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- (8k, best quality, masterpiece:1.2),solo girls,enmaided,18years old, full body,standing,the Western-style guest rooms. victorian maid dress(outfit)={Silk,tight clothes,black victorian maid dress,Gold-embroidered trim,layered dress,too many frills,long sleeves, bell sleeves, very long dress,maxi skirt,juliet sleeves,very wide sleeves,sleeves past wrists,white petticoat,frilled skirt,frilled apron, frilled shirt collar,white gloves,frilled gloves,An apron with a chest panel,white apron,long apron,Black tights,A skirt long enough to cover the ankles,black mary janes.loafers,white Maid's Cap.white Maid's Hat,collar jewel,earrings,}, bow =｛（white Gigantic bowtie.） at the neckline,back bow,white hair bow,glove bow,｝ Sakura Matou ={hair bow, hair ribbon, long hair, purple eyes, purple hair ribbon,a model figure,} ,
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- ultra
- Quality Tag
- ﹝Prompts﹞
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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nk
character: matou_sakura
solo, 1girl, full body, standing, mature female, 18 years old, long purple hair, purple eyes, hair ribbon, white hair bow, purple hair ribbon, enmaided, maid, white maid's cap, white maid's hat, black victorian maid dress, silk tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long maxi skirt dress, ankle-length skirt, white petticoat, frilled skirt, frilled apron, apron with chest panel, white long apron, frilled shirt collar, gigantic white bowtie, neck ribbon, back bow, white frilled gloves, glove bow, collar jewel, earrings, black tights, black mary janes, loafers, model figure, western-style guest room, victorian interior, indoor, (8k, best quality, masterpiece:1.2)
A vertical full-body shot at a slight low angle, so the girl reads tall against the height of the room. She stands three-quarters to the camera, weight settled into her left hip with her left leg bearing her and her right knee eased forward, one black mary jane loafer turned out and the other planted square on the parquet; her right hand rests lightly at the edge of the apron's chest panel, fingers curled into the frilled white glove, thumb at the bib's seam, while her left arm falls along her side with the enormous juliet sleeve pooling past the wrist and one small white glove bow just catching the light at the cuff. Her chin lifts a fraction and her purple eyes look slightly off to the left of frame, past the camera, lids half-lowered and lips closed in a faint, composed smile, as though she has just heard the door click shut behind a visitor.
The dress does the rest of the work. Black silk sits tight across the shoulders and the bodice and then breaks into layer on layer of frilled skirt, gold embroidery running its thin bright lines along the seams, the collar edge and the hem, the black mary janes just visible beneath. The white petticoat frill shows at the ankle in a scalloped band; the very long white apron with its chest panel drops in front of it all, its frilled borders soft and dense; the gigantic white bowtie spreads across her collar under a frilled shirt collar, and the back bow bulges behind her waist, half-seen past the curve被她遮住的边, the white maid's cap and hat perched on her long purple hair with the white hair bow and the purple ribbon knotted at one side and the earrings and collar jewel glinting small and cold at the neck and ears.
The room: a Western-style guest room in the Victorian taste. A tall window behind her left shoulder admits the only real light, an overcast afternoon diffused through net curtains, so the black silk sheens with a broad soft sheen along the shoulder blades and the apron front is the brightest thing in the frame; the pastel floral wallpaper and the striped armchair in the midground fall away into cool shadow, and the parquet's waxed boards carry a soft reverse reflection of the white apron and the cap, dimmer and softer than the skirt itself. Beyond the window, a slow drift of pale grey cloud. Quiet and formal, a little poised.
Ni Ke (Nike)
nk
character: matou_sakura
solo, 1girl, full body, standing, mature female, 18 years old, long purple hair, purple eyes, hair ribbon, white hair bow, purple hair ribbon, enmaided, maid, white maid's cap, white maid's hat, black victorian maid dress, silk tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long maxi skirt dress, ankle-length skirt, white petticoat, frilled skirt, frilled apron, apron with chest panel, white long apron, frilled shirt collar, gigantic white bowtie, neck ribbon, back bow, white frilled gloves, glove bow, collar jewel, earrings, black tights, black mary janes, loafers, model figure, western-style guest room, victorian interior, indoor, (8k, best quality, masterpiece:1.2)
A vertical full-body shot at a slight low angle, so the girl reads tall against the height of the room. She stands three-quarters to the camera, weight settled into her left hip with her left leg bearing her and her right knee eased forward, one black mary jane loafer turned out and the other planted square on the parquet; her right hand rests lightly at the edge of the apron's chest panel, fingers curled into the frilled white glove, thumb at the bib's seam, while her left arm falls along her side with the enormous juliet sleeve pooling past the wrist and one small white glove bow just catching the light at the cuff. Her chin lifts a fraction and her purple eyes look slightly off to the left of frame, past the camera, lids half-lowered and lips closed in a faint, composed smile, as though she has just heard the door click shut behind a visitor.
The dress does the rest of the work. Black silk sits tight across the shoulders and the bodice and then breaks into layer on layer of frilled skirt, gold embroidery running its thin bright lines along the seams, the collar edge and the hem, the black mary janes just visible beneath. The white petticoat frill shows at the ankle in a scalloped band; the very long white apron with its chest panel drops in front of it all, its frilled borders soft and dense; the gigantic white bowtie spreads across her collar under a frilled shirt collar, and the back bow bulges behind her waist, half-seen past the curve被她遮住的边, the white maid's cap and hat perched on her long purple hair with the white hair bow and the purple ribbon knotted at one side and the earrings and collar jewel glinting small and cold at the neck and ears.
