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Dicavec2

d2

Dicavec2

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character: rosa_(pokemon) 1girl, rosa (pokemon), brown hair, double bun, hair bun, long hair, blue eyes, black glossy skintight spy bodysuit, shiny latex, skin tight, black gloves, from behind, over-shoulder composition, profile, leaning forward, pressing against door, back against door frame, peeking, sneaking, hand on door edge, looking at another, two strangers, silhouette, 2boys, from side, cinematic shot, dramatic lighting, dark warehouse, film set, abandoned warehouse, one eye visible, brown eyes, tense expression, rim light, depth of field, 3girls? no, 3 people total, medium shot, foreground figure, midground conversation, background set walls, The camera sits low and slightly behind the girl's right shoulder, looking past her through a gap at the hinged edge of a heavy steel warehouse door. She is closest to the lens, her body flat against the door's back face, cheek pressed near the frame, one gloved hand curled around the door's edge with fingertips just hooking it, the other hand braced flat against the door panel at hip height; her weight is on her front foot, back heel lifted off the concrete, her spine curved so the suit's glossy black surface catches a thin line of light along the shoulder blade and down the side of the thigh. Only the outer edge of her face and one blue eye are visible past the frame — that eye is fixed through the gap at the two figures inside, brows drawn, mouth a flat tense line, breath held. Beyond the door the warehouse room opens up: two strangers stand close together in the midground, both in dark anonymous clothing, one leaning in with a hand raised mid-gesture, the other turned half away, heads near each other, their faces falling into shadow so only jawlines and shoulders read; neither looks toward the door. The environment is clearly a film set of an abandoned warehouse — exposed steel beams, stacked pallets and crates along the far wall, a chain-link fence panel, coiled cables and a light stand visible in the background with a softbox casting cool white light from the far left, and a faint warm work light above right, dust hanging in the beams. Light comes from inside the room, so the strangers are rim-lit and the girl is mostly in silhouette with a hard bright edge tracing the curve of her shoulder, hip and calf; her side of the door is dark, the concrete floor dusty with scuff marks and a few dropped cable ties. The palette is cold steel blue and near-black with a single warm amber pool from the work light, deep shadows filling the door side. Shallow depth of field keeps the girl's shoulder and eye crisp while the strangers and the set walls fall soft. Tense, cinematic.
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Original Prompt
rosa (pokemon), cô ấy đang mặc bộ trang phục điệp viên đen bó sát da bóng Bối cảnh bên trong 1 phim trường về 1 nhà kho bỏ hoang Cô đang áp ngừoi đằng sau cánh cửa và nhìn lén vào trong phòng có 2 tên lạ mặt đáng nghi đang nói chuyện Cảnh quay đậm chất điện ảnh
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
d2
character: rosa_(pokemon) 1girl, rosa (pokemon), brown hair, double bun, hair bun, long hair, blue eyes, black glossy skintight spy bodysuit, shiny latex, skin tight, black gloves, from behind, over-shoulder composition, profile, leaning forward, pressing against door, back against door frame, peeking, sneaking, hand on door edge, looking at another, two strangers, silhouette, 2boys, from side, cinematic shot, dramatic lighting, dark warehouse, film set, abandoned warehouse, one eye visible, brown eyes, tense expression, rim light, depth of field, 3girls? no, 3 people total, medium shot, foreground figure, midground conversation, background set walls, The camera sits low and slightly behind the girl's right shoulder, looking past her through a gap at the hinged edge of a heavy steel warehouse door. She is closest to the lens, her body flat against the door's back face, cheek pressed near the frame, one gloved hand curled around the door's edge with fingertips just hooking it, the other hand braced flat against the door panel at hip height; her weight is on her front foot, back heel lifted off the concrete, her spine curved so the suit's glossy black surface catches a thin line of light along the shoulder blade and down the side of the thigh. Only the outer edge of her face and one blue eye are visible past the frame — that eye is fixed through the gap at the two figures inside, brows drawn, mouth a flat tense line, breath held. Beyond the door the warehouse room opens up: two strangers stand close together in the midground, both in dark anonymous clothing, one leaning in with a hand raised mid-gesture, the other turned half away, heads near each other, their faces falling into shadow so only jawlines and shoulders read; neither looks toward the door. The environment is clearly a film set of an abandoned warehouse — exposed steel beams, stacked pallets and crates along the far wall, a chain-link fence panel, coiled cables and a light stand visible in the background with a softbox casting cool white light from the far left, and a faint warm work light above right, dust hanging in the beams. Light comes from inside the room, so the strangers are rim-lit and the girl is mostly in silhouette with a hard bright edge tracing the curve of her shoulder, hip and calf; her side of the door is dark, the concrete floor dusty with scuff marks and a few dropped cable ties. The palette is cold steel blue and near-black with a single warm amber pool from the work light, deep shadows filling the door side. Shallow depth of field keeps the girl's shoulder and eye crisp while the strangers and the set walls fall soft. Tense, cinematic.
