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Mirror Image
Show Parameters
- Mode
- ultra
- Quality Tag
- ﹝Prompts﹞
- Size
- 1824 x 1104
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, bad hands, error, missing fingers, jpeg artifacts, signature, watermark
Model & LoRA used
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田
Mirror Image
田所浩二
z
character: hoto_cocoa, hairclip, black blazer, buttoned blazer, white shirt, collared shirt, blue-violet bowtie, dark plaid pleated skirt, black thighhighs,
1girl, solo, cowboy shot, knee-up, (from below:1.2), low angle, from behind, from side, (back three-quarter view:1.3), standing, sideways stance, side-facing body, body parallel to sink, head turned toward mirror, arms at sides, relaxed hands, reflection, reflected face, looking at viewer through mirror, direct gaze in mirror, expressionless, closed mouth, public restroom, bathroom, tiled wall, (small square white tiles:1.2), aged tiles, (long horizontal mirror:1.2), frameless mirror, mirror above sink, (infinite mirror reflections:1.3), (recursive reflections:1.3), mirror within mirror, endless reflections, reflection tunnel, vanishing point, fading reflections, multiple sinks, long washbasin counter, white porcelain sinks, metal faucets, fluorescent lighting, cold white light, pale cyan light, teal tint, desaturated colors, cool grey palette, soft shadows, subtle reflections, chromatic aberration, color fringing, film grain, cinematic lighting, realistic materials, detailed lineart, semi-realistic anime, photorealistic background, melancholy, surreal, uncanny, quiet, lonely,
A quiet public restroom lined with small white square ceramic tiles, slightly aged but clean, lit by cold fluorescent light with a faint cyan-green tint. A wide horizontal frameless mirror stretches across the tiled wall above a projecting washbasin counter fitted with multiple white porcelain sinks and metal faucets.
Hoto Cocoa stands close to the counter, viewed from a low camera position behind and slightly to one side, framed from her head to just above her knees. Her body faces sideways along the counter rather than directly toward the mirror, presenting a clear three-quarter back view. Both arms hang loosely beside her waist, hands relaxed. She turns only her head toward the mirror, while her shoulders and torso remain sideways.
She wears a neatly buttoned black school blazer over a white collared shirt and blue-violet bow ribbon, paired with a dark plaid pleated skirt and black thigh-high socks.
Inside the mirror, Cocoa's face is clearly visible. Her reflected face looks directly into the camera with a calm, unreadable expression. The real Cocoa is only looking toward the mirror; the direct eye contact belongs specifically to her reflection. Behind this primary reflection, an endless sequence of smaller mirrored scenes recedes inward, as though a second mirror stands opposite the first. Each reflection contains another smaller image of the restroom, the mirror, the sinks, and Cocoa herself. The first several recursive reflections also show her reflected face looking toward the camera, then gradually shrink, darken, and blur into distant grey-green shadow. The reflections form a continuous perspective tunnel, not a row of separate duplicated figures.
Cold white light illuminates her shoulders, the tiled walls, and the porcelain sinks, leaving soft cyan-grey shadows beneath the counter. Metal faucets and glossy tiles catch restrained highlights. Each reflected layer becomes dimmer than the previous one. Only the deepest reflections show faint RGB separation and subtle optical distortion, while the main reflection remains clear. Fine film grain and delicate chromatic aberration soften the image edges.
Refined anime character rendering against a realistic tiled interior, subdued cinematic lighting, desaturated teal-grey colors, and restrained photographic texture. An ordinary silent restroom transformed into an impossible corridor of infinite reflections. Melancholic, introspective, quietly surreal.
ZDMW
z
character: hoto_cocoa, hairclip, black blazer, buttoned blazer, white shirt, collared shirt, blue-violet bowtie, dark plaid pleated skirt, black thighhighs,
1girl, solo, cowboy shot, knee-up, (from below:1.2), low angle, from behind, from side, (back three-quarter view:1.3), standing, sideways stance, side-facing body, body parallel to sink, head turned toward mirror, arms at sides, relaxed hands, reflection, reflected face, looking at viewer through mirror, direct gaze in mirror, expressionless, closed mouth, public restroom, bathroom, tiled wall, (small square white tiles:1.2), aged tiles, (long horizontal mirror:1.2), frameless mirror, mirror above sink, (infinite mirror reflections:1.3), (recursive reflections:1.3), mirror within mirror, endless reflections, reflection tunnel, vanishing point, fading reflections, multiple sinks, long washbasin counter, white porcelain sinks, metal faucets, fluorescent lighting, cold white light, pale cyan light, teal tint, desaturated colors, cool grey palette, soft shadows, subtle reflections, chromatic aberration, color fringing, film grain, cinematic lighting, realistic materials, detailed lineart, semi-realistic anime, photorealistic background, melancholy, surreal, uncanny, quiet, lonely,
A quiet public restroom lined with small white square ceramic tiles, slightly aged but clean, lit by cold fluorescent light with a faint cyan-green tint. A wide horizontal frameless mirror stretches across the tiled wall above a projecting washbasin counter fitted with multiple white porcelain sinks and metal faucets.
