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AI art "秋の通勤路の園田海未"
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秋の通勤路の園田海未

『ラブライブ！』の園田海未ちゃんが、秋の紅葉の中をスーツ姿で颯爽と歩く姿を描きました。凛々しくて美しい彼女の表情を見ていると、私も今日一日頑張ろうって元気をもらえます！素敵だなと思ったら、いいねとフォローをお願いします。コメントで感想も聞かせてくださいね。

#Autumn#Autumn Leaves#blue hair#Smile#Suit#Looking at viewer#Bag#Girl#office lady#Love Live! School Idol Project#Sonoda Umi#Love Live! School Idol Festival#Blue shirt#Love Live!
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character: sonoda_umi, copyright: love_live!, love_live!_school_idol_project 1girl, solo, sonoda_umi, long hair, blue hair, hair between eyes, yellow eyes, hair worn down, (no hair accessories, bare head, no ribbons: 1.3), mature female, office lady, (small_medium_breasts: 1.3), pale lapis lazuli shirt, button-down shirt, collared shirt, long sleeves, dark navy blue jacket, notched lapels, two black buttons, jacket buttoned, (dark navy blue pencil skirt: 1.4), high-waisted skirt, tight skirt, knee-length skirt, closed hem, business suit, (dark-brown stay-up stockings: 1.4), sheer stockings, black pumps, black tote bag, bag on shoulder, walking, talking, open mouth, wide open eyes, smile, looking at viewer, diagonal high-angle view, from above, dutch angle, cowboy shot, wide green park, crimson autumn leaves, autumn, asphalt path, (love live! anime style: 1.3), The shot is a slanted high-angle view, tilted diagonally from above and in front of her, the camera looking down the length of her body so the asphalt path recedes into the upper left corner and her figure fills the lower right of the frame in a cowboy shot cut just below the knee. She is caught mid-stride on the paved walkway: one black pump is planted flat on the asphalt with its toe turned slightly outward, while the other leg trails behind with only the toe touching down and the heel lifted, so her weight rides on the forward hip and throws her navy skirt into a slight twist around the thighs. The (dark navy blue pencil skirt: 1.4) sits high on her waist and wraps her hips and legs in a tight, unbroken tube of navy wool; its hem ends exactly at the knee and is a continuous closed edge all the way around, with no slit, vent, pleat or opening breaking the fabric anywhere along its line. The (dark-brown stay-up stockings: 1.4) draw a sheer, smoky brown translucency over her legs from the closed skirt hem down to the ankles, the skin reading pale and warm through the fine mesh, the stocking tops hidden beneath the hem, and the black pumps grip the pavement with a clean contact shadow pooled directly under each sole. Her pale lapis lazuli button-down shirt shows at the collar and a sliver of the front placket, and the dark navy blue jacket over it is fully fastened at both black buttons, the notched lapels turning back flat against her chest with their fold lines catching a faint highlight. The black two-way tote bag rides on her shoulder, its strap biting into the jacket's shoulder seam, the bag body swinging forward against her hip in response to the stride, and she has turned her head back up over her shoulder toward the lens. Her long blue hair is completely loose, falling down past her shoulder blades and swinging out at the ends with the motion of her walk, the whole head bare and unadorned. Her eyes are opened wide, her brows lifted, and her mouth is open wide in the middle of a bright laugh, mid-sentence, her throat visibly working; she meets the lens directly, offering her words to the viewer. The park spreads behind and around her: a wide sweep of green lawn crossed by the pale gray asphalt path, and a canopy of crimson maple leaves filling the upper half of the frame and catching the afternoon sun so they glow translucent at their edges. Low warm sunlight falls from the upper right, past the trees, striking the right side of her face, the lit lapel of her jacket and the outside of her forward thigh, while the underside of the branches and the left side of her skirt fall into cool open shade. The palette holds to the pale lapis shirt, the dark navy of the suit, the smoky dark brown of the stockings, the black of the pumps and bag, and the clean green and crimson of the park. Effortlessly polished, warmly alive.
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Original Prompt
園田海未　ラブライブ！ 斜俯瞰の視点 「全ての裾に切り込みがない」膝丈までの裾のペンシルスカートを着用 長い髪を下ろしている。 (love live! anime style:1.3), appearing as a mature office lady, (no hair accessories, bare head, no ribbons: 1.3), (small_medium_breasts:1.3), She is wearing a pale lapis lazuli, button-down, collared shirt. Over this, she wears a Dark_Navy_blue jacket featuring notched lapels and two black buttons arranged vertically; The jacket buttons are fastened both top and bottom. (Bottom: Dark_Navy_blue pencil skirt:1.4), business suit skirt, high-waisted office skirt, tight corporate skirt, formal texture, (Legs: dark-brown Stay-up stockings:1.4), sheer beige hold-up stockings, translucent legs, 足元には黒いパンプスを履いている。 黒い2wayトートバッグを肩にかけている。 きれいな真赤な紅葉が生い茂る広い緑地公園の中のアスファルトで舗装された通り道を散歩している 目を大きく開けて、口を大きく空けた笑顔で話している。
Mode
pro
Size
1232 x 1632
Sampling Method
Euler
Negative
(複数の南ことり:1.5)、スカートの裾のサイドの切り込み、(スカートの裾の前面の切り込み:1.5)、写真ごとに異なる背景、写真ごとに異なる髪型、前後逆のスカート、不自然な手、他キャラの生成、セリフ、吹き出し、文字、記号、歯を食いしばった表情、裸足、キラキラした目、ウエスト周りのストッキングの布地、全裸 (Front slit at the hem of a pencil skirt:1.5), (Side slit at the hem of a pencil skirt:1.5), (short pencil skirt:1.5), (mini pencil skirt:1.5), (above-the-knee pencil skirt:1.5), asymmetric sideburns, (A different outfit in each picture:1.5), different bra in each picture, A composition in which the entire head cannot be fully captured in a single photograph. A different necklace in each photo. (3d, render, cgi:1.2), impasto, oil painting, rough sketch, monochrome,worst quality, photorealistic, bad anatomy, blur, low resolution lowres, worst quality, low quality,
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