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らり

AI art by らり on PixAI. Made with Tsubaki.3.

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らり

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1girl, solo, restrained, chained, defeated, battle outfit, japanese style outfit, chain around neck, heavy iron chain collar, red face, flushed cheeks, expression enduring pleasure, embarrassed expression, biting lip, slightly bowed head, looking up desperately, battered appearance, wounded body, tattered clothes, torn clothes, ripped outfit, broken outfit, exposed thighs, exposed armpits, exposed upper arms, kneeling on one knee, hugging own body, self-hug, multiple chains extending from surroundings, chains wrapped around arms, chains wrapped around legs, chains wrapped around body, broken asphalt, ruined town, collapsed building street, live broadcasting camera, monitor, from below, dutch angle, looking up, trembling, sweat, half-closed eyes, parted lips, motion lines, The camera sits low and close, canted a few degrees off level, looking up from the broken asphalt: a lone girl kneels on her right knee in the foreground, left foot planted flat and forward, thigh bared where the torn hem of her short indigo-and-crimson battle kimono has been ripped away. Her torso twists a quarter-turn from the lens, shoulders drawn inward; both bare upper arms press against her ribs and both hands grip the opposite elbow, hugging her own body, and the pose opens the hollows under both arms where sweat and dust track down the skin. A heavy iron chain collar sits across her collarbones and throat, links thick as a thumb, one length running over her shoulder and down between her shoulder blades. Chains bite across her arms, spiral once around each shin and thigh, and band her waist, each link drawn tight enough to dimple the fabric. From the flanks, from the rubble behind and above her, more chains sweep in and pull taut toward the frame edges, and where they anchor to an exposed rebar stub the metal is worn bright. Her head is bowed just a few degrees, chin low, and from under her dust-matted fringe her eyes roll up toward the lens and past it, desperate, lashes wet and clumped, under-eye shadows smudged; her cheek is dark with flushed blood and her front teeth are pressed into the crease of her lower lip, the lip whitening at the bite and her brows pinched as though holding back a sound. Torn cloth: one sleeve is gone entirely, a jagged rent runs along the ribcage, frayed threads catch the light at every tear, and the obi binding her waist is partially unwound, its ends trailing down past her knee. The street behind her is a collapsed avenue: a six-storey concrete building has sheared away on the left, floors slumped into each other, bent rebar sprouting from broken slabs; the asphalt beneath her is split into rising plates with grit scattered across the fractures, and a curbstone lies upended in the midground. In the right midground, on a levelled block of rubble, a live broadcast camera on a low tripod is aimed straight at her, tally light glowing red in its housing, and beside it a cracked broadcast monitor on a battery case shows her own image in cold grey-silver, the reflection darker and softer than the figure herself, a lagging frame caught one half-second behind her actual pose. Those two devices are the only man-made light in the scene apart from the sky: a hard, low sun burns through the dust haze at the upper left, so her left cheek, throat, the top of the bent knee and the upper rims of every chain link burn hot, while the right side of her face, the inside of the self-hug and the street behind fall into deep cool blue-grey shadow, and her shadow stretches long and thin to the lower right across the shattered plates. Dust motes and a thin grit haze hang in the light and catch in the air she is breathing. Palette locked to five: dust-warm ochre and dead concrete grey for the ruined town, cold blue-grey shadow, rust-brown and worn iron for the chains, and crimson-indigo for her torn outfit, with flushed red reserved for her face alone. Detail budget goes to the face, the bitten lip, the straining hands on her own elbows, and the contact of each taut link against skin and cloth; the collapsed blocks and the distant camera resolve as firm simple masses, never flat. Every link that faces upward carries its own thin film of grey dust, and nothing else does. Clean linework with high-contrast cel shading and vibrant color saturation typical of modern East Asian digital illustration, held down to a muted, gritty register; desperate, humiliated, heat-hazed.
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Original Prompt
1girl, solo, restrained, chained, defeat, battle outfit, chain around neck, japanese style, red face, expression enduring pleasure, embarrassed expression, biting lip, slightly bowed head, looking up desperately, battered appearance, wounded body, tattered clothes, thighs, armpits, upper arms, kneeling on one knee, hugging own body, multiple chains extending from surroundings, chains wrapped around arms and legs, chains wrapped around body, broken asphalt, ruined town, collapsed building street, live broadcasting camera and monitor, torn clothes, ripped outfit, broken outfit
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of 橫山育人
