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AI artwork featuring #Genshin Impact and #Nilou
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Nilou, Genshin Impact

#Genshin Impact#Nilou
Avatar image of 曾泓翰
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曾泓翰

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character: nilou_(genshin_impact), copyright: genshin_impact 1girl, solo, long hair, red hair, green eyes, smile, closed mouth, looking at viewer, maid, maid outfit, white maid headdress, hair bow, bowtie, dress, detached sleeves, puffy sleeves, gloves, barefoot, bare legs, armpits, sitting, knees up, on chair, on couch, armchair, toes, spread toes, toenails, soles, feet, foot focus, presenting foot, foreshortening, white background, from below, foot focus, A single girl sits deep in a plush armchair, camera low and close to the floor in strong foreshortening, so her bare soles loom in the near foreground and her seated body recedes small and high behind them. She is sunk back against the armchair's cushion with her hips well back and her knees drawn up high, both legs lifted and swung toward the lens; the right leg is folded tighter, left ankle crossed lightly over the right shin, so the left sole faces the viewer square-on while the right sole tilts away at an angle. Her toes are spread wide on the near foot, the small pale toenails catching a soft highlight along each nail edge, the arch curving and the heel's pad flattened slightly where it presses the cushion's edge. One gloved hand rests flat on the armrest, fingers curled over its rolled front edge; the other gloved hand hooks under her near knee, holding the leg up and presenting the foot, the glove's fabric creasing at the knuckles. Because the dress's puffy detached sleeves sit open at the shoulder, both armpits are bare and visible as she lifts her arms, and the sleeve cuffs hang loose below the elbows with a gap of bare skin at each wrist between cuff and glove. Her head tips down toward the camera on a slight tilt, chin dipped, lids a little lowered over green eyes that look straight into the lens, and her closed mouth carries a small, pleased, lopsided smile — one corner lifted higher than the other, lips pressed together. Long red hair falls in two low tails over her shoulders and down behind the chair back, bangs parted off her forehead, the white maid headdress sitting frazzled-soft and slightly askew on the crown, its ribbon ends lifting free of her hair, and a small hair bow pinned at one side of the headdress. A neat bowtie sits at the throat of the dark maid dress, whose skirt spills in stiff folds over the chair seat and drapes down the front edge, the hem stopping well above her raised knees. Everything behind her is a pure, seamless white field with no wall, no floor line, no shadow cast anywhere — the armchair's silhouette floats in the emptiness, and the only shading is the soft falloff on the underside of her thighs, calves and soles, light coming evenly from the front so each sole's lit face is bright and the shadowed groove between the toes and under the arch stays quiet. Cheerful, inviting, prettily posed.
Show Parameters
Original Prompt
nilou (genshin impact), 1girl, solo, long hair, looking at viewer, smile, white background, gloves, dress, closed mouth, bow, sitting, green eyes, red hair, detached sleeves, puffy sleeves, barefoot, bowtie, armpits, feet, toes, maid, maid headdress, legs, bare legs, chair, soles, knees up, couch, toenails, foreshortening, on chair, foot focus, on couch, armchair, spread toes, white headdress, presenting foot
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.20k

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AI artwork
Avatar image of 曾泓翰
character: nilou_(genshin_impact), copyright: genshin_impact 1girl, solo, long hair, red hair, green eyes, smile, closed mouth, looking at viewer, maid, maid outfit, white maid headdress, hair bow, bowtie, dress, detached sleeves, puffy sleeves, gloves, barefoot, bare legs, armpits, sitting, knees up, on chair, on couch, armchair, toes, spread toes, toenails, soles, feet, foot focus, presenting foot, foreshortening, white background, from below, foot focus, A single girl sits deep in a plush armchair, camera low and close to the floor in strong foreshortening, so her bare soles loom in the near foreground and her seated body recedes small and high behind them. She is sunk back against the armchair's cushion with her hips well back and her knees drawn up high, both legs lifted and swung toward the lens; the right leg is folded tighter, left ankle crossed lightly over the right shin, so the left sole faces the viewer square-on while the right sole tilts away at an angle. Her toes are spread wide on the near foot, the small pale toenails catching a soft highlight along each nail edge, the arch curving and the heel's pad flattened slightly where it presses the cushion's edge. One gloved hand rests flat on the armrest, fingers curled over its rolled front edge; the other gloved hand hooks under her near knee, holding the leg up and presenting the foot, the glove's fabric creasing at the knuckles. Because the dress's puffy detached sleeves sit open at the shoulder, both armpits are bare and visible as she lifts her arms, and the sleeve cuffs hang loose below the elbows with a gap of bare skin at each wrist between cuff and glove. Her head tips down toward the camera on a slight tilt, chin dipped, lids a little lowered over green eyes that look straight into the lens, and her closed mouth carries a small, pleased, lopsided smile — one corner lifted higher than the other, lips pressed together. Long red hair falls in two low tails over her shoulders and down behind the chair back, bangs parted off her forehead, the white maid headdress sitting frazzled-soft and slightly askew on the crown, its ribbon ends lifting free of her hair, and a small hair bow pinned at one side of the headdress. A neat bowtie sits at the throat of the dark maid dress, whose skirt spills in stiff folds over the chair seat and drapes down the front edge, the hem stopping well above her raised knees. Everything behind her is a pure, seamless white field with no wall, no floor line, no shadow cast anywhere — the armchair's silhouette floats in the emptiness, and the only shading is the soft falloff on the underside of her thighs, calves and soles, light coming evenly from the front so each sole's lit face is bright and the shadowed groove between the toes and under the arch stays quiet. Cheerful, inviting, prettily posed.
曾泓翰
#Nilou

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