Dicavec2
AI artwork
d2
character: rosa_(pokemon) 1girl, rosa (pokemon), brown hair, double bun, hair bun, long hair, blue eyes, black glossy skintight spy bodysuit, shiny latex, skin tight, black gloves, from behind, over-shoulder composition, profile, leaning forward, pressing against door, back against door frame, peeking, sneaking, hand on door edge, looking at another, two strangers, silhouette, 2boys, from side, cinematic shot, dramatic lighting, dark warehouse, film set, abandoned warehouse, one eye visible, brown eyes, tense expression, rim light, depth of field, 3girls? no, 3 people total, medium shot, foreground figure, midground conversation, background set walls, The camera sits low and slightly behind the girl's right shoulder, looking past her through a gap at the hinged edge of a heavy steel warehouse door. She is closest to the lens, her body flat against the door's back face, cheek pressed near the frame, one gloved hand curled around the door's edge with fingertips just hooking it, the other hand braced flat against the door panel at hip height; her weight is on her front foot, back heel lifted off the concrete, her spine curved so the suit's glossy black surface catches a thin line of light along the shoulder blade and down the side of the thigh. Only the outer edge of her face and one blue eye are visible past the frame — that eye is fixed through the gap at the two figures inside, brows drawn, mouth a flat tense line, breath held. Beyond the door the warehouse room opens up: two strangers stand close together in the midground, both in dark anonymous clothing, one leaning in with a hand raised mid-gesture, the other turned half away, heads near each other, their faces falling into shadow so only jawlines and shoulders read; neither looks toward the door. The environment is clearly a film set of an abandoned warehouse — exposed steel beams, stacked pallets and crates along the far wall, a chain-link fence panel, coiled cables and a light stand visible in the background with a softbox casting cool white light from the far left, and a faint warm work light above right, dust hanging in the beams. Light comes from inside the room, so the strangers are rim-lit and the girl is mostly in silhouette with a hard bright edge tracing the curve of her shoulder, hip and calf; her side of the door is dark, the concrete floor dusty with scuff marks and a few dropped cable ties. The palette is cold steel blue and near-black with a single warm amber pool from the work light, deep shadows filling the door side. Shallow depth of field keeps the girl's shoulder and eye crisp while the strangers and the set walls fall soft. Tense, cinematic.
