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AI artwork featuring #Jujutsu Kaisen and #Megumi Fushiguro
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Megumi Fushiguro, Jujutsu Kaisen

#Jujutsu Kaisen#Megumi Fushiguro
rs

Rikudo Senin

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copyright: jujutsu_kaisen black and white, monochrome, manga, ink on paper, angular shapes, straight lines, pointed forms, thin lineart, dirty sketchy lineart, rough scratchy strokes, hatching, crosshatching, shading done solely with hatching, no grey tones, no gradients, no soft blending, screentone-free, high contrast black ink on white paper, grain of paper tooth, single figure, male figure, tall lean build, broad shoulders, narrow waist, spiky jet-black hair, uneven jagged locks, blunt fringe splitting over the brow, sharp angular eyes, small dark irises, thin arched brow, high straight nose, hard jaw, thin mouth, dark high-collared uniform jacket, boxy shoulders, straight-cut sleeves, wide trousers, high dark boots, from below, low angle, dutch angle, cowboy shot, standing with weight on the back foot, hips canted, one hand shoved into the jacket pocket, the other hand raised with two fingers extended upward in a casual sign, elbow bent, forearm crossing the line of the chest, head tilted back, chin lifted, eyes narrowed, looking down at the viewer, one brow lifted, faint lopsided smirk, uniform hem lifting slightly away from the hip on one side, hair tips flicked up and to the right as if a wind crossed the face, over-shoulder composition not used, foreshortening on the raised forearm, abrupt shift into black hatching across the right third of the frame. The image is a pure black-and-white manga panel seen from a low angle, the camera just below the subject's eye line, canted a few degrees so the vertical lines of his collar, sleeves and trouser seams lean off the frame edge as long straight strokes. He is a tall lean young man in a dark high-collared uniform jacket, the collar standing rigid and squared at the corners, the sleeves cut straight and boxy down to the wrist, wide trousers breaking over tall dark boots; the whole costume is drawn as angular planes, never a curve, the silhouettes resolved into wedges and pointed triangles. His hair is a cluster of spiky jet-black locks, the fringe splitting into blunt jagged points over a sharp brow; his eyes are narrow and angular with small dark irises, one brow lifted, the mouth pulled into a faint lopsided smirk as he looks down at the viewer, the chin lifted and the throat exposed above the standing collar. He stands with the hips canted and the weight sunk into the back foot, the front knee loose, one hand shoved into the jacket pocket so the fabric bunches into a hard angular fold; the other hand is raised in front of the chest with two fingers extended upward in a casual sign, the elbow bent, the forearm foreshortened toward the lens and crossed in front of the collar so the hand reads larger than the shoulder behind it. His gaze comes down at the viewer from under the lifted brow, communicating lazy superiority; the hand comes up toward the lens in answer. Shading is created solely with hatching: fine parallel strokes across the cheeks, jaw, sleeve folds and trouser creases, crossed into denser crosshatching in the deepest areas, so no grey tone ever appears — depth is carried only by the direction and density of black lines. The light comes from the upper left, and the hatch lines run long and straight down the right side of his face, the right shoulder and the right trouser leg, while the left side opens into white paper; behind his right shoulder the background drops into a solid wall of dense black crosshatching, a jagged edge running down the frame so the figure is half-lit and half-swallowed. Thin scratchy dirty lineart everywhere, some strokes trailing off short of the contour, some doubled, ink edges flaking, the paper's tooth breaking up the hatch. Black, white, and nothing else. Cold, intimidating.
