Oct 23, 2026

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AI art "儒烏風亭らでん・オリジナル衣装" featuring #Seiza, #Two-tone hair, #Girl, #Pencil Skirt, #white shirt, #Hololive Production, #Juufuutei Raden and #hololiveDEV_IS

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儒烏風亭らでん・オリジナル衣装

儒烏風亭らでんさんの凛とした佇まいが本当に素敵で、今回この一枚を描かせていただきました。和室で正座する姿に、彼女の持つ大人の色気と上品さが際立っていて、私自身もとても癒されています。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです！今後も様々な作品を投稿予定なので、ぜひコメントで感想を聞かせてくださいね。

#Seiza #Two-tone hair #Girl #Pencil Skirt #white shirt #Hololive Production #Juufuutei Raden #hololiveDEV_IS

Published on Nov 6, 2026

因幡魔兎夜イナバマトヤ

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character: juufuutei_raden, copyright: hololive 1girl, solo, adult woman, mature female, milf, black hair, two-tone hair, streaked hair, striped hair, hyper long hair, floor-length hair, hime cut, blunt bangs, long bangs, hair over one eye, hair over left eye, blue eyes, mole, mole under eye, black mole on cheek, glossy hair, shiny hair, large breasts, sagging breasts, voluptuous body, wide hips, peach-shaped butt, fully clothed, white blouse, collared blouse, long sleeves, tight black skirt, pencil skirt, seiza, sitting on tatami, on knees, hands on lap, looking down, half-closed eyes, light smile, from above, three-quarter view, from side, traditional japanese house interior, tatami room, shoji, dark wooden beams, full body, room interior, A vertical three-quarter view from above, the camera high and slightly to her right, looking down past the shoji screen's frame into the tatami room. Jufuutei Raden kneels in seiza at the center of the tatami, placed a little off-center toward the lower-left of the frame so the upper right fills with the room. Her weight is settled back onto her heels, spine straight, knees folded over one another exactly under her; both hands rest one atop the other on her thighs, palms down, fingers slack. Her chin is lifted a touch, chin turned slightly toward the shoji, and her eyes -- cool blue under the fringe -- are cast down and away to the left, toward the shadow the screen throws across the mat, not at the viewer. Her hair is hyper long and two-toned, black at the crown and a lighter streaked band running through its length; the hime cut side locks fall straight and blunt to the collarbone, and the bangs are long, sliding down over the left brow and left cheek so the left eye stays behind them while the right blue eye shows through. One small dark mole sits visible on the right cheek below the bangs. Because she is seated with her back to the room and her knees tucked forward under the woollen floor, the peach-shaped fullness of her hips spreads sideways across the tatami; the fabric of the tight skirt stretches taut over the deep curve of her breasts and sags them softly against her ribs under the blouse, so the white cloth creases and gathers below them. The blouse is buttoned to the neck and tucked in; the black skirt is hemmed just above the ankle. The soft, warm light of a low afternoon sun comes in through the shoji on the upper left, so the paper is a bright grid and the mat around her is barred with long window-frame shadows; the edges of the room and the far dark timber fall into shadow, and a faint blade of light catches the right cheek and the shin. The palette holds to warm sand tatami, black-and-cream hair, white cloth and a single dark skirt against the brown wood, with no other color admitted. The floorboards creak slightly under her weight where the tatami bows around the knees. Quiet afternoon stillness, intimate.

儒烏風亭らでん・オリジナル衣装

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