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AI art "Krul Tepes & Shinoa Hiiragi from Seraph of the End"
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Krul Tepes & Shinoa Hiiragi from Seraph of the End

I've always been captivated by the intense dynamic between Krul and Shinoa in Seraph of the End, and this scene perfectly captures that dark, compelling atmosphere. The gothic architecture and the contrast between their personalities make this one of my favorite pieces. If you enjoy this series as much as I do, please leave a like and follow for more content! I'd love to hear your thoughts in the comments.

#kneeling#Red eyes#pink hair#Multiple Girls#Castle#Seraph of the End#Krul Tepes#Shinoa Hīragi
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Avatar image of Ren Tsukiyomi
character: koakuma, miriam_(bloodstained) 2girls, koakuma, miriam_(bloodstained), kiss, kissing, lip contact, eyes closed, energy drain, draining energy, death, dying, limp body, bad end, game over, dark atmosphere, tragedy, long hair, red hair, red eyes, pointy ears, bat wings, head wings, demon wings, tail, white shirt, black skirt, long sleeves, short hair, gradient hair, white hair fading to black and brown at the tips, hair between eyes, blue eyes, pale skin, gauntlets, detached sleeves, jacket, pants, boots, from side, cowboy shot, profile, two shots, upper bodies, indoor, stone chamber, dim, rim light, purple glow, pale cyan glow A side-on two-shot in profile, camera level with the two faces and slightly below chin height: koakuma stands on the right of frame and leans in, miriam on the left is held upright and leaning back, her weight gone. Their mouths are pressed together in a full kiss, koakuma's lips sealed over miriam's, cheeks touching, koakuma's nose against miriam's cheekbone. Koakuma's left hand cups the back of miriam's skull, fingers spread through the short gradient hair; her right forearm is braced across miriam's upper back, holding the sagging body against her own. Miriam's arms hang slack at her sides, her gauntleted hands loose and open, her boots dragging on the flagstones with the toes turned in, her spine curved so her hips have slid forward and her shoulders fallen back. Koakuma's eyes are closed, brows drawn down in concentration; a thin thread of pale cyan light runs from miriam's parted lips into koakuma's mouth and coils up around her cheek, and the same glow lifts off miriam's skin in fine motes that stream toward koakuma and vanish into her chest. Miriam's blue eyes are half open and unfocused, looking past koakuma's ear at nothing, a slack shine on the lower lid, one tear track down the cheek. Koakuma's long red hair and her bat wings and head wings hang still and heavy, backlit; her thin tail curls out behind her hip. The chamber behind them is bare dressed stone with a shallow arched niche; a single cold light source stands off-frame left, so koakuma's right side and the back of miriam's head catch a hard pale rim while their faces stay in a violet half-dark, and both cast one long shadow across the floor to the right. Koakuma's silhouette is warm red and black against the grey, miriam's white-to-black hair and dark jacket fading into the gloom. Palette restricted to stone grey, black, koakuma's red, and the sickly cyan of the drain, nothing else. A single loose flagstone under miriam's heel is tipped a few degrees out of the floor, and a thin line of light runs along its raised edge. Quiet dread, final.
Ren Tsukiyomi

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