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Original Prompt
angular_shapes, straight_lines, dirty_lineart, sketchy_lineart, pointed_forms, hatching, crosshatching, thin_lineart, manga, gege akutami artstyle, jujutsu kaisen manga, shading created solely with hatching, black and white,
Mode
flash
Size
768 x 1280
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AI artwork
rs
copyright: jujutsu_kaisen black and white, monochrome, manga, ink on paper, angular shapes, straight lines, pointed forms, thin lineart, dirty sketchy lineart, rough scratchy strokes, hatching, crosshatching, shading done solely with hatching, no grey tones, no gradients, no soft blending, screentone-free, high contrast black ink on white paper, grain of paper tooth, single figure, male figure, tall lean build, broad shoulders, narrow waist, spiky jet-black hair, uneven jagged locks, blunt fringe splitting over the brow, sharp angular eyes, small dark irises, thin arched brow, high straight nose, hard jaw, thin mouth, dark high-collared uniform jacket, boxy shoulders, straight-cut sleeves, wide trousers, high dark boots, from below, low angle, dutch angle, cowboy shot, standing with weight on the back foot, hips canted, one hand shoved into the jacket pocket, the other hand raised with two fingers extended upward in a casual sign, elbow bent, forearm crossing the line of the chest, head tilted back, chin lifted, eyes narrowed, looking down at the viewer, one brow lifted, faint lopsided smirk, uniform hem lifting slightly away from the hip on one side, hair tips flicked up and to the right as if a wind crossed the face, over-shoulder composition not used, foreshortening on the raised forearm, abrupt shift into black hatching across the right third of the frame. The image is a pure black-and-white manga panel seen from a low angle, the camera just below the subject's eye line, canted a few degrees so the vertical lines of his collar, sleeves and trouser seams lean off the frame edge as long straight strokes. He is a tall lean young man in a dark high-collared uniform jacket, the collar standing rigid and squared at the corners, the sleeves cut straight and boxy down to the wrist, wide trousers breaking over tall dark boots; the whole costume is drawn as angular planes, never a curve, the silhouettes resolved into wedges and pointed triangles. His hair is a cluster of spiky jet-black locks, the fringe splitting into blunt jagged points over a sharp brow; his eyes are narrow and angular with small dark irises, one brow lifted, the mouth pulled into a faint lopsided smirk as he looks down at the viewer, the chin lifted and the throat exposed above the standing collar. He stands with the hips canted and the weight sunk into the back foot, the front knee loose, one hand shoved into the jacket pocket so the fabric bunches into a hard angular fold; the other hand is raised in front of the chest with two fingers extended upward in a casual sign, the elbow bent, the forearm foreshortened toward the lens and crossed in front of the collar so the hand reads larger than the shoulder behind it. His gaze comes down at the viewer from under the lifted brow, communicating lazy superiority; the hand comes up toward the lens in answer. Shading is created solely with hatching: fine parallel strokes across the cheeks, jaw, sleeve folds and trouser creases, crossed into denser crosshatching in the deepest areas, so no grey tone ever appears — depth is carried only by the direction and density of black lines. The light comes from the upper left, and the hatch lines run long and straight down the right side of his face, the right shoulder and the right trouser leg, while the left side opens into white paper; behind his right shoulder the background drops into a solid wall of dense black crosshatching, a jagged edge running down the frame so the figure is half-lit and half-swallowed. Thin scratchy dirty lineart everywhere, some strokes trailing off short of the contour, some doubled, ink edges flaking, the paper's tooth breaking up the hatch. Black, white, and nothing else. Cold, intimidating.
Rikudo Senin
AI artwork
rs
copyright: jujutsu_kaisen black and white, monochrome, manga, ink on paper, angular shapes, straight lines, pointed forms, thin lineart, dirty sketchy lineart, rough scratchy strokes, hatching, crosshatching, shading done solely with hatching, no grey tones, no gradients, no soft blending, screentone-free, high contrast black ink on white paper, grain of paper tooth, single figure, male figure, tall lean build, broad shoulders, narrow waist, spiky jet-black hair, uneven jagged locks, blunt fringe splitting over the brow, sharp angular eyes, small dark irises, thin arched brow, high straight nose, hard jaw, thin mouth, dark high-collared uniform jacket, boxy shoulders, straight-cut sleeves, wide trousers, high dark boots, from below, low angle, dutch angle, cowboy shot, standing with weight on the back foot, hips canted, one hand shoved into the jacket pocket, the other hand raised with two fingers extended upward in a casual sign, elbow bent, forearm crossing the line of the chest, head tilted back, chin lifted, eyes narrowed, looking down at the viewer, one brow lifted, faint lopsided smirk, uniform hem lifting slightly away from the hip on one side, hair tips flicked up and to the right as if a wind crossed the face, over-shoulder composition not used, foreshortening on the raised forearm, abrupt shift into black hatching across the right third of the frame. The image is a pure black-and-white manga panel seen from a low angle, the camera just below the subject's eye line, canted a few degrees so the vertical lines of his collar, sleeves and trouser seams lean off the frame edge as long straight strokes. He is a tall lean young man in a dark high-collared uniform jacket, the collar standing rigid and squared at the corners, the sleeves cut straight and boxy down to the wrist, wide trousers breaking over tall dark boots; the whole costume is drawn as angular planes, never a curve, the silhouettes resolved into wedges and pointed triangles. His hair is a cluster of spiky jet-black locks, the fringe splitting into blunt jagged points over a sharp brow; his eyes are narrow and angular with small dark irises, one brow lifted, the mouth pulled into a faint lopsided smirk as he looks down at the viewer, the chin lifted and the throat exposed above the standing collar. He stands with the hips canted and the weight sunk into the back foot, the front knee loose, one hand shoved into the jacket pocket so the fabric bunches into a hard angular fold; the other hand is raised in front of the chest with two fingers extended upward in a casual sign, the elbow bent, the forearm foreshortened toward the lens and crossed in front of the collar so the hand reads larger than the shoulder behind it. His gaze comes down at the viewer from under the lifted brow, communicating lazy superiority; the hand comes up toward the lens in answer. Shading is created solely with hatching: fine parallel strokes across the cheeks, jaw, sleeve folds and trouser creases, crossed into denser crosshatching in the deepest areas, so no grey tone ever appears — depth is carried only by the direction and density of black lines. The light comes from the upper left, and the hatch lines run long and straight down the right side of his face, the right shoulder and the right trouser leg, while the left side opens into white paper; behind his right shoulder the background drops into a solid wall of dense black crosshatching, a jagged edge running down the frame so the figure is half-lit and half-swallowed. Thin scratchy dirty lineart everywhere, some strokes trailing off short of the contour, some doubled, ink edges flaking, the paper's tooth breaking up the hatch. Black, white, and nothing else. Cold, intimidating.
