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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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AI art "C.C."
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C.C.

ほんの少しだけ変わった…はず?

#Upper body#Code Geass: Lelouch of the Rebellion#long hair#solo#green hair#Expressionless#C.C.#Church#Bare shoulders#Girl#Side view#Closed mouth
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character: c.c., copyright: code_geass beautiful colors, magical lighting, spiky eyelashes, glossy eyes, chromatic aberration, high-contrast values, luminous skin, detailed eyes, glossy hair, glowing highlights, コードギアス, C.C., prayer pose with interlaced fingers, profile, church, inside a temple, a little light hitting from the stained glass, evening, skin exposed, detailed eyes hidden by hair
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Original Prompt
コードギアス、C.C.、指を絡める祈りのポーズ、横顔、教会、正道院の中、ステンドグラスから少し光が当たっている、夕方、肌が顕になっている、髪の毛で隠れているdetailed eyes, glossy hair, glowing highlights, spiky eyelashes, glossy eyes, chromatic aberration, high-contrast values, luminous skin, beautiful colors, magical lighting
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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p
character: c.c. 1girl, solo, large breasts, very long hair, green hair, long hair, yellow eyes, gold eyes, bare shoulders, white shirt, long sleeves, dress, jewelry, pendant, from side, profile, cowboy shot, leaning back, arms behind back, head tilt, looking back, light smile, half-closed eyes, from below, dutch angle, volumetric light, indoor, gothic hall, stone pillars, sunbeam, dust motes A low, tilted camera looks up from just below hip level, catching the woman in three-quarter profile as her upper body turns away while her face swings back over her shoulder toward the lens. She stands alone in a ruined gothic hall, one tall stone pillar behind her shoulder and a second far to the right, the ribs of a broken vault above; a single shaft of afternoon sun cuts down through a shattered roof panel and lands across her from high left, so that the light rides the outgoing curve of her chest, her collarbone and the bare slope of her shoulders before falling into darkness beneath the rounded neckline of the white shirt she wears open over a long black dress. The shirt is unbuttoned low, sleeves long and loose to the wrist, fabric pulling taut across her bust with a fine diagonal strain line in the cloth and a soft shadow pooling beneath each curve; the pendant on its chain rests in the hollow of her throat instead of hanging free, lifted slightly off her skin by the fullness below. Her long green hair falls in a heavy mass past her waist, the ends swung outward and forward across her left shoulder as if she has just turned; a few strands lie over her right cheek. Both arms are drawn behind her back, wrists crossed and hidden against the base of her spine, hands not visible from this angle, elbows slightly bent so the shirt pulls and pinches at her shoulders; her weight settles on her right leg with the left knee relaxed and the hip pushed out, the dress hem hanging in a slack diagonal over the standing foot. Her eyes, gold and heavy-lidded, are the only thing aimed forward: the chin tips down, the head tilts, and the gaze comes back along her own shoulder straight into the lens over the white shirt's rolled fold. Her mouth is a faint closed-lip smile with one brow lifted, unbothered and a little amused. The sunbeam is the only light: it strikes the shaft's dust motes in a visible column, glows warm on the lit cheek and shoulder, and leaves the far side of her hair and the whole depth of the hall in a cool green-grey dark, with her shadow thrown long and sideways on the flagstones away from the camera. Palette confines itself to her green hair, the white of the shirt, the black of the dress and the warm brown-gold of stone and sunbeam; everything else stays in that cool shadow register. Quiet, insolent composure.
ponkotsurura

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