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AI artwork featuring #Breasts, #Big Boobs, #Sarashi and #Fur Party
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Breasts, Big Boobs

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Furry Party
#Breasts#Big Boobs#Sarashi
Avatar image of 夜半
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夜半

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1girl, solo, furry female, monster girl, jackal girl, animal ears, jackal ears, long animal tail, jackal tail, fur, black fur, tan fur, black hair, long hair, high ponytail, ponytail, very large breasts, melon breasts, sarashi, chest sarashi, white kimono, open kimono, slightly opened kimono, dark blue hakama, wide-leg hakama, katana, sword at hip, full body, standing, dutch angle, from below, looking to the side, ears up, tail curving, hand on hilt, serious, jitome, parted lips, wind, outdoors, dusk, Shot from below on a slight dutch tilt, full body head to feet, a jackal-eared samurai woman planted on a broad stone step of a temple approach, one hoofed foot forward on the step and the rear foot on the gravel below so her hip drops and the wide dark blue hakama breaks over the lifted thigh, one fold swinging out. Her long black ponytail streams sideways off her right shoulder in the wind, the jackal ears swivelling up and one tipped toward the path behind her. Black and tan fur, denser and longer at the neck and forearms, finer on the muzzle and the backs of the hands; the jackal tail sweeps out low behind her right calf, its black tip flicked outward, partly hidden by the hakama's trailing edge. The white kimono hangs off both shoulders, its collar drawn apart in a shallow V that exposes a long band of white cotton sarashi wound in flat horizontal layers that strain and gape slightly between the crossings over her very large chest, the fabric's compression creasing the cotton at the underbust; the hem of the kimono crosses at the waist under the dark blue hakama's stiff tie. Her right hand rests flat on the katana's hilt where it juts forward past her left hipbone, thumb hooked on the guard, the scabbard's lacquer glinting dark under the cloudlight; her left arm hangs loose, claws slightly curled. Her head is turned away in profile to the right, eyes narrow and fixed on something down the path out of frame, ears tracking the same direction, lips parted with a slow breath, chin lifted a fraction. A low evening sun sits behind her shoulder: it rims the ponytail, the ear tips, the fur along both arms and the sword's spine in warm ochre while her face and the front of the sarashi fall into a cool grey shadow, and her cast shadow stretches long and thin down the wet stone and the gravel, distorted by the step's edge. The stone is dark with recent rain, its puddles mirroring a dim, softer sky between the flags, the moss in the joints green-black; a red camellia petal is stuck flat to the step near her hoof. Palette hangs on white cotton, midnight-blue hakama, black fur and a single warm gold rim, with cool blue slate beneath. Quiet, watchful, faintly dangerous.
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Original Prompt
monster girl, furry female,jackal girl,jackal ears,jackal tail,fur,Samurai girl, black ponytail, very large melon breasts, sarashi (fundoshi) wrapped around chest visible from slightly opened white kimono, dark blue hakama, katana on hip, full body.
Mode
flash
Style
Modern Glam Anime
Size
1104 x 1824
Style: Modern Glam Anime
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Avatar image of ホタルはタコゾネス派
copyright: blue_archive 1girl, solo, dark brown skin, short water-blue hair, black half-face fox mask covering upper half of face, mask hides eyes, visible lower face, cool beauty, expressionless lips, slim nose and jaw, sexy curvy figure, wide hips, narrow waist, large breasts, kimono, japanese clothing, dark navy kimono with muted teal obi, loose kimono collar, katana at waist, sword tucked through obi sash, hand resting on sword hilt, flame-shaped halo, anti-demon flame halo, pale blue-white flame ring halo, blue archive halo, bodyguard, wanderer, fuuraibou, cowboy shot, from below, dutch angle, looking down at viewer, head tilted down, standing on one leg, leaning back, windblown hair, windblown clothes, dramatic angle, high quality, masterpiece, detailed Low-angle dutch-angle cowboy shot from below: a single cool-beauty student fills the frame, seen slightly from the side and below so her hips and shoulders read as long diagonals and the sky opens behind her. Her head tilts down toward the lens, and because the black half-face fox mask seals the upper half of her face, the eyes are completely hidden behind its lacquered surface; the mask's carved fox ears and snout point forward, its glossy black catching a hard rim of light along the upper edge. Only the lower half of her face is exposed -- a straight nose tip, a firm closed mouth with no smile, a defined jaw over dark brown skin that carries a warm bronze sheen where the light rakes across her cheek. Her short water-blue hair is cut to the jawline, one side swept back by wind and the other falling forward to graze the mask's lower rim, strands lifting away from her temple. Above her head hangs her halo: a ring of pale blue-white fire shaped like anti-demon flame tongues, its petals curling upward and licking outward, thin and translucent at the tips and brightest along the inner ring. She wears a dark navy kimono with a muted teal obi bound high under the