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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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名
悪魔の取引
名無し
名
名無し
bachdien
g
(masterpiece, best quality 1.2), ultra-detailed, intricate design patterns, extremely unique appearance, zoomed in, up close, tight upper-body framing, dark magic scholar aesthetic, a chaos mathematician standing in a space of branching possibilities, 1boy, solo, adult man, striking appearance, the mathematician's body a superposition of states, the figure existing in multiple positions simultaneously — three translucent afterimages of the body visible at slightly different poses, the afterimages in different colors — one blue, one red, one green — representing different quantum states, the primary body the sharpest and most solid, the afterimages ghostly and shifting, the skin of the primary body pale and covered in probability-equations, the equations forming intricate design patterns of statistical-distributions and chaos-theory-attractors across the chest and arms, the equations glowing with white light that pulses with different intensities representing probability-amplitudes, the equations rearranging — the patterns flowing and recalculating across the skin, the chest covered by a jacket of dark charcoal fabric that shifts between states — the jacket simultaneously a lab-coat and a battle-robe, the superposition visible as the fabric flickering between the two garments, the jacket's surface inscribed with intricate design patterns of probability-wave-functions and chaos-maps, the patterns in silver-thread that glows with quantum-light, the jacket fitted and elegant — tailored precisely to the body, the arms displaying the full density of probability-equations — the forearms covered in running calculations, the numbers and symbols scrolling rapidly like a live feed, the hands holding a die of pure probability — a twenty-sided die of dark crystal, the die's faces showing not numbers but outcomes — each face a tiny scene of a different future, the die spinning in the palm, the outcomes flickering through possible futures, the hair dark and existing in superposition — the hair simultaneously short and long, the two states flickering, the eyes white — pure white irises with no pupil, the eyes showing probability-distributions instead of a gaze — the whites of the eyes filled with tiny probability-bars and bell-curves, the eyes calculating, the expression calm and analytical, the space of branching possibilities — the environment a vast tree of futures, the tree visible as branches of light extending in every direction, each branch a possible future, the branches splitting and merging, some branches bright with high probability, others dim with low probability, the branches at different scales — some the size of hallways, others the size of threads, the mathematician standing at the trunk of the tree — the present moment, the branches extending from the point where he stands, the floor the present — solid and real, the branches the future — translucent and uncertain, the atmosphere charged with possibility — the air humming with potential, the lighting multi-colored — the probability-branches providing blue for likely-futures, red for unlikely-futures, green for alternative-futures, the afterimage-states providing blue, red, and green light on the body, the equations providing white light, the light shifting and uncertain — the light of things that might be, high contrast between the solid primary body and the ghostly afterimages, dark magic scholar aesthetic, cel-shaded with quantum-probability detail, 8K, cinematic composition
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