Rikudo Senin
#Jujutsu Kaisen#Megumi Fushiguro
AI artwork
rs
copyright: jujutsu_kaisen black and white, monochrome, manga, ink on paper, angular shapes, straight lines, pointed forms, thin lineart, dirty sketchy lineart, rough scratchy strokes, hatching, crosshatching, shading done solely with hatching, no grey tones, no gradients, no soft blending, screentone-free, high contrast black ink on white paper, grain of paper tooth, single figure, male figure, tall lean build, broad shoulders, narrow waist, spiky jet-black hair, uneven jagged locks, blunt fringe splitting over the brow, sharp angular eyes, small dark irises, thin arched brow, high straight nose, hard jaw, thin mouth, dark high-collared uniform jacket, boxy shoulders, straight-cut sleeves, wide trousers, high dark boots, from below, low angle, dutch angle, cowboy shot, standing with weight on the back foot, hips canted, one hand shoved into the jacket pocket, the other hand raised with two fingers extended upward in a casual sign, elbow bent, forearm crossing the line of the chest, head tilted back, chin lifted, eyes narrowed, looking down at the viewer, one brow lifted, faint lopsided smirk, uniform hem lifting slightly away from the hip on one side, hair tips flicked up and to the right as if a wind crossed the face, over-shoulder composition not used, foreshortening on the raised forearm, abrupt shift into black hatching across the right third of the frame. The image is a pure black-and-white manga panel seen from a low angle, the camera just below the subject's eye line, canted a few degrees so the vertical lines of his collar, sleeves and trouser seams lean off the frame edge as long straight strokes. He is a tall lean young man in a dark high-collared uniform jacket, the collar standing rigid and squared at the corners, the sleeves cut straight and boxy down to the wrist, wide trousers breaking over tall dark boots; the whole costume is drawn as angular planes, never a curve, the silhouettes resolved into wedges and pointed triangles. His hair is a cluster of spiky jet-black locks, the fringe splitting into blunt jagged points over a sharp brow; his eyes are narrow and angular with small dark irises, one brow lifted, the mouth pulled into a faint lopsided smirk as he looks down at the viewer, the chin lifted and the throat exposed above the standing collar. He stands with the hips canted and the weight sunk into the back foot, the front knee loose, one hand shoved into the jacket pocket so the fabric bunches into a hard angular fold; the other hand is raised in front of the chest with two fingers extended upward in a casual sign, the elbow bent, the forearm foreshortened toward the lens and crossed in front of the collar so the hand reads larger than the shoulder behind it. His gaze comes down at the viewer from under the lifted brow, communicating lazy superiority; the hand comes up toward the lens in answer. Shading is created solely with hatching: fine parallel strokes across the cheeks, jaw, sleeve folds and trouser creases, crossed into denser crosshatching in the deepest areas, so no grey tone ever appears — depth is carried only by the direction and density of black lines. The light comes from the upper left, and the hatch lines run long and straight down the right side of his face, the right shoulder and the right trouser leg, while the left side opens into white paper; behind his right shoulder the background drops into a solid wall of dense black crosshatching, a jagged edge running down the frame so the figure is half-lit and half-swallowed. Thin scratchy dirty lineart everywhere, some strokes trailing off short of the contour, some doubled, ink edges flaking, the paper's tooth breaking up the hatch. Black, white, and nothing else. Cold, intimidating.
Rikudo Senin
#Jujutsu Kaisen#Megumi Fushiguro

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