoulder by her struggles; her short brown hair is disheveled across her forehead, her brown eyes narrowed to a hard squint aimed at her own hands' inability to reach anything, and her mouth is sealed under four strips of silver tape laid crosswise, the edges lifting with each angry breath through her nose. Both women's ankles are taped together in a thick silver cuff just above their shoes, and a third band lashes each pair of calves to the chair's front legs; a single strip runs from Sonia's taped wrists down around the chair rail. Their shoulders rock in opposite rhythms, straining the tape, the chairs' feet squeaking and hopping on the tile as they shake. The laboratory behind and around them is a ruin at night: a lab bench overturned on its side in the background with beakers toppled and a dark spill spreading across the tiles, papers and a broken clipboard fanned out under the chairs, a rolling stool on its side, cabinet doors hanging open and emptied, one dented metal canister rolled into the foreground corner. A single overhead fluorescent panel is the only light source; it hangs at an angle, and its cold white beam falls from above and slightly behind the two women, picking out the glossy silver sheen of every duct-tape band and the shine on their skin while the rest of the room falls into deep blue-black shadow, so that beyond the light's pool the darkness is nearly absolute and the room's far corners go indistinct. The tiled floor reflects a dim, soft double of the overhead panel, darker and fuzzier than the source, and the women's long shadows rake across the tiles toward the camera. The palette is cold: silver grey of tape, chalky white of the lab coat, muted pink and green of Gloria's dress and hat, warm orange and brown of the two heads of hair against a room of desaturated blue-grey wreckage, everything else squeezed toward shadow. The clutter is detailed in the foreground and midground and simplified into flat dark shapes at the far wall; the two faces, the tape strips and the straining shoulders carry the detail budget. Clean linework throughout, gentle colors, smooth glossy skin tones and expressive eyes; the tape is drawn with crisp, hard highlights so its adhesive sheen reads. Tense, furious.

Sonia and Gloria taped up

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