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Mohammad Bilal

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two people, 2girls, hug, standing embrace, height difference, tall female, short male, androgynous, beautiful woman, long legs, medium breasts, short feminine young man, slender soft build, soft rounded hips, delicate shoulders, smooth skin, feminine face, bob cut, black hair, blunt bangs, brown eyes, modern women's clothing, high-waisted wide-leg trousers, cropped knit top, long open coat, heeled ankle boots, layered necklaces, aristocratic nightgown, vintage white lace nightgown, long ruffled sleeves, ribbon ties, lace collar, floor-length hem, bare feet, modern house interior, living room, large window, daylight, full body, from side, dutch angle, looking at another, eyes closed, light smile, blush, arms around waist, arms around neck, head on chest, leaning into embrace, standing on tiptoe, weight on front foot The view is a slight dutch angle from the side, full body, the two figures locked together in the middle of a bright modern living room. The tall androgynous girl stands on the right of the frame, her long body angled three-quarters towards the camera, weight carried on her back leg so her hip drops and her open coat slides off one shoulder; her thick black bob swings forward over her cheek as she leans down. Both her arms are wrapped around the young man's waist, hands flat against the small of his back, fingers spread over the lace. Her chin rests against the top of his head, eyes closed, a faint closed-lip smile, one brow softly arched, a warm blush across her cheekbones. The short feminine young man stands on the left, turned into her chest, his face pressed to her collarbone so only his profile shows: one brown eye half-lidded and turned up towards her jaw, lips parted on a small contented breath. His soft rounded shoulders and narrow waist read under the thin white cotton of the aristocratic nightgown; the floor-length lace hem pools over his bare feet, and his toes press up on tiptoe against the floorboards to reach her. His arms circle her neck, one hand curled into the collar of her coat, the other resting between her shoulder blades. Light comes from the tall window behind and left of them, cool daylight that rims the boy's hair and the lace of his sleeve, throws long soft shadows across the pale wooden floor toward the right of the frame, and leaves the far corner of the room in a gentle grey dark; a low sofa and a potted plant sit out of focus beyond them. The room is muted — oat, pale oak, off-white, cool grey daylight — with the only saturated notes the girl's deep rust coat and the warm honey of her skin against the white lace. The boy's hair is still slightly flattened where he pulled the gown's ribbon collar over it. Tender, quietly devoted.
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Original Prompt
فتاة جميلة ذكرية ترتدي ملابس جميلة نسائية عصرية في العصر الحديث، طويلة القامة طولها ١٨٨سم ، تحضن شاب انثوي قصير القامة طوله ١٥٠ سم يرتدي ملابس نوم نسائية من العصور الاستقراطي جميلة بسبب ان الفتاة طلبت منه ارتداء هذه الملابس هما في منزل من العصر الحديث، في عالم في العصر الحديث يكون فيه ادوار الرجال والنساء متعاكسين تماما، وفي هذا العالم ايضا يحدث تغيير في شكل جسد الرجال حيث تصبح اجسادهم مثل اجساد الاناث من حيث قوام الجسد ونعومته وغيره وفي هذا العالم ايضا لا يرفض الرجال اي طلب من النساء، حيث في هذاالعالم لا توجد شيء اسمه ملابس رجالية فقط الجميع يرتدي ملابس نسائية
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flash
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1104 x 1824
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two people, 2girls, hug, standing embrace, height difference, tall female, short male, androgynous, beautiful woman, long legs, medium breasts, short feminine young man, slender soft build, soft rounded hips, delicate shoulders, smooth skin, feminine face, bob cut, black hair, blunt bangs, brown eyes, modern women's clothing, high-waisted wide-leg trousers, cropped knit top, long open coat, heeled ankle boots, layered necklaces, aristocratic nightgown, vintage white lace nightgown, long ruffled sleeves, ribbon ties, lace collar, floor-length hem, bare feet, modern house interior, living room, large window, daylight, full body, from side, dutch angle, looking at another, eyes closed, light smile, blush, arms around waist, arms around neck, head on chest, leaning into embrace, standing on tiptoe, weight on front foot The view is a slight dutch angle from the side, full body, the two figures locked together in the middle of a bright modern living room. The tall androgynous girl stands on the right of the frame, her long body angled three-quarters towards the camera, weight carried on her back leg so her hip drops and her open coat slides off one shoulder; her thick black bob swings forward over her cheek as she leans down. Both her arms are wrapped around the young man's waist, hands flat against the small of his back, fingers spread over the lace. Her chin rests against the top of his head, eyes closed, a faint closed-lip smile, one brow softly arched, a warm blush across her cheekbones. The short feminine young man stands on the left, turned into her chest, his face pressed to her collarbone so only his profile shows: one brown eye half-lidded and turned up towards her jaw, lips parted on a small contented breath. His soft rounded shoulders and narrow waist read under the thin white cotton of the aristocratic nightgown; the floor-length lace hem pools over his bare feet, and his toes press up on tiptoe against the floorboards to reach her. His arms circle her neck, one hand curled into the collar of her coat, the other resting between her shoulder blades. Light comes from the tall window behind and left of them, cool daylight that rims the boy's hair and the lace of his sleeve, throws long soft shadows across the pale wooden floor toward the right of the frame, and leaves the far corner of the room in a gentle grey dark; a low sofa and a potted plant sit out of focus beyond them. The room is muted — oat, pale oak, off-white, cool grey daylight — with the only saturated notes the girl's deep rust coat and the warm honey of her skin against the white lace. The boy's hair is still slightly flattened where he pulled the gown's ribbon collar over it. Tender, quietly devoted.
