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白井日菜子
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- Original Prompt
- , school uniform, ,h i n a k o s h i r a i,short hair,kishida mel (style), ,白井日菜子,shirai hinako,anime girl, solo, masterpiece, best quality, ,detail illustration, best quality, textured hair, detail eyes,kishida mel (style), ,(shirai hinako),1girl and 1littleboy, ((oneshota)), ((indoor)), ((room)), (hugging each other), 1girl is looking at 1littleboy, (1littleboy is nuzzling his face into girl's chest), 1girl, score_9, score_8_up, score_7_up, source_anime,pleased, standing, hugging 1littleboy, looking at litteboy 1littleboy, young brother, (open eyes), short hair, black hair, he is smaller than 1girl, ,skirt, short hair, hugging 1girl,nuzzling his face into his sister's chest,shirai hinako, on bed,bra,Lying down , ,,rough sketch, colored pencil sketch, loose lines, messy hatching, expressive strokes,(((erection)))
- Mode
- flash
- Size
- 1104 x 1824
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Matthew Pham
f
2girls, 1boy, 3 people, two people only, cute girl, cute boy, 19 years old, half school uniform, standing next to a bed, indoors, bedroom, from above, bed, white short-sleeved button-up shirt, pleated skirt, navy blue plaid skirt, white ribbon, chestnut hair, shoulder-length hair, short black hair, messy hair, charcoal grey trousers, white dress shirt, open collar, bare feet, holding book, closed book, looking at another, head tilt, slight smile, blush, dutch angle, warm afternoon light, dust motes, wood floor, striped bedding, crumpled bedsheet, open window, curtain moving, warm palette, soft shadow
Shot from slightly above at a mild dutch angle, tilted just enough to make the room feel off-balance and candid: a nineteen-year-old girl and a nineteen-year-old boy stand shoulder to shoulder at the near edge of an unmade bed, filling the lower two-thirds of the frame while the bed's striped duvet and two dented pillows recede behind them toward a window. The girl, on the left of frame, has shoulder-length chestnut hair tied back with a small white ribbon, the loose tail of it slipping forward over her shoulder; she wears a white short-sleeved button-up shirt tucked into a pleated navy blue plaid skirt, her stance weighted on her straight left leg with the right knee bent inward, one bare foot crossed over the other's instep. Both her hands are wrapped around a closed paperback held against her sternum, thumbs pressing a soft dent into its cover, and she has tipped her head toward the boy, her gaze angled up at his face, a faint closed-lip smile tugging one corner of her mouth with a wash of colour high on her cheeks. The boy, on the right, wears a white short-sleeved dress shirt with the top button undone and charcoal grey trousers, his short messy black hair pushed off his forehead by the tilt of his head; he leans his weight onto his right hip so his left shoulder dips toward her, and his right hand hangs loose with fingers half-curled while his left hand rests flat on the bed's edge, pressing a shallow crease into the mattress ticking near his fingertips. His chin is turned down toward her, eyes on her face, one brow lifted in a lopsided, half-teasing look, the corner of his mouth pulled up. Where her shoulder nearly meets his upper arm there is a sliver of air between them, and the only contact in the frame is his palm on the bed and her hands on the book. Late-afternoon sun comes through the window behind and to the right of them, the single light source: it flares along the rim of the boy's ear and the edge of his collar, triples a bright bar of light across the plaid pleats and the white of her sleeve, and throws their joined shadows long and low across the duvet toward the left foreground, darker and softer than the lit fabric. Dust hangs in the beam, and the curtain at the window's left edge bellies gently inward as if the air in the room has just shifted. Palette is warm and domestic -- cream walls, honeyed light, the navy plaid and the grey trousers the two cool anchors, her blush and the ribbon the only accents. The detail budget goes to the plaid's folds over her hip, the crease his hand digs in the bedding, and the grain of the light on both their faces; the room behind stays simple, one window, one bed, nothing else. Quiet, charged, tender.
Fha
b6
character: kirito, character: kirigaya_suguha, anime illustration, great quality, best quality, A tender and emotional scene depicts Kirigaya Suguha, dressed in casual everyday clothes rather than her usual athletic wear, passed out unconscious in the arms of Kirito, who is also wearing casual attire. Kirito holds her gently, cradling her body with a look of deep concern and affection in his black eyes, his long black hair framing his face. Suguha's short black hair rests against his shoulder, her eyes closed peacefully, highlighting her delicate features. The composition focuses on their embrace, capturing a moment of vulnerability and connection. The background is a soft, blurred domestic interior, keeping the attention on the characters. The lighting is warm and natural, emphasizing the textures of their casual clothing and the intimate atmosphere of the scene. High-quality anime art style with sharp details and vibrant colors.
bigguns6464
f
2girls, 1boy, 3 people, two people only, cute girl, cute boy, 19 years old, half school uniform, standing next to a bed, indoors, bedroom, from above, bed, white short-sleeved button-up shirt, pleated skirt, navy blue plaid skirt, white ribbon, chestnut hair, shoulder-length hair, short black hair, messy hair, charcoal grey trousers, white dress shirt, open collar, bare feet, holding book, closed book, looking at another, head tilt, slight smile, blush, dutch angle, warm afternoon light, dust motes, wood floor, striped bedding, crumpled bedsheet, open window, curtain moving, warm palette, soft shadow
Shot from slightly above at a mild dutch angle, tilted just enough to make the room feel off-balance and candid: a nineteen-year-old girl and a nineteen-year-old boy stand shoulder to shoulder at the near edge of an unmade bed, filling the lower two-thirds of the frame while the bed's striped duvet and two dented pillows recede behind them toward a window. The girl, on the left of frame, has shoulder-length chestnut hair tied back with a small white ribbon, the loose tail of it slipping forward over her shoulder; she wears a white short-sleeved button-up shirt tucked into a pleated navy blue plaid skirt, her stance weighted on her straight left leg with the right knee bent inward, one bare foot crossed over the other's instep. Both her hands are wrapped around a closed paperback held against her sternum, thumbs pressing a soft dent into its cover, and she has tipped her head toward the boy, her gaze angled up at his face, a faint closed-lip smile tugging one corner of her mouth with a wash of colour high on her cheeks. The boy, on the right, wears a white short-sleeved dress shirt with the top button undone and charcoal grey trousers, his short messy black hair pushed off his forehead by the tilt of his head; he leans his weight onto his right hip so his left shoulder dips toward her, and his right hand hangs loose with fingers half-curled while his left hand rests flat on the bed's edge, pressing a shallow crease into the mattress ticking near his fingertips. His chin is turned down toward her, eyes on her face, one brow lifted in a lopsided, half-teasing look, the corner of his mouth pulled up. Where her shoulder nearly meets his upper arm there is a sliver of air between them, and the only contact in the frame is his palm on the bed and her hands on the book. Late-afternoon sun comes through the window behind and to the right of them, the single light source: it flares along the rim of the boy's ear and the edge of his collar, triples a bright bar of light across the plaid pleats and the white of her sleeve, and throws their joined shadows long and low across the duvet toward the left foreground, darker and softer than the lit fabric. Dust hangs in the beam, and the curtain at the window's left edge bellies gently inward as if the air in the room has just shifted. Palette is warm and domestic -- cream walls, honeyed light, the navy plaid and the grey trousers the two cool anchors, her blush and the ribbon the only accents. The detail budget goes to the plaid's folds over her hip, the crease his hand digs in the bedding, and the grain of the light on both their faces; the room behind stays simple, one window, one bed, nothing else. Quiet, charged, tender.
Fha
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