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AI art "神成きゅぴ, 路地裏のパンク"
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神成きゅぴ, 路地裏のパンク

#Breasts#Boots#Dark skin#Blonde hair#Crop top#Girl#Backlighting#Alley#Virtual YouTuber#Kaminari Qpi#Dark-skinned Female#Virtual eSports Project
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character: kaminari_qpi character: kaminari_qpi 1girl, solo, dark-skinned female, dark skin, long blonde hair, twintails, swept bangs, x hair ornament, hair ornament, orange eyes, fang, punk-mesh gyaru school uniform, unbuttoned blazer, open clothes, fishnet mesh underneath, tiny crop shirt, asymmetrically short skirt, bare midriff, fishnet-covered midriff, natural bare unpainted skin, no makeup, glossy lips, mischievous lewd grin, tongue between teeth, one hand on hip, leaning against wall, leaning, hand on own hip, looking at viewer, full body shot, dynamic low angle, from below, foreshortening, gritty alley, behind gym storage shed, graffiti-covered wall, harsh side lighting, flickering lamp, dutch angle, wide shot, alley backdrop, Dynamic low angle, camera nearly at hip height and tilted a few degrees off level, so the wall runs in a steep receding diagonal from the lower left toward the upper right and the girl's figure towers into the frame, boots and knees large in the foreground, head small near the top third. She is seen from slightly below and to her left: the blonde twintails hang down past her shoulders on the far side while the near tail swings out and drops toward the camera with the tilt of her head; the x-shaped hair ornament catches a glint of lamp light on the shadow side of her head. She leans her right shoulder and upper back flat against the graffiti-covered concrete wall, weight carried on the right leg braced straight, left leg bent with the knee forward and the boot toe turned in, hips pushed out so the asymmetrically short skirt — long flap on her left, cut high on her right — slides up over the hip she has weighted. Her right hand is flat on the wall behind her, fingers spread against painted concrete, and the sleeve of the unbuttoned blazer bunches at that elbow; her left hand is planted on her hip, thumb hooked into the skirt waistband, fingertips dimpling the fabric, that elbow flared out and pointing at the lens. The blazer hangs fully open, its lapels fallen back off her chest, the tiny crop shirt cropped high so the fishnet mesh shows bare underneath it across her midriff and along the inner edge of the open blazer, the diamond weave riding with the stretch of her ribcage as she leans. Natural bare skin across her neck, arms, stomach and thighs — no paint, no makeup beyond the shine on her lips, which are parted in a wide mischievous grin, one corner pulled higher, fang showing, tongue pressed flat between her front teeth. Her eyes are orange and half-hooded, angled down the line of the low camera straight into the lens. Behind and above her the gym storage shed wall is crusted with overlapping graffiti — thick white throw-up letters, red and black spray edges, a scrawled tag curving down the corner — the paint chipped where the concrete has spalled. To the right, deeper into the alley, a cracked metal utility door sits recessed in the wall and the alley narrows away into grey darkness, a drain grate in the foreground asphalt holding a slick puddle. The single caged lamp is mounted on the wall above and to her right; it is the only light source, throwing a harsh raking beam across her from her right side, so the wall behind her shoulder falls into deep shadow and the plane of her face splits — the lit half of her cheek, her shoulder, hip and the front of the bent knee are burnished warm orange, the other half of her face and body sunk almost to black, with a thin hot rim tracing the edge of the twintail and her jaw. Her shadow is thrown long and hard across the graffiti at an oblique angle, distorted by the low camera. The lamp flickers: it is caught mid-flicker, its light skipping so the very edge of her shadow is ragged and doubled. Palette restricted to the alley's cold grey-green concrete and asphalt, the lamp's amber-orange key, the graffiti's red/white/black, and the blonde of her hair; her dark skin reads rich and saturated within the warm beam. Every detail dense on her face, the tongue, the fishnet weave and the contact of hand on wall and hand on hip; the alley's far end simplified to flat dark shapes. Gritty, electric.
Show Parameters
Original Prompt
character: kaminari_qpi 1girl, solo, dark-skinned female, dark skin, long blonde hair, twintails, swept bangs, x hair ornament, hair ornament, orange eyes, fang, punk-mesh gyaru school uniform, unbuttoned blazer, open clothes, fishnet mesh underneath, tiny crop shirt, asymmetrically short skirt, bare midriff, fishnet-covered midriff, natural bare unpainted skin, no makeup, glossy lips, mischievous lewd grin, tongue between teeth, one hand on hip, leaning against wall, leaning, hand on own hip, looking at viewer, full body shot, dynamic low angle, from below, foreshortening, gritty alley, behind gym storage shed, graffiti-covered wall, harsh side lighting, flickering lamp, dutch angle, wide shot, alley backdrop, Dynamic low angle, camera nearly at hip height and tilted a few degrees off level, so the wall runs in a steep receding diagonal from the lower left toward the upper right and the girl's figure towers into the frame, boots and knees large in the foreground, head small near the top third. She is seen from slightly below and to her left: the blonde twintails hang down past her shoulders on the far side while the near tail swings out and drops toward the camera with the tilt of her head; the x-shaped hair ornament catches a glint of lamp light on the shadow side of her head. She leans her right shoulder and upper back flat against the graffiti-covered concrete wall, weight carried on the right leg braced straight, left leg bent with the knee forward and the boot toe turned in, hips pushed out so the asymmetrically short skirt — long flap on her left, cut high on her right — slides up over the hip she has weighted. Her right hand is flat on the wall behind her, fingers spread against painted concrete, and the sleeve of the unbuttoned blazer bunches at that elbow; her left hand is planted on her hip, thumb hooked into the skirt waistband, fingertips dimpling the fabric, that elbow flared out and pointing at the lens. The blazer hangs fully open, its lapels fallen back off her chest, the tiny crop shirt cropped high so the fishnet mesh shows bare underneath it across her midriff and along the inner edge of the open blazer, the diamond weave riding with the stretch of her ribcage as she leans. Natural bare skin across her neck, arms, stomach and thighs — no paint, no makeup beyond the shine on her lips, which are parted in a wide mischievous grin, one corner pulled higher, fang showing, tongue pressed flat between her front teeth. Her eyes are orange and half-hooded, angled down the line of the low camera straight into the lens. Behind and above her the gym storage shed wall is crusted with overlapping graffiti — thick white throw-up letters, red and black spray edges, a scrawled tag curving down the corner — the paint chipped where the concrete has spalled. To the right, deeper into the alley, a cracked metal utility door sits recessed in the wall and the alley narrows away into grey darkness, a drain grate in the foreground asphalt holding a slick puddle. The single caged lamp is mounted on the wall above and to her right; it is the only light source, throwing a harsh raking beam across her from her right side, so the wall behind her shoulder falls into deep shadow and the plane of her face splits — the lit half of her cheek, her shoulder, hip and the front of the bent knee are burnished warm orange, the other half of her face and body sunk almost to black, with a thin hot rim tracing the edge of the twintail and her jaw. Her shadow is thrown long and hard across the graffiti at an oblique angle, distorted by the low camera. The lamp flickers: it is caught mid-flicker, its light skipping so the very edge of her shadow is ragged and doubled. Palette restricted to the alley's cold grey-green concrete and asphalt, the lamp's amber-orange key, the graffiti's red/white/black, and the blonde of her hair; her dark skin reads rich and saturated within the warm beam. Every detail dense on her face, the tongue, the fishnet weave and the contact of hand on wall and hand on hip; the alley's far end simplified to flat dark shapes. Gritty, electric.
Mode
pro
Size
832 x 2048
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit,

Model & LoRA used

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