Oct 23, 2026

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AI art "霧島董香・冬の夜" featuring #white hair, #Winter clothes, #Grey eyes, #Night, #Girl, #Side view, #Touka Kirishima and #Blurry Background

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霧島董香・冬の夜

『東京喰種』の霧島董香を描いてみました。冷たい夜風の中、白いダウンを着こなして歩く彼女の凛とした姿がとても好きです。雨上がりの街のネオンも良い雰囲気ですよね。気に入っていただけたらいいねとフォローをお願いします！コメントもお待ちしています。

#white hair #Winter clothes #Grey eyes #Night #Girl #Side view #Touka Kirishima #Blurry Background

Published on Nov 6, 2026

mizukisiho

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1girl, solo, full body, adult woman, late twenties, short silver hair, choppy bangs, hair over one eye, one eye covered, deep blue eyes, blue eyeshadow, pale pink lips, lipstick, cream turtleneck sweater dress, ribbed knit dress, long beige down jacket, open jacket, winter clothes, hands in pockets, walking, mid-stride, glancing toward viewer, looking at viewer, faint smile, light smile, night, city street, urban, colorful bokeh, shop sign lights, breath fog, visible breath, cold winter air, reflective wet pavement, puddle reflections, cinematic lighting, rim light, depth of field, cowboy shot-to-full-body vertical framing, from side, profile-turned-toward-viewer, winter night Full body, vertical frame, from a slightly low three-quarter side angle: an adult woman in her late twenties strides along a wet city street at night, caught exactly mid-step. Her left leg is planted ahead and bearing her weight, her right leg swings back with the heel just lifting off the pavement, the beige down jacket's hem and the cream knit hem of the sweater dress breaking into her stride. Both hands stay buried in the jacket's side pockets, the fabric pulling into two taut creases toward the pocket mouths, so the walk reads from the hips and shoulders rather than the arms. Her torso stays angled down the sidewalk while her head turns back over her near shoulder to glance toward the viewer; under the choppy silver bangs one deep blue eye meets the lens, lashes low and lids softly shadowed with blue eyeshadow, the other eye veiled by the choppy fringe falling over it. Her pale pink lips hold a small closed-mouth smile, one corner lifted a fraction higher. The short silver hair is cut choppy and uneven at the nape, feathering out at the jaw with a cold breeze lifting a few strands; the knit turtleneck rises to her jaw under the collar of the long beige down jacket, quilted in horizontal channels, worn open, its collar furled up at the neck. She walks with her chin slightly lifted and shoulders drawn in against the chill, and a thin thread of visible breath spills from her lips and dissolves just past her cheek. Behind her the city street recedes into night: a wall of out-of-focus circular bokeh, warm amber and acid green and pink shop-sign lights scattered at different depths, the nearest sign lights still faintly recognizable, the farther ones melted into soft orbs. The wet pavement below is a mirror made imperfect—reflections of the sign lights smear and break into fragments of green, pink and amber that stretch along the road under her feet, fainter and softer than the lights above, and only the dark soles of her boots interrupt them. A cold blue rim light from the street behind traces the edge of her silver hair, her shoulder and the quilted ridges of the jacket, while a warmer amber spill from a shop window catches the side of her face; the shadows fall deep and blue-black. Palette held to cream, beige and silver for the figure against a cool blue-black night pierced by the saturated amber, green and pink bokeh. Crisp cel-shaded shading with sharp highlights on the wet ground and the knit texture. Quiet, cold, effortlessly cinematic.

霧島董香・冬の夜

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