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- Original Prompt
- Katsuki Bakugou sneezing wetly 15 times from drinking an entire bottle of champagne and then blowing his nose with a loud, wet, congested, miserable, elephant trumpet-like honk into a ton of paper towels a ton of times afterwards
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- 1104 x 1824
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- lowres, worst quality, low quality, bad anatomy, explicit
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pd
character: bakugou_katsuki
1boy, solo, bakugou katsuki, short spiked blonde hair, red eyes, black shirt, black pants, no gloves, bare hands, sitting on living room sofa, leaning back, head thrown back, mid-sneeze, sneezing, "ACHOO!!" x3, closed eyes, squeezed-shut eyes, red nose, nose irritated, flushed face, blush, drunken blush, half-closed eyes, irritated, scowl, gritted teeth, allergies acting up, towel, holding towel, rubbing nose, rubbing face with towel, elbows up, beer can, empty beer cans, several beer cans on low table, spilled beer, looking to the side, from below, dutch angle, cowboy shot, dim warm lamp light, night, messy living room, comedic, fed up,
The view is a low, tilted dutch angle from below, a cowboy shot framing him from knees to above the head as he sprawls back into the sagging cushions of a worn dark-green sofa in a small living room at night. His weight is dropped onto his right hip and the sofa's right armrest, one leg stretched out along the seat and the other planted flat on the floor, knee fallen outward; his shoulders are slumped low into the backrest in the loose, unguarded way of someone who has had far too much beer. A black shirt hangs half-untucked over black pants, sleeves shoved to the elbows, both hands bare — nothing on his palms or wrists — the left hand loosely pinching the rim of a half-crushed beer can that tilts over his thigh, a thread of spilled beer running off the can's lip and down along the seam of the sofa cushion to darken the fabric beneath his hip.
His head is thrown back hard against the top of the backrest, chin up, throat exposed, eyes squeezed shut into tight creases, mouth torn wide open mid-sneeze, and a second sneeze already building in the flare of his nostrils and the crumple of his brow — the spray of each burst visible as a faint scatter of fine droplets in the lamp's low beam, and three quick puffs of dust and lint lifted off the sofa's back cushion marking the three in a row. His nose is deep, raw red across the bridge and the tip, the rims of his nostrils chapped and shiny; a hot pink flush sits high on both cheeks and across the tips of his ears, his eyelids heavy and glossy and half-lidded in a drunk, wilting way even between the sneezes. Blonde hair, short and spiked, is knocked out of shape at the back where it grinds against the cushion and sticks up in tufts at the crown.
The next moment his right hand has wadded a rough grey hand towel and he drives it up under his nose, grinding it hard left and right across the bridge, knuckles jammed in, elbow lifted high and shoulder hunched up around it — the towel crumpling into folds around his nose and dragging one cheek sideways with the force. Above the towel his brows are pulled down into a scowl, one eye cracked open in a narrow, watering, sideways glare aimed past the sofa toward the far corner of the room where the dust and the pollen are coming from, teeth bared in a grimace. The empty cans on the low table in the foreground — four of them, one knocked on its side and still weeping a slow ring of beer onto the wood — sit between the camera and him, large and out of focus, catching the lamp's highlights.
The room around him is closed and domestic: a low wooden coffee table cluttered with cans, a crumpled crisp packet and a remote, the blurred edge of a television cabinet at the right of frame, a curtained window at the back, and a single warm table lamp behind his left shoulder as the only light source — it rims the top of his hair and the lifted edge of the towel in hot orange, throws his enormous shadow up the wall behind the sofa, and leaves the far corners of the room in brown, near-absolute darkness. Palette of beer-can silver and red, worn dark green upholstery, warm amber lamplight and the raw red of his nose and cheeks, nothing cleaner or cooler admitted. Matte, slightly grainy cel-shaded illustration with soft airbrushed blush and hard cartoon impact lines radiating from the sneeze. Grimy, fed-up comedy.
Princess Diani The FNAF Gal 2000
pd
character: bakugou_katsuki
1boy, solo, close-up, dutch angle, spiky hair, short hair, blonde hair, red eyes, severe cold, sick, fever, flushed face, very red nose, stuffy nose, watery eyes, coughing, blowing nose, holding paper towel, crumpled paper towel, scowl, furrowed brow, grimace, parted chapped lips, t-shirt, indoor, sound effects, onomatopoeia
In a dynamic Dutch-angle close-up, a young man with sharp, spiky ash-blond hair and fever-glazed crimson eyes hunches tensely forward, caught in the miserable throes of a heavy cold. His entire face is flushed with illness, showing a fiery, irritated crimson burn across his swollen, congested nose bridge, cheeks, and ear tips, with fine beads of fever sweat catching the light at his temples. Following a harsh coughing fit that leaves his throat tight and his shoulders hitched high, he aggressively clamps a crumpled, textured white paper towel over his stuffed nose with one clenched hand. His fingers press deeply into the rough paper fibers, pinching tightly against his nostrils as he blows outward with immense, wet, congested force. Emblazoned beside his clenched knuckles and the crushed paper, bold, jagged comic sound effect lettering vibrates with dynamic motion marks, reading "HONK!" to capture the loud, wet resonance of the blow. Moisture darkens the center folds of the paper towel where it yields to the pressure of his fingers. The scene is illuminated by a harsh, warm directional light from an unseen bedside lamp that carves sharp highlights into the edges of his spiky hair and damp eyelashes, while the dimly lit background reveals a scattered mound of used, crumpled paper towels on a dark wooden surface. Miserably furious and intensely congested.