character: koshimizu_sachiko, copyright: idolmaster 1girl, solo, koshimizu_sachiko, purple hair, short hair, hair flaps, hair bow, hairclip, brown eyes, handcuffs, shackled wrists, leg shackles, chain between ankles, collar around neck, black and white striped shirt, vertical stripes, short sleeves, no pants, panties only, bare legs, bare feet, standing, full body, from below, dutch angle, looking down at viewer, half-closed eyes, smug, blush, underground prison cell, stone walls, barred door, dim lantern light, heavy chains, The camera is low and tipped a few degrees off level, looking up at a single young woman standing in the middle of an underground stone cell, her full figure from the soles of her bare feet to the top of her head inside the frame. She has short purple hair with a blunt fringe and two flipped hair flaps at the jaw, a small hair bow and a hairclip pinned at one side, and warm brown eyes. She is dressed only in a short-sleeved black-and-white vertically striped prisoner shirt that hangs to her upper thigh, and plain panties below it; her legs and feet are bare from hem to floor, with nothing else on them. Wide steel handcuffs circle both wrists and are linked by a short chain hanging slack in front of her hips; her hands are clasped loosely together in front of her waist, thumbs hooked over the link, wrists crossed just enough to show the cuffs. A thick iron collar bands her neck above the shirt's open collar. Matching shackles ring both ankles, joined by a chain that droops in a shallow curve and rests its middle on the stone floor between her feet. She stands with her weight on her left leg, right knee slightly bent and right hip dropped, right foot turned out; her shoulders are angled a little away from the lens while her chin tips down toward it. She looks straight down the barrel of the low camera with a smug, half-lidded sideways look, one corner of her mouth lifted and a light flush on her cheeks, as though the audience has just walked in on her and she finds it funny. Ringlets of hair at her cheek lift slightly and the chain between her ankles rocks with the small shift of her stance. The cell is cramped stone masonry: irregular wet-gray block walls, a low barrel-vaulted ceiling, a heavy barred iron door behind her left shoulder with a small grated slot, an iron ring bolted to the wall and a rusted bucket in the foreground corner. A single caged lantern hangs high and to her right, its warm orange light falling on the right side of her face, the right shoulder of the striped shirt and the tops of the chains, throwing long soft shadows to the left across the floor and leaving the far corners of the vault in near black; the cell's darkness is absolute beyond the lantern's reach. The stripes on her shirt curve with the fabric over her chest and wrinkle at the waist where it bunches under the wrist chain. The chain linking her ankles catches a thin bright line of lantern light along its upper edge only, the underside dark and lusterless. The palette stays in wet gray stone, warm amber lantern glow, her purple hair and the stark black and white of the stripes, with a muted rose flush and brown eyes as the only other color. The floor's flagstones are scuffed and slightly damp, casting a soft reflection beneath the lantern's pool. Grime on the walls, the faint chill of the air, quiet defiance.
橫山育人
#The Idolmaster#The Idolmaster Cinderella Girls#Koshimizu Sachiko
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Avatar image of 橫山育人
character: makabe_mizuki, copyright: idolmaster 1girl, makabe_mizuki, solo, standing, handcuffs, wrists chained together, leg shackles, ankle cuffs, metal collar, short-sleeved striped shirt, black and white horizontal stripes, prisoner, panties only, bare legs, bare feet, purple hair, short hair, wavy hair, sidelocks, yellow eyes, hair ornament, underground prison cell, stone cell, heavy iron door, chains on wall, torchlight, from below, full body, looking at viewer, faint closed-mouth smile, head tilt, dim, cool blue-grey shadow, warm amber torchlight From a low camera at ankle height looking up, one young woman stands alone in the center of a stone underground cell, close to the frame, the camera angled slightly upward so the low vaulted ceiling arches over her. She has short wavy purple hair with soft sidelocks, a small hair ornament tucked on one side, and yellow eyes that glance down toward the viewer with a faint, ambiguous closed-mouth smile, head tilted a little to one side as if she is calmly observing whoever has come to look. She wears a short-sleeved prisoner's uniform shirt in bold black and white horizontal stripes, the sleeves ending at the upper arm, the hem hanging above her bare hips; below, only plain dark panties, her bare legs and bare feet standing on the cold stone floor. Her wrists are clasped together in front of her waist inside iron handcuffs joined by a short chain, the metal tight around her wrists with a faint red mark where it presses; matching iron shackles ring both ankles, linked by a heavy chain that hangs in a shallow curve across the floor, and a thick metal collar sits around her neck. Her weight rests mostly on her right leg, her left knee slightly bent, but she stands upright and still. The cell is a narrow stone chamber: rough mortared blocks, an iron-banded door behind her at the top of a short flight of steps, chains bolted to the wall in shadow, a few scattered straws on the floor. A single torch in a bracket on the left wall is the only light source; its warm amber flame lights the left side of her face, the stripes of her shirt and the metal of her shackles, glittering on the polished iron, while the right side of her body and the far corner of the cell fall into cool blue-grey darkness. The chains cast long thin shadows across the flagstones toward the viewer. Low-key, cold, quietly unsettling mood.
橫山育人
#The Idolmaster#The Idolmaster Million Live!#Mizuki Makabe

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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