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Show morecharacter: yamamura_sadako
floating, side view, profile, facing right, 1girl, long black hair, hair covering one eye, hair over face, very long hair, pale white skin, black eyes, faint dark circles under eyes, tired eyes, half-closed eyes, melancholy, gentle expression, closed mouth, faint sad smile, hugging own legs, knees up, bent knees, arms around knees, floating in air, barefoot, bare feet, soles visible, one foot higher than the other, black dress, dark room, absolute darkness beyond, dim spotlight, cone of light from above, VHS tapes floating around her, videotapes coiling around her body, magnetic tape ribbon unfurling, pile of videotape cases on floor, scattered cassette shells, black and cold-blue palette
A true side profile, the whole figure suspended in empty black air, turned so that she faces the right edge of the frame and the camera sees only one side of her. Her head is in the upper third, level; a long fall of straight black hair swings forward off her crown and drops across the near side of her face, so the eye nearest the camera sits in a wedge of partly shadowed hair and only half her face is readable, cheek, jaw and the corner of the mouth emerging from behind the black strands. Her right eye is half-lidded, iris dull, a faint bruise-grey shadow smudged under it low enough to be a smudge rather than a painted ring. Her brow is slack and slightly drawn; her mouth holds a very slight, soft curve with no teeth, the mouth of a tired person being kind without effort. Her chin dips a little toward her knees, and her eye looks down and forward along the line of her own shins into the dark at the right, not at the viewer. She is drawn up into a compact curl in the middle of the blackness: spine rounded, both knees bent and lifted high to chest level, black dress hem pooling under her thighs, both arms wrapped around the front of her knees with the forearms crossed at the shins, hands gripping loosely at her own ankles. Both feet are bare and hang just below the knees; the near foot rides noticeably higher than the far foot, the near sole turned a little outward with the arch and heel catching the light, the far foot dropped lower and dimmer.
A single narrow spotlight falls from above and behind her toward frame left, the only light source, and it lights only a shoulder, the top of her hair and one knee; everything outside its soft-edged pool is absolute black with no visible floor line. VHS cassettes hang and drift around her at eye level and hip level, one passing in front of her nearer shin, one behind her hair, and loops of pale magnetic tape ribbon have spooled free and curl around her waist and around the arm nearest the camera, tensioning into a soft catenary where it crosses the light. Directly below her a low broad heap of empty black videotape cases lies on the invisible floor, their spines and open lids catching the rim of the spotlight and casting flat shadow that runs away to the left; the bottom-most floating shell casts no shadow on the pile, because nothing beneath it is lit to catch one. The light rims the floating tape's edge brighter than the case beneath it, since a reflected edge loses to its source. Palette is only black, cold blue-grey and the small warm white of the spotlight; the skin is pale against the dark with the hair reading as a deeper black within it. Quiet, tender, uneasy.
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character: yamamura_sadako
1girl, solo, mature female, yamamura sadako, long black hair, hair over one eye, hair over face, very long hair, black sheer chiffon dress, sheer dress, barefoot, floating, levitation, bent knees, hugging own legs, knees to chest, side view, facing right, profile, from side, slight from below, dark background, empty space, black void, faint spotlight, single light source, dark circles under eyes, tired eyes, tired, half-closed eyes, gentle expression, melancholy, black eyes, pale white skin, floating videotapes, videotapes coiling around her body, tangled ribbon-like videotape strips, pile of videotape cases on floor, stack of black VHS cases, dim lighting, moody, muted palette, cinematic, black, grey, pale skin tones, film still, high detail
Side view, her whole body seen in profile from a slightly low camera, facing the right edge of the frame. A mature woman floats in mid-air in an absolute dark void: her back is gently curved, knees drawn up and bent, both arms wrapped around her shins with her hands clasped over her knees, her chin near her knees and her face turned to the right. Long black hair hangs down and forward, one continuous heavy fall of it covering the near half of her face right to the jaw so only one eye shows in profile; that visible eye is heavy-lidded, the lid lowered, with faint bruised dark circles under it, and the mouth corners pull faintly in a sorrowful, soft expression. Her toes point down, both feet hanging bare and loose, one foot noticeably higher than the other with the soles a few centimetres apart. She wears a black sheer chiffon dress: the thin layers of tulle are darker where they bunch over her thighs and lighten to translucent grey at the hem, where the fabric ripples and trails behind her as if the air is still moving. The dress is the only thing with weight; her bare arms and feet are bare, both wrists and both earlobes unobstructed, nothing at her throat. Flat matte black videotape ribbon spirals up from below and coils loosely around her waist, over one shoulder and across the front of the dress, the tape strips floating and lifting off her body and curling away into the dark, their glossy surfaces catching the light in long thin highlights; a heap of black videotape cases lies far below her, stacked, spilled and some lying open, their spines stacked at irregular angles. A single faint spotlight from high above and to the left of frame falls in a narrow cone: it touches the top of her head, the highlighted plane of the hair, her shoulder and her bent knee, rimming the profile of her face and the underside of the sheer hem, and it glints off the airborne tape; beyond the edge of that cone the darkness is complete, so the pile of cases at the bottom is only barely readable as black shapes against black. Palette is almost entirely black, deep grey and pale skin, with the only bright values inside the spotlight. Cool, quiet, still air. Melancholic, tender.
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character: yamamura_sadako
floating, side profile, facing right, 1girl, mature female, long black hair, hair over one eye, hair covering half of face, very long hair, black eyes, pale skin, faint dark circles, tired eyes, half-closed eyes, melancholy, gentle expression, closed mouth, plain white dress, long white nightgown, barefoot, bare feet, feet at different heights, knees up, bent knees, arms around own knees, hugging knees, self-hug, floating in mid-air, levitation, VHS tape, videotape coiling around body, floating tapes, huge pile of VHS cases, stacked cassette cases on floor, dark background, black void, faint spotlight, single overhead light, rim light, volumetric dust, from below, cowboy shot, looking to the side, soft melancholy
Seen from slightly below in a three-quarter side profile, the woman floats in a lightless void, her body turned so that her face and the direction of her gaze point toward the right edge of the frame. She hangs in mid-air with nothing beneath her, her knees drawn up toward her chest, both arms wrapped around the front of her shins, one hand clasped over the opposite forearm; her long spine curves, head tipped slightly down. Her black hair, very long, sheets forward past her shoulder and spills across the near half of her face, veiling one eye entirely while the far eye stays visible in profile -- faint dark shadows beneath it, the lids heavy, the gaze cast downward and off to the right, weary and unreachable, yet the set of her mouth is soft and gentle. She wears a simple, unadorned white dress, thin fabric falling loose from her raised knees, and her bare feet hover at unequal heights, the nearer foot higher than the far one, toes slack and pointing down. Translucent VHS tapes drift and coil around her, ribbon-like strips looping lazily across her back and one passing over her forearm, their magnetic tape unfurling in thin curves. Below her the floor is a broad heap of VHS cassette cases stacked and scattered, catching a dull sheen. The only light is a faint, narrow spotlight falling from above; it grazes the crown of her hair, the top of one raised knee and the curve of her shoulder, and dies away well before the edges, so her legs and the outer flanks of the frame sink into absolute black and the dust drifting in the beam is briefly visible. Palette restricted to cold white, deep black, and the dim silvery glint of the tape. Quiet, tender unease.
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