Hoto Cocoa stands close to the counter, viewed from a low camera position behind and slightly to one side, framed from her head to just above her knees. Her body faces sideways along the counter rather than directly toward the mirror, presenting a clear three-quarter back view. Both arms hang loosely beside her waist, hands relaxed. She turns only her head toward the mirror, while her shoulders and torso remain sideways.
She wears a neatly buttoned black school blazer over a white collared shirt and blue-violet bow ribbon, paired with a dark plaid pleated skirt and black thigh-high socks.
Inside the mirror, Cocoa's face is clearly visible. Her reflected face looks directly into the camera with a calm, unreadable expression. The real Cocoa is only looking toward the mirror; the direct eye contact belongs specifically to her reflection. Behind this primary reflection, an endless sequence of smaller mirrored scenes recedes inward, as though a second mirror stands opposite the first. Each reflection contains another smaller image of the restroom, the mirror, the sinks, and Cocoa herself. The first several recursive reflections also show her reflected face looking toward the camera, then gradually shrink, darken, and blur into distant grey-green shadow. The reflections form a continuous perspective tunnel, not a row of separate duplicated figures.
Cold white light illuminates her shoulders, the tiled walls, and the porcelain sinks, leaving soft cyan-grey shadows beneath the counter. Metal faucets and glossy tiles catch restrained highlights. Each reflected layer becomes dimmer than the previous one. Only the deepest reflections show faint RGB separation and subtle optical distortion, while the main reflection remains clear. Fine film grain and delicate chromatic aberration soften the image edges.
Refined anime character rendering against a realistic tiled interior, subdued cinematic lighting, desaturated teal-grey colors, and restrained photographic texture. An ordinary silent restroom transformed into an impossible corridor of infinite reflections. Melancholic, introspective, quietly surreal.
ZDMW
z
character: hoto_cocoa, hairclip, black blazer, buttoned blazer, white shirt, collared shirt, blue-violet bowtie, dark plaid pleated skirt, black thighhighs,
1girl, solo, cowboy shot, knee-up, (from below:1.2), low angle, from behind, from side, (back three-quarter view:1.3), standing, sideways stance, side-facing body, body parallel to sink, head turned toward mirror, arms at sides, relaxed hands, reflection, reflected face, looking at viewer through mirror, direct gaze in mirror, expressionless, closed mouth, public restroom, bathroom, tiled wall, (small square white tiles:1.2), aged tiles, (long horizontal mirror:1.2), frameless mirror, mirror above sink, (infinite mirror reflections:1.3), (recursive reflections:1.3), mirror within mirror, endless reflections, reflection tunnel, vanishing point, fading reflections, multiple sinks, long washbasin counter, white porcelain sinks, metal faucets, fluorescent lighting, cold white light, pale cyan light, teal tint, desaturated colors, cool grey palette, soft shadows, subtle reflections, chromatic aberration, color fringing, film grain, cinematic lighting, realistic materials, detailed lineart, semi-realistic anime, photorealistic background, melancholy, surreal, uncanny, quiet, lonely,
A quiet public restroom lined with small white square ceramic tiles, slightly aged but clean, lit by cold fluorescent light with a faint cyan-green tint. A wide horizontal frameless mirror stretches across the tiled wall above a projecting washbasin counter fitted with multiple white porcelain sinks and metal faucets.
Hoto Cocoa stands close to the counter, viewed from a low camera position behind and slightly to one side, framed from her head to just above her knees. Her body faces sideways along the counter rather than directly toward the mirror, presenting a clear three-quarter back view. Both arms hang loosely beside her waist, hands relaxed. She turns only her head toward the mirror, while her shoulders and torso remain sideways.
She wears a neatly buttoned black school blazer over a white collared shirt and blue-violet bow ribbon, paired with a dark plaid pleated skirt and black thigh-high socks.
Inside the mirror, Cocoa's face is clearly visible. Her reflected face looks directly into the camera with a calm, unreadable expression. The real Cocoa is only looking toward the mirror; the direct eye contact belongs specifically to her reflection. Behind this primary reflection, an endless sequence of smaller mirrored scenes recedes inward, as though a second mirror stands opposite the first. Each reflection contains another smaller image of the restroom, the mirror, the sinks, and Cocoa herself. The first several recursive reflections also show her reflected face looking toward the camera, then gradually shrink, darken, and blur into distant grey-green shadow. The reflections form a continuous perspective tunnel, not a row of separate duplicated figures.
Cold white light illuminates her shoulders, the tiled walls, and the porcelain sinks, leaving soft cyan-grey shadows beneath the counter. Metal faucets and glossy tiles catch restrained highlights. Each reflected layer becomes dimmer than the previous one. Only the deepest reflections show faint RGB separation and subtle optical distortion, while the main reflection remains clear. Fine film grain and delicate chromatic aberration soften the image edges.
Refined anime character rendering against a realistic tiled interior, subdued cinematic lighting, desaturated teal-grey colors, and restrained photographic texture. An ordinary silent restroom transformed into an impossible corridor of infinite reflections. Melancholic, introspective, quietly surreal.
ZDMW
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