Dicavec2
AI artwork
d2
character: rosa_(pokemon) 1girl, rosa (pokemon), brown hair, double bun, hair bun, long hair, blue eyes, black glossy skintight spy bodysuit, shiny latex, skin tight, black gloves, from behind, over-shoulder composition, profile, leaning forward, pressing against door, back against door frame, peeking, sneaking, hand on door edge, looking at another, two strangers, silhouette, 2boys, from side, cinematic shot, dramatic lighting, dark warehouse, film set, abandoned warehouse, one eye visible, brown eyes, tense expression, rim light, depth of field, 3girls? no, 3 people total, medium shot, foreground figure, midground conversation, background set walls, The camera sits low and slightly behind the girl's right shoulder, looking past her through a gap at the hinged edge of a heavy steel warehouse door. She is closest to the lens, her body flat against the door's back face, cheek pressed near the frame, one gloved hand curled around the door's edge with fingertips just hooking it, the other hand braced flat against the door panel at hip height; her weight is on her front foot, back heel lifted off the concrete, her spine curved so the suit's glossy black surface catches a thin line of light along the shoulder blade and down the side of the thigh. Only the outer edge of her face and one blue eye are visible past the frame — that eye is fixed through the gap at the two figures inside, brows drawn, mouth a flat tense line, breath held. Beyond the door the warehouse room opens up: two strangers stand close together in the midground, both in dark anonymous clothing, one leaning in with a hand raised mid-gesture, the other turned half away, heads near each other, their faces falling into shadow so only jawlines and shoulders read; neither looks toward the door. The environment is clearly a film set of an abandoned warehouse — exposed steel beams, stacked pallets and crates along the far wall, a chain-link fence panel, coiled cables and a light stand visible in the background with a softbox casting cool white light from the far left, and a faint warm work light above right, dust hanging in the beams. Light comes from inside the room, so the strangers are rim-lit and the girl is mostly in silhouette with a hard bright edge tracing the curve of her shoulder, hip and calf; her side of the door is dark, the concrete floor dusty with scuff marks and a few dropped cable ties. The palette is cold steel blue and near-black with a single warm amber pool from the work light, deep shadows filling the door side. Shallow depth of field keeps the girl's shoulder and eye crisp while the strangers and the set walls fall soft. Tense, cinematic.
Dicavec2
AI artwork
d2
character: rosa_(pokemon) 3girls, 1girl, 2boys, rosa (pokemon), from behind, back to viewer, looking into room, peeking, spying, hiding behind door, pressing against door, door ajar, half-open door, leaning forward, hands on door frame, tight black bodysuit, glossy bodysuit, shiny leather, black spy outfit, catsuit, brown hair, double bun, hair bun, long hair, blue eyes, abandoned warehouse, film set, soundstage, interior, two men, strangers, suspicious, talking, standing, conversation, cinematic composition, depth of field, three-quarter view of men, wide shot, dramatic lighting, low key lighting, volumetric light, film grain, moody atmosphere, brown_hair, hair_bun, double_bun, twintails, long_hair, donut_hair_bun, blue_eyes This is a cinematic wide shot seen from a low rear three-quarter angle behind Rosa, who fills the left foreground with her back squarely to the camera, hands braced flat on the door frame at shoulder height, one boot heel lifted off the concrete as she leans forward and presses her shoulder and hip flush against the back face of a rust-streaked warehouse door that stands ajar by about a hand's width; the door's edge cuts a bright vertical seam through the composition and hides the right half of the room beyond. Her head is turned away into that gap, chin dipped, the line of her jaw just catching the light, her weight entirely on the front foot so that the calf and the tight glossy black bodysuit stretch taut across her leaning back; the suit's lacquer-smooth black surface throws long broken highlights down her spine, over her shoulder blades and along the back of her thigh, and the raised heel leaves a faint smudge of dust on the floor. Beyond the ajar door, in the midground under a string of bare work lamps hung from an exposed steel truss, two men in dark flat caps and long charcoal coats stand facing one another over a crate, one gesturing with an open palm while the other leans in to answer, both looking at each other and at the crate between them, neither aware of the door. The room behind them is deliberately half-dressed as a film set: a false brick flat leaning against scaffolding on the left, a coil of cable taped down with gaffer tape across the floor, a stencilled-in warehouse stencil marking on the far wall, and a lighting stand with a barn-doored lamp aimed at the crate, its bright forearm of light spilling across the two men and stopping short of the door so that Rosa stays in silhouette. The only light sources are the work lamps above the crate and the thin spill through the gap; behind Rosa the darkness of the outer corridor is near-total, and the dust suspended in the lamp beam makes the shaft of light visible. Palette held to black, gunmetal grey, rust brown and the hard warm yellow of the work lamps, with the glossy suit and the men's coats reading as two different blacks. Rosa's brown hair stays gathered in its twin buns and long fall at the nape, unadorned, the loose strands at her temple lifted by the draught through the gap; no cap, no visor, no shorts or brightly colored garments anywhere in the frame. Cinematic anamorphic framing with shallow depth of field, the door edge in razor focus, the two men slightly soft, the far wall softer still; a thin haze over the lamp cones and a low grain in the shadows. Tense, secretive.
Dicavec2

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