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AI art "巨大な影の怪物" featuring #Red eyes, #solo, #Cloud, #Glowing, #Glowing eyes, #Cloak, #Building and #Lamppost
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巨大な影の怪物

街を覆い尽くすほどの巨大な影と、その奥で不気味に光る赤い瞳。この圧倒的なスケールと静かな恐怖が混ざり合った雰囲気がとても好きです。思わず見入ってしまうこの一枚、気に入ったらいいねとフォローをお願いします！

#Red eyes#solo#Cloud#Glowing#Glowing eyes#Cloak#Building#Lamppost
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バゴラ

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character: zeruel_(evangelion), copyright: neon_genesis_evangelion 1girl, zeruel, neon genesis evangelion, angel, giant creature, skyscraper-scale, hooded cloak, black cloak, hood up, red eyes, glowing red eyes, eyeless, mask-like face, ribbed arm, flat ribbon arms, cloaked silhouette, towering, from below, extreme low angle, foreshortening, dutch angle, looking down at viewer, ruined city, urban ruins, collapsed buildings, tokyo-3, futuristic city, destruction, dust in air, emergency red warning light, wide shot, dramatic scale, centered vertical composition, ridge on hood, immobile, silent, oppressive The camera is planted at street level on a buckled asphalt road and tilts steeply up into a heavy grey sky, so the whole frame becomes a vertical column of ruined city with a single colossal figure rising through the middle of it. Zeruel stands at the far end of the avenue: a black hooded cloak falling in long unbroken folds from the hood's crown to the ground, the hood drawn up and its peak pushed forward so the face is a smooth shadowed mask with two narrow eyes burning a hard, flat red beneath the brim, no other features on its face. The cloak's hem disappears into a billowing skirt of dust at street level, its weight settled on one unyielding support while a broad flat ribbon arm hangs loose along its right flank, catching the light along its edge. Its head is angled down toward the viewer, eyes fixed on the lens, chin dipped, the entire mass still, with only the cloak's slack upper fold lifting slightly away from its shoulder in a slow updraft. Below it the avenue's perspective shrinks: skeletal high-rises on both sides lean inward like a corridor of broken teeth, one toppled commuter train wedged nose-first through a storefront at midground, power lines draped across the road and a single intact road sign warped out of true in the foreground. Red emergency lozenges of light wash the lower facades and the underside of the dust clouds from unseen klaxons beyond the buildings, while a cold steel daylight comes from behind the figure, rimming the hood's silhouette and dropping its front face into near-blackness. The palette is restricted to four values only -- the cloak's coal black, the concrete's bleached bone grey, the dying sky's dusty rose, and the eyes' and warning beacons' alarm red. Dust motes drift upward slowly between the buildings, the only moving thing in the frame. Oppressive, monumental.
Show Parameters
Original Prompt
エヴァンゲリオン、ゼルエル
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.93k

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1boy, solo, male figure, towering, black skin, volcanic glass texture, fractured skin, glowing red cracks, magma veins, heavy hood, shredded black fabric, face hidden, white glowing eyes, two points of light, eye glow within hood shadow, right hand extended forward, open palm, spread fingers, left arm at side, red gravitational waves, concentric rings, chest light source, red light emission, environmental distortion, gravity bending, air shattering, dissolving ground, red particles rising, collapsing city, ruined buildings, broken silhouettes, red-black sky, cold blue shadow skyline, steep low angle, from below, extreme foreshortening, body dominating frame, close crop, dark fantasy illustration, sharp inked linework, heavy black shadows, limited palette, black red white blue, high contrast Shot from a steep low angle, the towering male figure fills more than seventy percent of the frame; his body rises from the bottom edge, chest and shoulders looming above, the hood's rim near the top of the composition while the collapsing skyline is crushed into a thin band of broken silhouettes behind his hips and waist. His right arm thrusts diagonally forward toward the upper foreground, the open palm with splayed fingers turned toward the viewer, the hand enlarged by foreshortening so the spread fingers nearly span the frame's width; his left arm hangs straight down at his side, relaxed and motionless, the fist loose and untouched, cutting a clean vertical line against the ruins. Red gravitational waves radiate from his chest as concentric rings, passing outward in wide arcs that bend the air and warp the edges of every surface they cross — the facades behind ripple and sag along those rings, rebar curls, a slab of wall bows inward where a ring grazes it. In front of his right palm the air visibly breaks apart: a churning patch of fractured space, the ground beneath dissolving into a rising column of red particles that drift upward past his wrist, each mote lit from within. His skin is black volcanic glass, faceted and hard-edged, seamed by deep fractures that run across his chest, arms and jaw, glowing red from within like magma splitting obsidian. The heavy hood of shredded black fabric wraps his head, its tatters hanging in front of the brow and swallowing the face entirely in shadow; deep inside that darkness two white points of light burn steadily where his eyes should be, aimed forward past his outstretched palm at the air disintegrating there. A single red light source originates deep inside his chest, throwing a warm bloody glow across his torso, lighting the fracture edges along his ribs and the underside of the shredded hood, rimming the fingers of his open hand; the collapsing skyline behind him sits in cold blue shadow, unlit by that glow, reduced to flat blue-black silhouettes against a red-black sky that deepens from blood red at the horizon to near black at the top. Palette limited to those four: black in the shadow mass and glass skin, red in the chest core, the waves, the rising particles and the sky's low band, white in the two eye points and the hottest fracture cores, blue only in the far skyline. Sharp inked linework with heavy black shadows, the fractures and ring edges picked out with clean contour. Particles rise only where the palm's field distorts the ground, the rest of the street debris lying flat and motionless. Ominous, monumental.
Grammy
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