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Teodor

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Teodor

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1boy, solo, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, kitsune, fox ears, dark brown fox ears, white fluffy fur inside the ears, ((no human ears)), six tails, dark brown tails, sharp fingernails, freckles, light skin, red eyeshadow, lips, from below, looking down at viewer, head tilt, one arm raised, hand near face, fingers loosely curled, upper body, medium shot, dark background The camera sits low and looks up: a single boy fills the frame from the waist up, his head tilted a few degrees off vertical so the mass of his very long curly dark brown hair spills over one shoulder and swings forward past his collarbone on the other, spirals catching the rim light along their outer edges. Only fox ears crown his head — two dark brown fox ears set high in the curls, each cupped shell lined with dense white fluffy fur, and the hairline between and below them is smooth and unbroken, ((no human ears)) anywhere on the head, the temples bare of any human ear shape. His glowing orange eyes are the only true light in the picture: narrow, luminous, each pupil a vertical slit, and because the lens is below him he looks down at the viewer along his cheekbones, lower lids slightly tensed, one brow lifted a fraction. Red eyeshadow smears soft and warm across both lids and out toward the temples, and his lips are full, parted a little, their edges catching a faint sheen. A dusting of freckles crosses the bridge of his nose and scatters over both cheeks on light skin that reads cool and pale against the dark. His right arm is raised, elbow bent, the back of the hand turned outward near his jaw, and the fingers are loosely curled so the nails read clearly: long, tapered, sharply pointed at the tips but still nail, not claw, with a clean natural sheen along each ridge. Behind his shoulders the six dark brown tails fan out and up in a slow halo, their fur matching his hair and tipped with a soft pale bloom where the backlight grazes them. The setting is a sealed dark interior: a near-black background with no visible room, no furniture and no horizon, so the figure alone carries the detail budget. One cool rim light comes from the upper left behind him, drawing a thin bright line down the left contour of his hair, ear, shoulder and raised forearm, and the warm glow of his own eyes lifts the planes of his face from underneath — the light is on his brow, the tops of his cheekbones and the ridge of his nose; the hollows of his neck, the undersides of the tails and the depth behind his curls stay in darkness. His weight rests on his left leg with the hip pushed out, so the shoulder line tilts against the head tilt and the hair hangs heavier on the lower side. A single physical tell: the white ear fluff is translucent at its outer edge where the rim light passes through it, glowing faintly brighter than the fur beneath. Palette of dark brown, warm orange and near-black, with a single soft red at the eyeshadow and the mouth. Intimate, quietly predatory.
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Original Prompt
dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, sharp fingernails, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears ((no human ears)), white animal ears fluff, light skin, red eyeshadow, lips,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1boy, solo, close-up, portrait, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, kitsune, fox ears, white fluffy fur inside ears, ((no human ears)), six tails, dark brown tails, dark brown color scheme, freckles, red eyeshadow, lips, sharp fingernails, light skin, looking at viewer, head tilt, from above, dutch angle A tight close-up shot from slightly above and tilted a few degrees off level, so the frame is filled edge to edge by one boy's face and the fall of his hair. His head is tipped back a little and turned a quarter toward his right shoulder, chin lifted, the whole weight of the pose running down out of frame. Very long, curly dark brown hair surrounds his face in heavy ringleted masses, coils springing loose at the temples and one long curl falling across his cheekbone to his jaw; loose curls drift outward at the frame edges. At the top of the frame, two fox ears rise out of the curls, dark brown fur outside and thick white fluffy fur inside each ear catching the light, the ear tips angled slightly apart and one ear canted lower than the other; the hairline runs unbroken beneath them — the head carries the fox ears alone, ((no human ears)), the sides of his head smooth and covered by hair and ear fur with nothing else on them. His eyes are the brightest thing in the picture: glowing orange, lit from within, a hot ember core in each iris fading to a deeper amber at the rim, with narrow vertical slit pupils black against the glow. The glow spills onto the inner corners of his eyes and the tops of his cheekbones, warming the pale skin there. Red eyeshadow is swept across both lids and winging a little past the outer corners at the temples, saturated crimson against the light skin, uneven in a way that reads as pigment rather than print. He has a boy's build in the little that shows — a narrow jaw, a lean neck. Freckles scatter across the bridge of his nose and both cheeks, a fine brown constellation, denser on the left cheek than the right. His lips are full and slightly parted, drying in the middle, a sliver of teeth showing; the lower lip catches a wet highlight on the left side. He is looking straight into the lens from under those glowing eyes, one brow slightly raised, the corner of his mouth curling on one side — not quite a smile, more like he's decided something about the viewer. In the bottom foreground his right hand rises into the frame from below, fingertips just under his chin and not touching it, and the nails are clearly tapered, sharp-pointed fingernails — long, glossy, pointed tips, natural nail surface, pale with a faint natural sheen, not claws. The hand is lit from the front by the same glow, the nail tips catching thin highlights hard along their edges. Behind his head, deeper in the frame and out of focus, the six dark brown tails are glimpsed — a thick dark mass of fur curling up behind his shoulders and beyond, edges soft, tinted dark brown, a couple of tail tips rising high on one side into the background and cut off by the frame edge. The color scheme is a discipline of dark brown, and nothing is admitted that does not come from it: dark brown in the hair, the ears, the tails, the freckles and the background; the warm ember orange of the eyes and the crimson of the eyeshadow as the only saturated accents; light cream-white only in the ear fur, the teeth and the eyes' rim-light. The light comes from one direction — low, in front, and just below his eye level — so his face is lit from the front and slightly from beneath, brightening the chin, the under-edge of the lower lip, the inner ears and the bridge of the nose, while the sockets and the far side of his jaw toward the frame edge fall into a soft dark. A short hard cast shadow drops from his chin onto his neck. The background is a seamless dark brown studio dark, nothing else in frame. Behind his head the glow of the eyes throws a faint warm haze into the hair, and beyond the shallow focus the tails are simple dark shapes. Intimate and quietly charged.
Teodor
#Ahoge#Male#Kemonomimi

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