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Kishika in latex
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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solo, smile, masterpiece, amazing quality, best quality, ultra detailed, 8K, bodysuit, latex, zipper, unzipping, maria mikhailovna kujou, long hair, bangs, brown hair, hair ornament, hair between eyes, brown eyes, ahoge, mature female, breasts, anime screencap, alya sometimes hides her feelings in russian
kona1313
ドmこれくしょん 時雨
オムニテツ
d3
character: rosa_(pokemon)
1girl, rosa (pokemon), solo, brown hair, double bun, long hair, donut hair bun, blue eyes, glossy black skin-tight spy agent bodysuit, latex catsuit, high collar, long sleeves, belt, tight fit, body contours, from below, cowboy shot, close-up, tilted angle, walking, mid-step, one leg forward, arms loose, unsteady balance, swaying, dizzy, drowsy, sleepy, half-closed eyes, unfocused gaze, heavy eyelids, open mouth slightly, flushed cheeks, head lolling back, film studio interior, hallway, soundstage corridor, cinematic lighting, dramatic shadow, dark palette, cool key light, warm practicals, haze
The camera looks up from hip height at a steep tilted angle, a low cowboy-shot close-up that runs from the top of her head to mid-thigh, so her body fills the frame and the hallway's ceiling line recedes above her. Rosa walks mid-step toward the lens but her weight has gone unreliable: her right foot has just landed flat and her left heel is still lifted behind her, hips canted off-axis, one shoulder dropped lower than the other, her whole line of action sagging into a loose S. The glossy black skin-tight suit hugs her without a wrinkle in the fabric, and the light runs down its surface in one long continuous specular streak from her collar over the chest, the ribs, the waist and the thigh, so every contour of her body reads as a clean unbroken edge; at the hip seam and the inner elbow the suit creases once, sharply, and holds. Her head has lolled back and slightly to one side, chin up, the twin brown buns tipped back with the movement and one loose strand of long brown hair stuck to her damp temple; her eyelids are half lowered and heavy, blue eyes unfocused and gazing past the camera into the middle distance, lips parted a fraction on an exhale, cheeks flushed, a faint sheen at her brow. Her arms hang loose and unsynchronized with her legs, one hand half-curled and trailing behind her hip, the other drifting out from her side for balance after a stumble she has not quite corrected, fingers splayed. The film studio hallway behind her is a real soundstage corridor: a scuffed concrete floor with taped cable runs and a light-stand wheel track arcing toward her feet, dark acoustic baffles and a half-open stage door on the left, a rack of coiled cables and a sandbag on the right, and beyond it the corridor's far end swallowed in shadow with a single distant work lamp. The key light is a hard cool source from high behind her right shoulder that rims her buns and the curve of her shoulder and lays the long specular streak down the suit; a dim warm practical leaks from the open stage door on the left to fill the shadow side of her face and hip. The hallway floor carries a soft, darker contact shadow beneath her planted right foot. Palette is near-monochrome — black suit, grey concrete, cold steel blue in the highlights — and the only warmth is the amber practical at frame left and the flush in her cheeks. The mood is woozy, on-the-verge-of-collapse cinematic tension.
Dicavec3
烏羽
ラテックススーツ
烏羽
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