bust, the collar falling loose and open at the throat, sleeves wide and hanging; the fabric pulls taut across her full chest and wide hips as she leans back, and the hem swings with the wind. A katana rides thrust through the obi at her left hip, its scabbard angled back behind her, and her right hand rests on the wrapped hilt, fingers curled around the cord wrap, thumb testing the guard. Her weight is on her back foot, front leg lifted at the knee with the toe of her sandal just off the ground, the raised knee pushing the kimono panel aside. Behind her, a long weathered travelling staff leans against open air at her far side, its tip out of frame. The sky is a cold slate grey turning amber near the horizon, wind visibly combing the grass at the bottom of the frame and snapping the loose kimono sleeve back toward her shoulder, and the flame halo throws a faint cool light onto the crown of her hair while the low sun warms the underside of her jaw. Palette held to dark navy, muted teal, bronze brown and pale icy blue, nothing else admitted. Quiet, dangerous.
ホタルはタコゾネス派
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Avatar image of blood butterfly
A full-body digital anime illustration features the character from image1 and image2 standing on a foggy cobblestone path. She has white hair, white fox ears, glowing red fox eyes, and a white tail. She wears a black kimono and a black hakama skirt. She holds a black fox mask in her hand, shifting it to partially cover her face while revealing one glowing eye. A black katana is carried on her back, and a fiery red hitodama hovers near her shoulder. The style of the image remains faithful to image1. - tail: A tail is a long appendage extending from the lower back, sometimes covered in fur or scales. On Danbooru, this tag marks that evidence-defined state or relation without determining unrelated identity, consent history, anatomy, or setting; only source-supported conditions are intrinsic. It commonly accompanies animal or creature features such as ears, horns, or wings. Generation prompts must select a consensual, adult, non-harmful human or explicitly sapient humanoid branch.
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吉
1girl, solo, fox ears, kitsune, miko, japanese clothes, white top, red hakama, large breasts, detailed face, soft face, gentle expression, modest, reserved, looking down, looking slightly downward, standing, large torii gate, traditional japanese shrine, soft lighting, atmospheric, from below, cowboy shot, full body, outdoors, daytime, depth of field, cherry blossom petals, stone path, stone lanterns, dappled light, masterpiece, best quality, A single kitsune shrine maiden stands at a low three-quarter angle seen from slightly below, so the great torii gate towers behind and above her and the shrine precinct falls away in layers. She is a young woman with a gentle, soft face, a small nose, softly rounded cheeks and full lips held closed in a modest, reserved line, no smile pulling at the corners; her eyes are cast slightly downward, lashes low, gaze resting on the pale gravel a few strides in front of her feet rather than on the viewer, and her brows sit level and quiet. A pair of upright fox ears rise from the crown of her head through her dark hair, fur-tipped with a paler inner rim, one ear swiveled a touch outward, and one long lock of hair drifts across her cheek in the light air. She wears the traditional miko dress: a white kosode top with wide sleeves and a crossed collar sitting close at the throat, bound at the waist by a red sash, over a red hakama whose long pleats fall in crisp vertical folds to her straw sandals. The white fabric sits taut and flat across her full chest, the pleats of the red hakama gathered beneath the sash, and the generous curve of her figure is expressed only through the drape of cloth, never through exposure. Her weight rests on her right foot, the left knee slightly soft and the left toe turned out; both hands are folded together at the front of her waist, right palm over the left, fingertips tucked, thumbs barely moving as she breathes. Her sleeves hang with the fall of her arms, and the hem of the hakama stirs a finger's width in the breeze. Behind her, the large torii gate is painted a weathered vermilion, its pillars buried in the gravel and its upper lintel crossing the top of the frame; the paint is chalked and faded on the outward-facing surfaces while the undersides stay dark, and small tufts of moss cling to the base of the near pillar. Beyond the gate, the shrine's stone steps rise into soft shadow between stone lanterns and the trunks of tall trees, and the far roof of the shrine hall is a muted silhouette half erased by haze. Pale gravel covers the foreground, raked into shallow straight lines, and cherry blossoms drift down through the middle distance, landing only on the upward-facing surfaces of the ground and the top edges of the lanterns, never on the vertical pillars. The light is soft and diffuse, coming from high and slightly behind the gate, so her face is lit evenly with a faint warm rim along the top of her hair and fox ears and a gentle shadow under her chin and beneath the ledge of the torii lintel; no harsh cast shadow falls on the gravel, only the shallow soft pools beneath her sandals. The palette is restrained to vermilion, white, deep cloth-red, moss green, weathered grey stone and the pale pink of falling petals. Highly detailed, quiet and reverent.
吉崎茂

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