Princess Diani The FNAF Gal 2000
pd
character: bakugou_katsuki
1boy, solo, bakugou katsuki, short spiked blonde hair, red eyes, black shirt, black pants, gloves, wailing, crying, tears of joy, crying for hours, eyes swollen, red-rimmed eyes, tear tracks, wet cheeks, open mouth, screaming, wordless shout, head thrown back, arms raised, fists clenched, exhausted, but happy, wobbly smile, blush, blowing nose, nose blow, crumpled tissue, holding tissue to nose, hunched over, shoulders shaking, from above, dutch angle, cowboy shot, indoors, late afternoon, window light, exhausted happy mood
The camera looks down from above at a steep angle tilted slightly off level, so the single figure is seen from the crown of his head downward, framed in a cowboy shot with the floor taking up the lower third of the frame. The man is the only person in the shot: he is alone in a narrow room with bare walls, sitting on the floor with his back against the wall and his knees loosely bent. His short, spiked blonde hair is flattened on one side where it has pressed against the wall, and several strands stick to his damp temples. His red eyes are swollen and red-rimmed with hours of weeping, and the skin around them is puffy; two clean tear tracks run down each cheek to his jaw.
He has been crying with joy for so long that the joy has worn his body down to exhaustion. His head is thrown back against the wall, his mouth wide open in a wordless shout aimed at the ceiling — not at any person, because nobody is there — and his voice has clearly gone rough. Both arms are up, elbows bent, hands clenched loosely near his shoulders, as though he is too tired to hold them any higher. The pose is caught halfway through the shout.
His right hand drops from the shout. He is folding a crumpled, wet tissue in his fingers and pressing it to his nose; his forearms bracket his face, his chin dips toward his chest, and his shoulders curl inward as he honks wetly and loudly into the tissue. His whole upper body is hunched forward as he blows, and then he sags back against the wall.
One corner of his mouth still lifts in a wobbly, exhausted smile; a hot blush spreads across his cheeks above the tear tracks. His gaze is turned up and away from the viewer toward the high corner of the ceiling. The light comes from a single window off frame to the left, low and warm in late afternoon. It strikes the left side of his face, his shoulder, and the top of his bent knee; the right side of his face falls into shadow, and a firm cast shadow stretches across the floorboards to his right. The tissue and the tear wetness at his nostrils catch the light.
The palette is limited to warm ochre window light, the charcoal black of his shirt and pants, the pale washed floor, and the rawness of red around his eyes and nose. The texture is a soft cel-shaded rendering with clean linework and restrained grain. The air is heavy, intimate, and quietly cathartic.
Princess Diani The FNAF Gal 2000
pd
character: bakugou_katsuki
1boy, solo, spiky hair, blonde hair, red eyes, watery eyes, crying, tears, runny nose, red nose, flushed face, sneezing fit, blowing nose, holding tissue, pile of tissues, crumpled tissues, running makeup, eyeliner, smudged eyeliner, smeared makeup, eyeliner streaming down cheeks, dressed for date, collared shirt, dark jacket, medium close-up, three-quarter view, vanity table, snuff powder residue, miserable expression, humiliated
In a dynamic medium close-up captured from a slight three-quarter angle, a young man with sharp, spiky ash-blonde hair and reddened crimson eyes is caught in the miserable aftermath of an uncontrollable sneezing fit while preparing for a date. Dressed in a sharp, semi-formal dark button-down shirt beneath a tailored jacket, he hunches forward with hitched, trembling shoulders, his right hand clenched tightly around a massive, overflowing clump of crumpled white tissues pressed flat against his violently inflamed, bright-red nose and mouth as he forcefully blows into them. His left fist clenches against the edge of a polished wooden vanity, knuckles pale with tension. His brows are knit in an enraged, deeply humiliated grimace, his eyelids swollen and brimmed with tears that spill over his lower lashes. Thick black eyeliner, applied sharply for the evening, has completely dissolved under the relentless assault of repeated sneezes, trailing down both flushed cheeks in stark, wet, inky black rivulets that drip toward his sharp jawline. On the surface of the vanity table beside him, an open small tin of fine brown herbal chhinkni snuff powder sits surrounded by loose dusted grains, flanked by a messy, overflowing mountain of previously discarded, crumpled paper tissues. Warm, direct light from the vanity mirror casts glossy reflections across the wet black tear tracks, highlighting the deep crimson flush spanning the bridge of his nose and cheeks, while the compressed layers of tissue directly beneath his nostrils turn damp and semi-translucent against his reddened skin. Miserable humiliation.
Princess Diani The FNAF Gal 2000
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