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紫宮るな, 廃教会にて
Show Parameters
- Original Prompt
- character: shinomiya_runa, shinomiya_runa_(vspo!), copyright: vspo! 1girl, solo, shinomiya runa, purple hair, short hair, yellow eyes, hair ornament, x hair ornament, bow, hair ribbon, gothic lace camisole, delicate straps, black lace, kneeling, seiza, hands clasped together, interlocked fingers, looking up, looking at viewer, sultry, solemn, half-closed eyes, parted lips, medium shot, from below, dramatic low angle, foreshortening, ruined gothic church, altar, moonlight, cold blue moonlight, candlelight, warm candle glow, flickering candles, dark interior, broken stained glass, rubble, from below composition, A dramatic low-angle medium shot looks up at her from knee height, so the altar step and the floor of the ruined nave fill the bottom edge of the frame and her figure towers into the vault. She kneels upright on both knees on the cracked flagstone of the lowest altar step, her weight sunk back onto her heels, spine straight, shoulders drawn slightly together and chin lifted as she raises her face to the lens. Her short purple hair falls forward around her cheeks in loose strands that the draft stirs, one side tucked back with the small X-shaped hair ornament and a thin ribboned bow holding the sweep; a longer ribbon tail hangs down past her jaw and lifts in the same draft. Her yellow eyes are half-lidded and fixed directly on the viewer from below, the whites catching a faint warm spark, and her mouth is parted a fraction in a still, sultry solemnity, corners neither smiling nor tight. Both hands are clasped together at the center of her sternum, fingers interlaced, knuckles pressed, thumbs crossed over the back of the other hand, elbows tucked close against her ribs so the clasp reads tight and prayerful. She wears a gothic lace camisole: a fitted black bodice built wholly of fine floral lace over a paler lining so the web-like pattern reads as pattern and shadow rather than trim, with the lace continuing its scalloped edge along the neckline and the hem. Two narrow delicate shoulder straps, each a single band of openwork lace, rise over the slope of her collarbones and disappear behind her shoulders; the strap ends at the top edge of the bodice are finely wrought passementerie, not metal. The bodice's lace flowers across her chest and short ribs, and where the moonlight strikes the shoulder and outer arm the mesh throws a fine net of tiny shadows onto the skin beneath it. Her bare upper arms and shoulders are uncovered, skin showing cold pale against the dark fabric. Behind her the ruined gothic church opens up: a tall pointed lancet window broken out entirely, its remaining leaded tracery silhouetted black against the blue, and a high altar of pale stone raised one step above her with a torn lace-edged altar cloth hanging off its edge, a toppled candlestick, and a tilted stone cross. Broken pews and fallen masonry litter the nave floor around her knees, and beyond them the aisles dissolve into blackness. The moonlight is the only cold source and it comes from the broken lancet behind and above her right shoulder, so the rim of her shoulder, the lifted edge of her cheekbone and the top strands of her hair glow blue-white while the front of her body and the underside of her chin fall into cooler, deeper blue shadow. The warm sources cluster around and ahead of her at floor and altar level: a spread of candles on the altar step beside her knees and more at the base of the broken window, their flames leaning and guttering in a slow draft, throwing amber light up under her jaw, across the inner curves of her clasped hands, and along the lace of her camisole's front so the black mesh turns ginger-gold where the light strikes. Each flame has its own small halo and the whole cluster of halos trembles together; the candlelight is broken into separate pools and the blue darkness lies between them. The contrast splits the frame into two temperatures, and the smoke from one snuffed wick curls upward through the beam of moonlight, making the shaft of cold light visible in the air. Her still, upright kneeling silhouette reads against the rubble and the blue shaft as calm and deliberate; quiet, heavy, and coldly intimate.
- Mode
- pro
- Size
- 832 x 2048
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit,
Model & LoRA used
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