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jianhua lin

AI art by jianhua lin on PixAI. Made with Tsubaki.3.

jl
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jianhua lin

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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AI artwork
jl
artist: alp no humans, scenery, indoors, small apartment, living room, open kitchen, old sofa, sofa cover, cushions, low wooden table, wooden floor, mugs, frying pan, snacks, television, potted plants, window, curtains, cluttered room, cozy, warm-toned dominant, soft cel-shading, clean linework, glossy specular highlights, luminous atmosphere, dramatic backlighting, rim lighting, shallow depth of field, wide shot, from above, dutch angle Seen from a slightly elevated wide angle tipped a few degrees off level, the whole of a cramped one-room apartment spreads out at once, its living room and its open kitchen sharing a single narrow floor. In the right foreground the low wooden table sits at a tilt, crowded with an open bag of snacks spilled across its corner, two chipped mugs, a remote control and yesterday's newspaper; four mismatched cushions are crushed into the sagging old sofa behind it, whose flower-printed cover has slipped half off one arm and bunches in the seat corners, pulled loose by long use. From the sofa's left end a folded throw has slid to the floor, and the television on its low stand faces the cushions, its dark screen catching a pale block of window light as a dull, soft-edged reflection that is darker and blurrier than the window itself. Along the left wall the open kitchen runs in one short counter, a frying pan left on the cold burner with its handle jutting into the walkway, jars and tins stacked two deep against the tiles, dish towels hung crooked from the oven rail. Potted plants crowd every remaining surface, one leaning out over the sofa's back, another sitting on the windowsill where the afternoon sun pushes through the glass — the light is the scene's only source, low and warm and coming in from behind the room's far side, laying bright bars across the wooden floor, rimming the leaves and the sofa's frayed crown with a fine gold edge, and leaving the under-table space and the kitchen corner in deep soft shadow. Between the window bars, long straight shadows of the plant stems lie across the floorboards and the dropped throw, sharpening where the light is strongest and dissolving gently into the shaded half of the room; dust drifts visible in the beams. Thin clutter fills the gaps — books stacked on the floor, a basket by the television, cables looping behind it, the curtains caught mid-fall in the still air. Vibrant warm yellows, terracotta and green hold the palette, with cool grey-blue only in the television glass and the shaded wall behind it, edges clean and cel-flat, highlights drawn glossy on the mug rims and the pan's curve, the far wall slightly out of focus so the foreground table reads crisp. Quiet, sunlit, lived-in.
jianhua lin
AI artwork
jl
artist: alp no humans, scenery, indoors, small apartment, living room, open kitchen, old sofa, wooden coffee table, folding table, rice cooker, protein powder container, window air conditioner, window bars, worn furniture, empty room, wide shot, from side, low angle, dutch angle, no people, still life, domestic interior, daylight, dust in air, warm-toned palette The view is a low wide-angle shot taken from just above the coffee table's near edge, tilted a few degrees off level, so the little living room opens up along a diagonal: the old sofa sits low on the right, the open kitchen runs behind it on the left, and the window with its air conditioner and bars closes the back wall. No person stands, sits or passes through any part of the frame -- the room is entirely empty, every cushion settled under its own weight, the sofa's worn armrests sunken in their middle and the fabric pilled thin at the seat's front lip where years of sitting have polished it. The wooden coffee table dominates the near foreground, its top scratched into pale grain at the edges and ringed with old cup stains, one leg slightly short so a folded paper shim props it level; a single crumb of dried rice sits on the wood. Beyond it, a folding table is pushed against the kitchen counter, one hinged leg locked at a slightly different angle from the other three, a thin film of dust along its seam. On the kitchen counter the rice cooker sits with its lid closed, the warm amber of its keep-warm lamp the only artificial light in the room, and beside it a squat protein powder container, its scoop handle hooked over the rim, a faint ring of powder dusting the lid's groove. The window is a bright rectangle behind everything, split by vertical metal bars whose paint has chipped to grey at the bolt holes; the boxy window air conditioner hangs in its lower half, its grill tilted down and a single drip of condensation tracking slowly along the underside of its housing to hang, swell and fall. Daylight comes in through that window as the only true source, backlighting the room so the sofa's shoulders and the table edges catch a thin rim of light while their faces fall softly into shadow; dust motes drift visibly through the beam above the coffee table. Everything is warm -- ochre, cream, faded brick red in the upholstery, honeyed wood, the rice cooker's lamp a small ember of orange -- and nothing in the palette is cool except the daylight itself pressing in at the window. Soft focus falls off toward the kitchen so the room reads small and lived-in rather than staged, the air still holding the warmth of a room someone just left. Quiet, sunlit stillness.
jianhua lin

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