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Super Famicom Look-alike?
Show Parameters
- Original Prompt
- super famicom
- Mode
- ultra
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
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no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa
A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音
no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa
A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音
no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa
A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音
no humans, empty room, room interior, tatami flooring, tatami mats, japanese room, famicom, famicom controller, television, crt television, retro game console, console on floor, low table, zaisu, shoji, sliding door, window, daylight, no characters, still life, wide shot, from above, dutch angle, high angle, from behind sofa
A slightly tilted high-angle view looking down across a small Japanese room from just above a low wooden table, the camera canted a few degrees so the tatami seams run diagonally out of the frame. The room is completely empty of people: the only occupants are objects. In the center-left of the floor a cream-and-red Famicom console sits directly on the tatami, its two controllers resting on the mats beside it, thin grey cables looping across the woven green-gold surfaces — the cords lie in loose S-curves, lifting a few millimeters where they cross the raised borders of the mats. To the right, a boxy CRT television on a low wooden stand faces slightly away from the lens; its screen is dark glass holding one soft, skewed window reflection that is dimmer and softer than the real window behind the camera. The table in the foreground holds a single ceramic teacup, its rim catching a pale highlight, and a folded cloth. In the midground, shoji screens with papered panes line the left wall, one panel slid open a hand's width onto a brighter corridor; a hanging scroll and a low shelf sit against the back wall. Cold daylight from the shoji rakes across the tatami from the upper left, laying long parallelogram window-pane shadows that stretch and break at each mat border, and the right side of the room falls into a soft shaded green-blue. The palette is restrained: straw green and gold tatami, warm cream and crimson accents on the console, dark charcoal television, white paper. Faint dust motes drift in the sunbeam. Quiet, nostalgic.
雨音
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