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AI art "うちの3人娘" featuring #Maid
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うちの3人娘

うちの3人娘 AI art by Re on PixAI. Made with Tsubaki.3.

#Maid
Re

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three girls, maid, maid headdress, black necktie, long navy dress, long sleeves, white apron, breasts, portrait, from above, looking down, (left girl:1.2), long silver hair, straight hair, thin hair, yellow eyes, medium breasts, naughty smile, lidded eyes, sidelong glance, (center girl:1.2), short black hair, thin hair, oval eyewear, blue eyes, small breasts, smile, light smile, closed mouth, looking at viewer, (right girl:1.2), dark blue hair, ponytail, thin hair, purple eyes, medium breasts, fair skin, ashamed, blush, looking down, averted gaze, clenched hands, head tilt, upper body, three-quarter view, depth of field, soft anime illustration, sketchy colored-pencil fills, sketchy edges, visible paper grain, loose linework, rough outlines, layered shading, hand-drawn feel A portrait of three maids arranged in a shallow V across the frame, seen from a high three-quarter angle that looks down on them, their heads clustered in the upper third and the identical navy dresses and white aprons falling away toward the bottom edge. In the left position stands a girl with long straight silver hair falling in a thin, fine curtain past her shoulders, uniform yellow eyes under half-lowered lids, her chin tipped down and her gaze sliding sideways toward the center girl; her lips curl into a lopsided naughty smile, one brow slightly arched, weight shifted onto her back hip so her shoulder leans a little toward the viewer. In the center stands the shortest of the three, a fine-boned girl with short thin black hair cropped close to her jaw, thin oval eyewear sitting level across her nose, darker blue eyes bright behind the lenses, and a small, light smile that barely parts her lips; she holds her head straight and lifts her gaze directly up to the lens, both hands folded one over the other against the front of her white apron. On the right stands a fair-skinned girl with thin dark blue hair drawn back into a high ponytail that trails forward over her left shoulder, purple eyes lowered and flicking away to the side, a flush rising across the tops of her cheeks, brows faint drawing together in shame; her chin is tucked and her hands are clenched tight in the fold of her apron at her waist, shoulders slightly drawn in, and a few loose strands at her temple tremble with the small awkward movement. All three wear the same white maid headdress resting on the crown of the head over thin gathered frills, a black necktie knotted snug at each throat against a white collar, a long navy dress with long sleeves reaching each wrist, and a broad white apron over the skirt, the fabric pleating and bunching where the waist ties cinch and where the aprons overlap the navy cloth. The figures overlap slightly, the left girl's shoulder in front of the center girl's arm and the center girl's sleeve in front of the right girl's apron edge, so the group reads as a compressed single unit rather than three separate people. A single soft key light falls from above and slightly front of them, pooling on the white headdress frills and the tops of their shoulders with single upward-facing highlights, while the undersides of their chins, the shadow beneath the aprons and the pockets of navy between them fall into loose, softly hatched shadow. The palette is restricted to the navy of the dresses, the white of apron and headdress, the black of ties and hair, the silver and dark blue of their hair, and warm yellow, blue and purple in the three pairs of eyes. Sketched colored-pencil fills fill the garments in visible strokes that stop just inside the loose outlines, leaving thin slivers of bare paper at the edges, and the grain of the paper is visible through the lighter tones of the headdress and the aprons. Intimate, faintly teasing.
Show Parameters
Original Prompt
Three maid girl's portrait. They are wearing maid headdress, black necktie, long navy dress, long sleeve and white apron. The left girl has long silver hair, thin hair, yellow eyes and medium breasts with naughty smile. The center girl has short black hair, thin hair, oval eyewear, blue eyes and small breasts with smile. The right girl has dark blue hair, thin hair, ponytail, purple eyes, medium breasts and fair skin with ashamed.
Mode
pro
Style
Chromatic Pencil
Quality Tag
﹝Prompts﹞
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Chromatic Pencil
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.54k

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AI artwork
Avatar image of chakey
multiple girls, 3girls, harem, gothic maid outfit, black maid dress, white frilled apron, white lace headpiece, miniskirt, thighhighs, black thighhigh socks, zettai ryouiki, great body proportions, slender figures, bodies huddled close together, group gathering, leaning together, shoulder pressed to shoulder, cheek near cheek, smiling, looking at viewer, closed-mouth smile, open-mouth smile, head tilt, arms linked behind backs, hand resting on another's shoulder, gorgeous luxurious ornate room, baroque interior, gilded moldings, crystal chandelier, from below, wide shot, cowboy shot, dutch angle, warm candlelit glow, deep crimson and black and gold palette The camera sits low and tilted a few degrees off level, looking up at three maids who fill the frame from mid-thigh to just above their heads, the gilt ceiling and the hanging chandelier glimpsed behind them. They are packed into one tight cluster in the middle of the hall, bodies closed around a shared point: the girl on the left stands with her weight on her back foot, hip cocked, and her left arm disappears behind the waist of the girl in the centre; the centre girl leans in so her shoulder presses flat against the left girl's upper arm and her cheek nearly grazes the right girl's temple, her chin dipped and tilted up toward the lens; the right girl shifts her weight forward, one knee bent out, and loops her right forearm behind the centre girl's back, fingertips visible at her far side. Their free hands are busy with small, character-revealing gestures: the left girl's right hand lifts the hem of her apron in a mock curtsy; the centre girl folds both hands at her sternum over the apron bib; the right girl raises two fingers in a lazy peace sign beside her cheek, elbow tucked, wrist bent. All three faces are turned to the viewer and all three are smiling — the left girl with a faint closed-lip curve and a lowered lash line, the centre girl with an open-mouthed grin that shows the tips of her teeth, the right girl with a lopsided smirk and one brow arched higher than the other, one eye half-closed in a wink. Their eyes meet the lens directly and hold it, the low camera making each set of eyes look slightly up and inward at the same time. Black hair and one ash-blonde head of hair all fall differently under the tilt of the trio: the left girl's straight dark hair sticks to the lace of her headpiece; the centre girl's hair spills forward over her shoulder with the lean; the right girl's short bob swings against her jaw as she tips her head. White lace cuffs and frilled aprons are pressed flat and creased where the bodies overlap, and the short skirts flare outward at the thighs, the black thighhighs catching a thin highlight down the front of each leg above the exposed band of skin. The light is a single warm source above and behind the camera's shoulder line, thrown from the chandelier: it rims the tops of the three heads in gold, catches the crystal drops, and drops off into deep crimson shadow in the corner of the hall behind them, leaving the far end of the room in near blackness. Gold molding and a red velvet drape sit just inside that darkness at the frame's right edge, and the marble floor at the bottom of the frame holds a soft dull reflection of the aprons — darker and softer than the fabric itself. The palette is held to black, white lace, deep crimson and warm gold, with no other hue admitted; the deep black of the dresses anchors the bottom of the cluster and the gold climbs the walls behind. Intimate, opulent.
chakey

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