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AI art "sparring combat,"
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sparring combat,

#Black and white#Manga#Ponytail#Short Hair#Sweat#Bike shorts#Black hair#Smile#Tank Top#Shorts#Jumping#Ball#Open mouth#Multiple Girls#Shirt#Sleeveless shirt#speech bubble#Sleeveless#Afterimage#Flashback#motion lines
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2girls, two fighters, sparring combat, impedance control, collision detection, hitbox, hurtbox, throwbox, 68.5668% future uncertainty, morphological continuity. The setting is a sparse training hall with a pale floor and a dark back wall, the only light a high side lamp that rakes across the fighters and leaves long shadows. Two young women squared off at mid-distance—one with short black hair and a fitted dark tank top, the other with a tied-back brown ponytail and a light long-sleeve compression shirt—both knees bent, both hands raised. Across both fighters, faint technical overlay boxes mark the collision detection, hitbox, hurtbox and throwbox around their bodies, their keep-out volumes overlapping at the point of contact; a thin numeric readout near the clash fixes the immediate future at 68.5668% uncertainty, and their motion afterimages remain morphologically continuous, their bodies under precise impedance control.
Show Parameters
Original Prompt
2者が戦う場面。 [描き手の感覚:一瞬先の未来は68.5668%の未確定性であるとする描き手の感覚。形態的連続性は常にある。]impedance control, [[Collision Detection,Hitbox, Hurtbox,Throw box,]]
Mode
pro
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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character: d.va_(overwatch), copyright: overwatch 2girls, split screen, boxing ring, at turnbuckle, only upper body, upper_body, black and pink sports bra, pink boxing gloves, boxing gloves, exhausted, beaten up, tired, bruised, half-closed eyes, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, wolf cut, shaggy hair, brown eyes, looking to the side, parted lips, sweat on skin, leaning on ropes, school gym, from side, pink and light blue sports bra, long brown hair, swept bangs, facial mark, whisker markings, brown eyes, hair between eyes, sweat on skin, leaning on ropes, from side, exhausted, beaten up, tired, bruised cheek, split lip, half-closed eyes, dutch angle, Split screen divided by a hard vertical seam down the exact centre of the frame, only the upper bodies shown above the waist on both sides. LEFT PANEL: seen from the side, the fighter with the wolf cut leans her right shoulder and upper arm into the top turnbuckle, the ropes pressing a shallow groove into her forearm, her black hair with brown streaks sticking to her temples and her shaggy bangs separated into damp clumps; her brown eyes are half-lidded and turned down towards the canvas, her jaw slack and mouth parted as she drags a breath in, a dark bruise rising under her left eye and a small cut at the corner of her lip; her light brown skin is sheened with sweat that catches along her collarbone, and her black and pink sports bra is dark with sweat across the chest band, one pink-gloved hand hooked over the top rope to hold herself upright, the glove's lacing pressed flat against the rope's twist. RIGHT PANEL: the other fighter leans back into her own turnbuckle, from the side as well, her long brown hair spilling over the rope behind her, swept bangs pushed off her forehead, the little whisker marks on her cheeks standing out against a flush of exertion, her brown eyes up and off to her own left with the lids heavy; her pink and light blue sports bra rises and falls hard, one glove braced on the middle rope at hip height and the other hanging loose; a bruise shadows her jaw and her lip is puffed. Both bodies sag from the same exhaustion, the same corner, the same match. Behind each of them the same school gym recedes: pale wooden floorboards, a folded bleacher section, the green-painted lower wall under a high row of frosted windows, everything pushed out of focus so the two fighters read cleanly against it. Flat overhead gym lighting from above strikes each forehead, nose bridge and collarbone, throws the eye sockets and the space under the jaw into shadow, and leaves the ring ropes as two bright parallel highlights crossing each panel; in both panels a bead of sweat breaks free at the jaw and falls, and where it lands on the top rope it darkens a small dark circle that spreads a ring wider than the drop. Muted chalk-white, bleacher green and canvas grey hold the background down so the black-and-pink and the pink-and-light-blue read as the only saturated notes in the frame, tired and heavy and spent.
faitan

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