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メガテンっぽい絵でオークのお嫁さん
そーだなオークは合体触媒だ！（邪鬼だけど） 実際の悪魔合体はこうだそうです（嘘）
Show Parameters
- Original Prompt
- 1girl, , wedding dress, lace trim, choker, necklace, long dress, lace gloves, juliet sleeves, long sleeves, paralytic, sitting in a lap, crying, blush, tears, 1 orc, orc grabbing belly, pregnant, looking away, distressed, wearing gloves, , kazuma kaneko (style), retro artstyle, flat color,
- Size
- 768 x 1280
- Sampling Steps
- 5
- Sampling Method
- DPM++ SDE Karras
- CFG Scale
- 3.5
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (bad hands, bad feet, bad hand, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.2)
Model & LoRA used
Similar Images
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片倉先生っぽい絵でオークのお嫁さん
価値観の古い人
bb
character: eris_greyrat, copyright: mushoku_tensei
2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart
She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still.
The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace.
The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet.
Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
el
character: meroune_lorelei, orc_(monster_girl_encyclopedia)
2girls, interracial, size difference, male orc, female mermaid, monster girl, pink hair, very long hair, drill hair, twin drills, hair between eyes, blue eyes, pointy ears, head fins, gills, scales, enormous breasts, wedding dress, bridal veil, white lace gown, pet collar, black leather collar, metal ring, bare shoulders, bare arms, bare earlobes, no earrings, no hair ornaments other than the veil, ugly orc, one orc, hunched massive build, mottled grey-green skin, tusks, broad flat nose, small deep-set eyes, bald mottled scalp, ragged hide loincloth, orc carrying princess, bridal style carry, princess carry, arms under her back and knees, lips pressed to lips, kiss, kissing, forced kiss, eyes wide open, shocked expression, humiliated expression, distressed, not enjoying it, tears welling, brow drawn up, trembling, stiff body, clenched hands, from below, dutch angle, foreshortening, close-up on faces, two-figure composition
The camera sits low and tilted, looking up from below at a steep dutch angle: the orc fills the foreground, his arms thrust across the frame carrying the mermaid bridal style, and the two faces meet high in the upper third at a foreshortened close-up. He is hunched and enormous — mottled grey-green skin, a bald mottled scalp, a broad flat nose, small deep-set eyes, two blunt tusks jutting from a heavy underbite, and a ragged hide loincloth at his waist; his left forearm passes under her back and his right under her knees, his thick fingers spread wide and pressing dents into the white lace of her gown, his shoulder hunched up so his jaw can reach hers. His mouth is mashed flat over her lips, nose crushed against her cheek, eyes shut in brutish contentment, and his weight shifts onto his forward foot so his whole mass leans into the kiss. She is bent backward across his forearms, spine arched, head forced back and up; her enormous breasts press against his chest and strain the boned bodice of the wedding dress, the skirt of white lace and tulle spilling down over his arm. Her blue eyes are wide open and unfocused, staring past his ear into nothing, both brows drawn up in the middle, tears standing at the lower lids without falling, nostrils flared, and her mouth is slack and squashed under his — she is not kissing back. Her hands are rigid: the left fist clenched hard against his collarbone, the right hanging half-curled in the air with the fingers splayed and trembling. Her long pointed ears are pressed back flat, the head fins above them flared stiff with alarm and the gill slits at her neck fluttering open and shut, and fine iridescent scales climb the sides of her throat and shoulders, catching the light in a scatter of small hard highlights. Her very long pink hair falls in two huge drilled coils, one crushed against the orc's forearm and one swinging free below her shoulders, long strands of it falling between her eyes and dragged across her cheek by the tilt of her head; a short bridal veil is pinned at the crown of the coils. A black leather pet collar is buckled tight around her throat with a metal ring at the front, riding up under her jaw as her head is forced back, and both her earlobes are bare and unobstructed. The scene behind them is a shallow, out-of-focus stone hall: a single cold torch flames at frame left and is the only light, raking across the orc's knuckles and the mermaid's wet lower lids while deep shadow swallows the wall behind them and their joined silhouette throws one long shadow down the stones to the right. Palette of ash grey, hide brown and orc green against the white of the gown and the hot pink of her hair, the only clean colours in the frame. Quiet dread.
eter lumine
eb
character: eris_greyrat, copyright: mushoku_tensei
eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing
The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline.
The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely.
The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek.
Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
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