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AI art "周作ミクさん" featuring #standing, #Hatsune Miku, #Shadow, #Vocaloid, #solo and #Girl

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周作ミクさん

指示文の試行錯誤

#standing #Hatsune Miku #Shadow #Vocaloid #solo #Girl

Published on Nov 6, 2026

t8t8t4-

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character: hatsune_miku 1girl, solo, hatsune_miku, long green twintails, very long hair, aqua eyes, looking up, from above, high-angle view, gazing upward at sky, green outline silhouette layered behind, color manga style, screentone shading in shadows, flat muted coloring, subdued lighting, pale color palette, cel shading, blue-green necktie, sleeveless shirt, detached sleeves, pleated skirt, bare shoulders, thighhighs, standing, weight on back foot, head tilted back, chin lifted, arms slightly away from body, looking at nothing, wide-eyed, parted lips, light smile, windblown hair, hair spread against ground plane, open sky background, gradient sky, soft diffused light, no harsh highlights, matte texture, vertical composition From above, the camera looks steeply down on the lone green-twin-tailed girl as she stands with her face turned straight up to the sky, her chin lifted and neck bared, so that the full oval of her upturned face dominates the upper third of the frame while her very long green twintails spill outward across the ground plane around her feet. The high angle compresses the world into a shallow stage: her pale, almost bleached body and the flat pastel ground share the same muted tonality, and directly behind her, offset just a few degrees off-center, floats a second, larger copy of her own form rendered as a solid pale-green silhouette, its contour tracing exactly the outline of her body — the twin tail loops, the shoulders, the hem of the pleated skirt — as though she had cast a hard shadow of pure green that refused to hug the floor. Her aqua eyes are open wide and fixed on something beyond the top edge of the frame, lips just parted, her whole weight rocked back onto the rear foot so her torso arches slightly and her front knee softens; her arms hang a little away from her sides, palms open and turned slightly forward, fingers relaxed, not gripping anything. The pale blue-green necktie lies flat against the sleeveless white shirt, the detached sleeves cling to her upper arms, and the pleated skirt and long thighhighs fall into the flat geometry of the high-angle view. The light is even and cool and comes from everywhere at once — a hazy, shadowless daylight that lets the screentone do the shadow work instead of the sun: crosshatch and dot screentone gather in the hollows under her chin, beneath each loosened strand of twintail, along the inner lines of the sleeves, and in the folds of the skirt, inked in fine manga halftone rather than painted with gradients, while every lit face of her clothing stays a single unmodulated pale tone. The sky behind her is a low-contrast wash of palest mint fading into off-white, and the ground is a smooth pale grey-green field, so that the only saturated thing in the entire picture is the green of her hair and the flat green silhouette doubled behind her. Nothing else occupies the frame — no architecture, no horizon line, only the slight leading curve of one twintail sweeping toward the lower corner to guide the eye back to her upturned face. Quiet, weightless, tender.

周作ミクさん

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