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AI art "フィレンツェ" featuring #Window, #Sky, #Tree, #Plant, #No humans, #Sunlight, #Architecture, #Building, #Blue sky, #Town and #arch
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フィレンツェ

🇮🇹italy

#Window#Sky#Tree#Plant#No humans#Sunlight#Architecture#Building#Blue sky#Town#arch
yo

Yuki Okuno

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beautiful light, best shadow, color blink, detail illustration, -2::simple illustration, cool lighting, pale color, historical cityscape of Florence, Italy in 1987, summer afternoon, old Renaissance architecture, reddish-brown terracotta roofs, the dome of Santa Maria del Fiore Cathedral visible in the distance, cobblestone alleys lit by sunlight, old stone buildings, open windows, iron balconies, green plants decorating the windowsills, golden sunlight filtering into the alleys, air carrying the summer heat, softly swaying leaves of trees, the distant bustle of the city, a stillness as if time is flowing slowly, honey-like golden yellow, muted olive green, pale ivory, terracotta brown, soft pale blue sky, warm colors with slightly suppressed saturation, tones like a 1980s European movie, fine grain of analog film, delicate light and shadow, painterly and smooth brushwork, hand-drawn texture, delicate line art, nostalgic and dreamlike atmosphere, composition like a scene of youth, a faint sadness foretelling the end of summer, a movie scene, wide-angle composition, no people, no text, high definition
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Original Prompt
1987年のイタリア、フィレンツェの歴史的な街並み、夏の午後、ルネサンス様式の古い建築物、赤茶色のテラコッタ屋根、遠くに見えるサンタ・マリア・デル・フィオーレ大聖堂のドーム、陽光に照らされた石畳の路地、古い石造りの建物、開け放たれた窓、アイアンのバルコニー、窓辺に飾られた緑の植物、路地に差し込む黄金色の陽射し、夏の熱を帯びた空気、柔らかく揺れる木々の葉、遠くから聞こえる街の喧騒、時間がゆっくりと流れるような静けさ、蜂蜜のような黄金色、くすんだオリーブグリーン、淡いアイボリー、テラコッタブラウン、柔らかなペールブルーの空、彩度をわずかに抑えた暖色系の色彩、1980年代のヨーロッパ映画のような色調、アナログフィルムの微細な粒子感、繊細な光と影、絵画的で滑らかな筆致、手描きの質感、繊細な線画、ノスタルジックで夢のような雰囲気、青春の一場面のような構図、夏の終わりを予感させるほのかな切なさ、映画のワンシーン、広角構図、人物なし、文字なし、高精細, detail illustration, -2::simple illustration, cool lighting, pale color
Mode
standard
Size
1280 x 720

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background focus, scenery focus, no character, no humans, no animals, no figures, wide shot, from below, low camera, deep perspective, vanishing point, layered depth, foreground-midground-background separation, atmospheric perspective, silhouetted framing elements, receding path, distant landmark, sky occupying upper third, dusk, high contrast rim light, cool shadows, warm light source, detailed background art, no text, no signage lettering, no speech bubbles, empty scene, quiet, still, nothing but the place itself The frame looks down a narrow street from just above the pavement, the camera tipped upward so the ground falls away and the walls rise: two rows of low buildings lean in from the left and right edges, their upper storeys cropped by the frame, their facades in shadow, while between them the street runs dead straight to a single vanishing point a little left of centre. Nothing human occupies the scene — no pedestrians, no vehicles, no animals; the street is bare stone, its paving joints reading as long converging lines that pull the eye toward the distance. In the foreground, the near corner of a building cuts in at the extreme left as a dark silhouette, close enough to be slightly soft; behind it, midground blocks of shuttered shopfronts and pulled-down awnings sit in cooler mid-tones, their edges sharpening as the eye travels back; beyond them the background dissolves into a low ridge of rooftops and one slender tower at the vanishing point, its shape simplified and washed by haze into pale violet. The dusk sky fills the upper third of the frame, gradient from a warm ochre band low on the horizon to deep indigo overhead, with three thin cloud streaks stretched horizontally, catching the last warm light along their undersides only. The only light source is the setting sun low and behind the far rooftops, off-frame; it rims the trailing edges of the right-hand roof tiles and the tower's left flank with a hot amber line while every surface facing the camera stays in cool shadow, and the long shadows of the buildings lie flat across the paving, stretching toward the viewer. Atmospheric perspective is the revealer: each successive layer of buildings loses contrast and saturation, near facades nearly black, middle distance a muted slate blue-grey, far rooftops almost the colour of the sky, so the depth of the street is legible as a measurable thing. Palette is held to indigo, slate blue and one warm amber accent confined to the horizon band and the rim-light strokes; no other hue admitted. Window glass is dark and unlit, lettering on the shutters worn to illegible texture, no signage reading. Still, cool, expectant.
뮤

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