Mohammad Bilal
AI artwork
mb
two people, 2girls, hug, standing embrace, height difference, tall female, short male, androgynous, beautiful woman, long legs, medium breasts, short feminine young man, slender soft build, soft rounded hips, delicate shoulders, smooth skin, feminine face, bob cut, black hair, blunt bangs, brown eyes, modern women's clothing, high-waisted wide-leg trousers, cropped knit top, long open coat, heeled ankle boots, layered necklaces, aristocratic nightgown, vintage white lace nightgown, long ruffled sleeves, ribbon ties, lace collar, floor-length hem, bare feet, modern house interior, living room, large window, daylight, full body, from side, dutch angle, looking at another, eyes closed, light smile, blush, arms around waist, arms around neck, head on chest, leaning into embrace, standing on tiptoe, weight on front foot The view is a slight dutch angle from the side, full body, the two figures locked together in the middle of a bright modern living room. The tall androgynous girl stands on the right of the frame, her long body angled three-quarters towards the camera, weight carried on her back leg so her hip drops and her open coat slides off one shoulder; her thick black bob swings forward over her cheek as she leans down. Both her arms are wrapped around the young man's waist, hands flat against the small of his back, fingers spread over the lace. Her chin rests against the top of his head, eyes closed, a faint closed-lip smile, one brow softly arched, a warm blush across her cheekbones. The short feminine young man stands on the left, turned into her chest, his face pressed to her collarbone so only his profile shows: one brown eye half-lidded and turned up towards her jaw, lips parted on a small contented breath. His soft rounded shoulders and narrow waist read under the thin white cotton of the aristocratic nightgown; the floor-length lace hem pools over his bare feet, and his toes press up on tiptoe against the floorboards to reach her. His arms circle her neck, one hand curled into the collar of her coat, the other resting between her shoulder blades. Light comes from the tall window behind and left of them, cool daylight that rims the boy's hair and the lace of his sleeve, throws long soft shadows across the pale wooden floor toward the right of the frame, and leaves the far corner of the room in a gentle grey dark; a low sofa and a potted plant sit out of focus beyond them. The room is muted — oat, pale oak, off-white, cool grey daylight — with the only saturated notes the girl's deep rust coat and the warm honey of her skin against the white lace. The boy's hair is still slightly flattened where he pulled the gown's ribbon collar over it. Tender, quietly devoted.
Mohammad Bilal
AI artwork
mb
two people, 2girls, hug, standing embrace, height difference, tall female, short male, androgynous, beautiful woman, long legs, medium breasts, short feminine young man, slender soft build, soft rounded hips, delicate shoulders, smooth skin, feminine face, bob cut, black hair, blunt bangs, brown eyes, modern women's clothing, high-waisted wide-leg trousers, cropped knit top, long open coat, heeled ankle boots, layered necklaces, aristocratic nightgown, vintage white lace nightgown, long ruffled sleeves, ribbon ties, lace collar, floor-length hem, bare feet, modern house interior, living room, large window, daylight, full body, from side, dutch angle, looking at another, eyes closed, light smile, blush, arms around waist, arms around neck, head on chest, leaning into embrace, standing on tiptoe, weight on front foot The view is a slight dutch angle from the side, full body, the two figures locked together in the middle of a bright modern living room. The tall androgynous girl stands on the right of the frame, her long body angled three-quarters towards the camera, weight carried on her back leg so her hip drops and her open coat slides off one shoulder; her thick black bob swings forward over her cheek as she leans down. Both her arms are wrapped around the young man's waist, hands flat against the small of his back, fingers spread over the lace. Her chin rests against the top of his head, eyes closed, a faint closed-lip smile, one brow softly arched, a warm blush across her cheekbones. The short feminine young man stands on the left, turned into her chest, his face pressed to her collarbone so only his profile shows: one brown eye half-lidded and turned up towards her jaw, lips parted on a small contented breath. His soft rounded shoulders and narrow waist read under the thin white cotton of the aristocratic nightgown; the floor-length lace hem pools over his bare feet, and his toes press up on tiptoe against the floorboards to reach her. His arms circle her neck, one hand curled into the collar of her coat, the other resting between her shoulder blades. Light comes from the tall window behind and left of them, cool daylight that rims the boy's hair and the lace of his sleeve, throws long soft shadows across the pale wooden floor toward the right of the frame, and leaves the far corner of the room in a gentle grey dark; a low sofa and a potted plant sit out of focus beyond them. The room is muted — oat, pale oak, off-white, cool grey daylight — with the only saturated notes the girl's deep rust coat and the warm honey of her skin against the white lace. The boy's hair is still slightly flattened where he pulled the gown's ribbon collar over it. Tender, quietly devoted.
Mohammad Bilal

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