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息耐者カール
Show Parameters
- Mode
- flash
- Style
- Water-Infused Oil
- Size
- 1632 x 1232
Style: Water-Infused Oil
Model & LoRA used
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heart-shaped pupils, heart-shaped eyes, heart background, hearts floating in air, glowing frame, heart-shaped frame, 3girls? no -- 1boy, 2girls, male focus, center, kiss, kissing cheek, double cheek kiss, two brides, bridal veil, wedding dress, white dress, strapless dress, cleavage, large breasts, collarbone, bare shoulders, closed eyes, blush, smile, open mouth, head tilt, arms up, hugging, hand on another's shoulder, from front, upper body, cowboy shot, looking at viewer, light particles, bokeh, warm light, pastel palette, painterly, watercolor texture, soft brushstrokes, romantic, celebratory
A three-quarter cowboy shot from the front, framed inside a luminous heart-shaped border of soft pink-white light that curves around the whole group like a glowing window. The man stands dead center: broad-shouldered, short tousled dark-brown hair, a black formal suit with a white shirt open at the collar and no necktie, his face tipped slightly back and up, both eyes wide open with irises drawn as bright pink heart shapes, warm flush across his cheeks, mouth open in a delighted laugh. At each of his shoulders stands a bride in a strapless white bridal gown, veil spilling down behind her shoulders, bodice cinched at the waist, both hands cupping his jaw and cheek respectively. The bride on the left leans in from the left, her lips pressed to his right cheek, her head tilted so her earring-less ear shows, chin lifted, eyes shut in a pleased crescent, her own bust pressed close enough that the neckline of her white gown dips into a visible curve of cleavage against his sleeve. The bride on the right mirrors her exactly, kissing his left cheek, hair falling forward across her own collarbone, her bare shoulder brushing his. His hands lift to rest on their upper arms, fingers curled lightly against the white fabric, thumbs on the sleeve seams. Around and above them, glossy pink hearts of varying size float and drift, some overlapping the glowing frame edge, catching the rim light. The single light source is the heart-shaped frame itself, warm rose-white, spilling inward to rim their hair and shoulders and leaving soft shadow in the folds of the gowns and under his chin. Palette: rose pink, cream, white and a single grounding note of charcoal black on his suit. Painterly anime illustration with soft oil-like texture and luminous watercolor light, broad airy brushstrokes, gentle motion blur, colors bleeding softly at the edges; the light from the frame catches the fine strands of hair lifted by the motion of the kisses. Joyful, tender.
息耐者カール
3girls? no, 1boy, 2girls, three people total, brides, bride, wedding dress, white dress, veil, bouquet, kissing cheek, kiss on cheek, one on each side, flanked, heart-shaped pupils, heart eyes, cleavage, large breasts, heart background, heart-shaped frame, glowing frame, light frame, hearts floating, confetti, sparkles, joyful, from front, upper body, cowboy shot, close-up on faces, arms linked, eyes closed, blush, open mouth, smile, looking at another, warm lighting, pastel palette, painterly, sketchy linework, soft blended shading, high contrast rim light
A front-facing cowboy shot frames three figures inside a single glowing heart-shaped light frame that arcs around them like a ribbon of warm pink luminescence, its outline bright against a soft dusk-rose ground; small hearts of the same light drift and scatter across the surrounding air, some near, some far, thinning with distance, a few caught mid-drift so their glow doubles. At the center stands a young man, dark tousled hair, a dark formal suit jacket over a white shirt with the collar open, both arms loosely linked through the arms of the brides beside him, shoulders relaxed and slightly lifted, chin tipped up and eyes wide open with heart-shaped pupils glowing a saturated pink-red inside each iris; his mouth is open in a delighted gasp, brows raised high, a blush banded across both cheeks. On his left, a bride with a long veil and ivory off-shoulder gown leans in and presses her lips to his left cheek, her eyes closed, her free hand coming up to rest flat against his chest; on his right, a second bride in a matching ivory gown leans in at the same angle and presses her lips to his right cheek, her veil sliding forward over her shoulder, eyes closed, one hand cupping the back of his neck. Both brides' bodices are cut low, the gowns' necklines scooping to show their cleavage, fabric gathered and falling away in soft painterly folds; the man's shirt is open enough at the throat to read the stillness of the framed center. Hair and veils are lifted slightly in a gentle current, the brides' hems swaying, the groom's hair falling forward past his brow. The light comes from the frame itself, glowing around the three faces from just beyond them, backlighting the veils into thin translucent light and casting a warm rim along every shoulder and cheek while their faces stay softly lit from the front by the pink spill of the frame; small shadows fall under each chin and where lips meet skin. Palette is restricted to warm ivory, rose pink, soft gold and the deep saturated pink of the glowing hearts against a muted dusty-rose ground, nothing else admitted. Petals and small light-hearts settle slowly downward between the figures, and where a bride's veil touches the glow it lights up from within before falling back into shadow. Tender, giddy.
息耐者カール
3girls? no, 1boy, 2girls, three people total, brides, bride, wedding dress, white dress, veil, bouquet, kissing cheek, kiss on cheek, one on each side, flanked, heart-shaped pupils, heart eyes, cleavage, large breasts, heart background, heart-shaped frame, glowing frame, light frame, hearts floating, confetti, sparkles, joyful, from front, upper body, cowboy shot, close-up on faces, arms linked, eyes closed, blush, open mouth, smile, looking at another, warm lighting, pastel palette, painterly, sketchy linework, soft blended shading, high contrast rim light
A front-facing cowboy shot frames three figures inside a single glowing heart-shaped light frame that arcs around them like a ribbon of warm pink luminescence, its outline bright against a soft dusk-rose ground; small hearts of the same light drift and scatter across the surrounding air, some near, some far, thinning with distance, a few caught mid-drift so their glow doubles. At the center stands a young man, dark tousled hair, a dark formal suit jacket over a white shirt with the collar open, both arms loosely linked through the arms of the brides beside him, shoulders relaxed and slightly lifted, chin tipped up and eyes wide open with heart-shaped pupils glowing a saturated pink-red inside each iris; his mouth is open in a delighted gasp, brows raised high, a blush banded across both cheeks. On his left, a bride with a long veil and ivory off-shoulder gown leans in and presses her lips to his left cheek, her eyes closed, her free hand coming up to rest flat against his chest; on his right, a second bride in a matching ivory gown leans in at the same angle and presses her lips to his right cheek, her veil sliding forward over her shoulder, eyes closed, one hand cupping the back of his neck. Both brides' bodices are cut low, the gowns' necklines scooping to show their cleavage, fabric gathered and falling away in soft painterly folds; the man's shirt is open enough at the throat to read the stillness of the framed center. Hair and veils are lifted slightly in a gentle current, the brides' hems swaying, the groom's hair falling forward past his brow. The light comes from the frame itself, glowing around the three faces from just beyond them, backlighting the veils into thin translucent light and casting a warm rim along every shoulder and cheek while their faces stay softly lit from the front by the pink spill of the frame; small shadows fall under each chin and where lips meet skin. Palette is restricted to warm ivory, rose pink, soft gold and the deep saturated pink of the glowing hearts against a muted dusty-rose ground, nothing else admitted. Petals and small light-hearts settle slowly downward between the figures, and where a bride's veil touches the glow it lights up from within before falling back into shadow. Tender, giddy.
息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood.
A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
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