The room: a Western-style guest room in the Victorian taste. A tall window behind her left shoulder admits the only real light, an overcast afternoon diffused through net curtains, so the black silk sheens with a broad soft sheen along the shoulder blades and the apron front is the brightest thing in the frame; the pastel floral wallpaper and the striped armchair in the midground fall away into cool shadow, and the parquet's waxed boards carry a soft reverse reflection of the white apron and the cap, dimmer and softer than the skirt itself. Beyond the window, a slow drift of pale grey cloud. Quiet and formal, a little poised.
Ni Ke (Nike)
nk
character: matou_sakura
solo, 1girl, full body, standing, mature female, 18 years old, long purple hair, purple eyes, hair ribbon, white hair bow, purple hair ribbon, enmaided, maid, white maid's cap, white maid's hat, black victorian maid dress, silk tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long maxi skirt dress, ankle-length skirt, white petticoat, frilled skirt, frilled apron, apron with chest panel, white long apron, frilled shirt collar, gigantic white bowtie, neck ribbon, back bow, white frilled gloves, glove bow, collar jewel, earrings, black tights, black mary janes, loafers, model figure, western-style guest room, victorian interior, indoor, (8k, best quality, masterpiece:1.2)
A vertical full-body shot at a slight low angle, so the girl reads tall against the height of the room. She stands three-quarters to the camera, weight settled into her left hip with her left leg bearing her and her right knee eased forward, one black mary jane loafer turned out and the other planted square on the parquet; her right hand rests lightly at the edge of the apron's chest panel, fingers curled into the frilled white glove, thumb at the bib's seam, while her left arm falls along her side with the enormous juliet sleeve pooling past the wrist and one small white glove bow just catching the light at the cuff. Her chin lifts a fraction and her purple eyes look slightly off to the left of frame, past the camera, lids half-lowered and lips closed in a faint, composed smile, as though she has just heard the door click shut behind a visitor.
The dress does the rest of the work. Black silk sits tight across the shoulders and the bodice and then breaks into layer on layer of frilled skirt, gold embroidery running its thin bright lines along the seams, the collar edge and the hem, the black mary janes just visible beneath. The white petticoat frill shows at the ankle in a scalloped band; the very long white apron with its chest panel drops in front of it all, its frilled borders soft and dense; the gigantic white bowtie spreads across her collar under a frilled shirt collar, and the back bow bulges behind her waist, half-seen past the curve被她遮住的边, the white maid's cap and hat perched on her long purple hair with the white hair bow and the purple ribbon knotted at one side and the earrings and collar jewel glinting small and cold at the neck and ears.
The room: a Western-style guest room in the Victorian taste. A tall window behind her left shoulder admits the only real light, an overcast afternoon diffused through net curtains, so the black silk sheens with a broad soft sheen along the shoulder blades and the apron front is the brightest thing in the frame; the pastel floral wallpaper and the striped armchair in the midground fall away into cool shadow, and the parquet's waxed boards carry a soft reverse reflection of the white apron and the cap, dimmer and softer than the skirt itself. Beyond the window, a slow drift of pale grey cloud. Quiet and formal, a little poised.
Ni Ke (Nike)
nk
character: tohsaka_rin
(8k, best quality, masterpiece:1.2), 1girl, solo, enmaided, 18 years old, model figure, full body, standing, three-quarters view, looking at viewer, tsurime, blue eyes, parted bangs, long black hair, two-side-up, white hair bow, white maid's cap, white maid's hat, earrings, victorian maid dress, black victorian maid dress, tight clothes, silk dress, layered dress, too many frills, frilled shirt collar, collar jewel, (white Gigantic bowtie:2), long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, white gloves, frilled gloves, glove bows, white apron, long apron, frilled apron, huge back bow, frilled skirt, maxi skirt, skirt covering ankles, white petticoat, black tights, black mary janes, loafers, western-style guest room, antique furniture, crystal chandelier, soft interior lighting.
Full body three-quarters view from a slightly lowered eye-level, capturing the entirety of an 18-year-old girl with a tall, slender model figure standing poised on the parquet floor of an opulent Western-style guest room. Angled slightly to the side with her chin tipped upward and her gaze directed confidently toward the viewer, she displays sharp upturned tsurime blue eyes, neatly parted center bangs, and glossy long black hair styled into two-side-up pigtails tied with immaculate white hair bows that trail down over her shoulders. A ruffled white maid's cap sits pinned to the crown of her head, while delicate earrings hang from her exposed earlobes. She is dressed in an elaborate black Victorian maid dress crafted from smooth silk, cut tight and form-fitting across her torso and waist before swelling into a lavishly layered dress adorned with too many frills. Rising from the neckline is a crisp frilled shirt collar fastened with a polished collar jewel, directly overlaid by a (white Gigantic bowtie:2) spanning the front of her chest. Her sleeves are dramatic Juliet sleeves with puffed upper arms tapering into extremely wide, cascading bell sleeves whose layered ruffles extend well past her wrists. White frilled gloves encase her hands, each detailed with a neat glove bow at the wrist; one hand lightly grasps the edge of her long white apron while the other rests gracefully against her hip. The frilled apron is secured around her waist and ties behind her into a huge back bow whose sweeping loops project prominently over the rear silhouette of her attire. The voluminous, frilled black maxi skirt falls long enough to cover her ankles, parting subtly above the floor to reveal the tiered hem of a snowy white petticoat beneath. Smooth opaque black tights sheath her legs, leading down to polished black Mary Jane loafers planted firmly on the floorboards. The surrounding guest room is lined with dark mahogany wainscoting, plush damask wallpaper, and an antique side table. Warm light descends from an overhead crystal chandelier, casting gleaming specular highlights across the tight silk bodice and creating deep, stepped shadows within the abundant folds of her ruffled skirts. Haughty grace, opulent dignity.
Ni Ke (Nike)
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