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AI art "千燈ゆうひの夕暮れ"
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千燈ゆうひの夕暮れ

#Breasts#Cleavage#Arm support#Bodysuit#brown hair#brown eyes#Cityscape#Girl#Building#Bridge#Virtual eSports Project#Sendo Yuuhi
Avatar image of 勇者系魔王アマッカス
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勇者系魔王アマッカス

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character: sendo_yuuhi character: sendo_yuuhi 1girl, solo, sendo_yuuhi, short brown hair with multicolored streaks, single hair ring, hair ornament, red-purple eyes, sunset-colored rubber suit, skintight latex bodysuit, open-panel suit, chest cutout, hip cutouts, exposed cleavage, bare hips, thin chain restraints, chains from wrists to railing, shackles at both wrists, leaning against railing, leaning on object, both hands on railing, wind, hair blowing in wind, fabric trailing in wind, rooftop, hotel stage, rooftop hotel stage, amusement park attraction, railing, sunset, glowing sunset skyline, neon signs, city lights below, warm orange and purple gradient lighting, dutch angle, from below, three-quarter view, looking to the side, looking at horizon, half-closed eyes, parted lips, wistful, aroused, blush, vertical frame, subject in bottom 80% of frame, empty sky upper frame, cinematic, atmospheric The camera sits low at a dutch angle, tilted so the railing cuts diagonally across the frame, and looks up past her as she stands upon the rooftop hotel stage of the "Twilight Horizon" attraction — a broad open deck of tiled show-platform with a curved glass parapet and a slender brass railing running along its lip. She occupies the bottom eighty percent of the vertical frame; the upper fifth is open violet sky, empty and luminous, so the whole figure reads as being pressed into the glowing lower mass of the picture. She leans against the railing with her hips and lower ribs meeting the top bar, chest tipped forward over it, one leg bearing her weight with the other knee softly bent and the toe of that boot resting back against the deck tiles. Both wrists are lifted to the rail and held there by thin chains — fine silver links running from close-fitting cuffs at each wrist up over the bar and clipped to it, drawn taut by the lean of her body so the metal sits in straight short diagonals, catching pinpoints of the sunset as each link turns. Her shoulders roll slightly forward from the pull, elbows soft. Hair and fabric trail in the wind, which comes from the right and behind: short brown strands with their multicolored streaks and the small ring binding one lock sweep across her cheek and lift away from her temple toward the left of frame, and the loose edges and open cutaway panels of the sunset-colored rubber suit flutter and snap at her hip and thigh, the material sheening like wet lacquer. The suit is a single garment of gradient rubber that runs from hot orange at the shoulders through coral to deep magenta and indigo at the thighs — the sunset printed into the material itself — and it is cut with wide open panels: a deep bare oval across the chest and matching cutaways at both hips that leave the skin exposed to the evening air, the latex drawn tight and glossy at every edge of the openings. Her head is turned to her left, three-quarter away, half-lidded red-purple eyes fixed on the horizon line where the sun has just gone down; her lips are parted on a slow breath, and there is a faint flush across her cheekbones — the wistful, wanting expression held exactly there, not turned to the viewer. Below and behind the deck, the city opens out: a dense grid of towers and cross streets in blue-violet shadow, punctuated by neon signs in hot pink, cyan and red stacked along the facades, their glow smeared in long vertical reflections down wet rooftops. The light comes from the afterglow low on the horizon ahead of her and slightly right: a warm orange rim riding the top edge of the railing, the crest of her cheek, the leading edge of one shoulder and the taut chain links; the far side of her body, the underside of the panel edges and the deck behind her fall into purple shadow, and her cast shadow stretches long and soft backward across the tiles and up the low stage backdrop behind her. One piece of physics holds the air still around her: the chains oscillate just barely in the wind, each link's reflection sliding a fraction along the metal as the chain moves, so the invisible gust becomes visible in silver. Warm orange raking across glossy magenta and deep violet shadow, neon punctuation far below — languid and aching.
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Original Prompt
character: sendo_yuuhi 1girl, solo, sendo_yuuhi, short brown hair with multicolored streaks, single hair ring, hair ornament, red-purple eyes, sunset-colored rubber suit, skintight latex bodysuit, open-panel suit, chest cutout, hip cutouts, exposed cleavage, bare hips, thin chain restraints, chains from wrists to railing, shackles at both wrists, leaning against railing, leaning on object, both hands on railing, wind, hair blowing in wind, fabric trailing in wind, rooftop, hotel stage, rooftop hotel stage, amusement park attraction, railing, sunset, glowing sunset skyline, neon signs, city lights below, warm orange and purple gradient lighting, dutch angle, from below, three-quarter view, looking to the side, looking at horizon, half-closed eyes, parted lips, wistful, aroused, blush, vertical frame, subject in bottom 80% of frame, empty sky upper frame, cinematic, atmospheric The camera sits low at a dutch angle, tilted so the railing cuts diagonally across the frame, and looks up past her as she stands upon the rooftop hotel stage of the "Twilight Horizon" attraction — a broad open deck of tiled show-platform with a curved glass parapet and a slender brass railing running along its lip. She occupies the bottom eighty percent of the vertical frame; the upper fifth is open violet sky, empty and luminous, so the whole figure reads as being pressed into the glowing lower mass of the picture. She leans against the railing with her hips and lower ribs meeting the top bar, chest tipped forward over it, one leg bearing her weight with the other knee softly bent and the toe of that boot resting back against the deck tiles. Both wrists are lifted to the rail and held there by thin chains — fine silver links running from close-fitting cuffs at each wrist up over the bar and clipped to it, drawn taut by the lean of her body so the metal sits in straight short diagonals, catching pinpoints of the sunset as each link turns. Her shoulders roll slightly forward from the pull, elbows soft. Hair and fabric trail in the wind, which comes from the right and behind: short brown strands with their multicolored streaks and the small ring binding one lock sweep across her cheek and lift away from her temple toward the left of frame, and the loose edges and open cutaway panels of the sunset-colored rubber suit flutter and snap at her hip and thigh, the material sheening like wet lacquer. The suit is a single garment of gradient rubber that runs from hot orange at the shoulders through coral to deep magenta and indigo at the thighs — the sunset printed into the material itself — and it is cut with wide open panels: a deep bare oval across the chest and matching cutaways at both hips that leave the skin exposed to the evening air, the latex drawn tight and glossy at every edge of the openings. Her head is turned to her left, three-quarter away, half-lidded red-purple eyes fixed on the horizon line where the sun has just gone down; her lips are parted on a slow breath, and there is a faint flush across her cheekbones — the wistful, wanting expression held exactly there, not turned to the viewer. Below and behind the deck, the city opens out: a dense grid of towers and cross streets in blue-violet shadow, punctuated by neon signs in hot pink, cyan and red stacked along the facades, their glow smeared in long vertical reflections down wet rooftops. The light comes from the afterglow low on the horizon ahead of her and slightly right: a warm orange rim riding the top edge of the railing, the crest of her cheek, the leading edge of one shoulder and the taut chain links; the far side of her body, the underside of the panel edges and the deck behind her fall into purple shadow, and her cast shadow stretches long and soft backward across the tiles and up the low stage backdrop behind her. One piece of physics holds the air still around her: the chains oscillate just barely in the wind, each link's reflection sliding a fraction along the metal as the chain moves, so the invisible gust becomes visible in silver. Warm orange raking across glossy magenta and deep violet shadow, neon punctuation far below — languid and aching.
Mode
pro
Size
832 x 2048
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit,

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.29k

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