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AI artwork featuring #The Legend of Zelda, #Link, #Purah and #The Legend of Zelda: Tears of the Kingdom
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Link, Purah

#The Legend of Zelda#Link#Purah#The Legend of Zelda: Tears of the Kingdom
Avatar image of Lee Hunter
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Lee Hunter

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character: purah, link two characters, 2girls and 1boy, purah \(hyrule warriors\), link, white hair, hair bun, hair ornament, hair stick, red eyes, red eyeshadow, round glasses, pointy ears, blonde hair, sidelocks, blue eyes, long oversized puffer coat, big hood up, hood over head, puffer jacket, quilted fabric, gagged, cloth gag, cleave gag, tightly bound, rope, hogtie, wrists bound behind back, ankles bound, bound wrists and ankles together, prone, lying on side, bent legs, cramped space, confined, dark, looking at another, eye contact, facing each other, close-up, from above, dutch angle, confined interior, no text The camera hangs directly overhead in a steep top-down view, tilted a few degrees into a dutch angle, looking down into a cramped crawlspace barely wider than the two bodies jammed inside it — a narrow closed wooden cavity whose rough plank walls press close on every side, its low ceiling grazing the crowns of two enormous quilted hoods. Purah lies on her left side, knees drawn up, shoulder pressed to splintery timber; her short white hair escapes the fur-trimmed rim of her big puffer hood in loose strands across her forehead, a hair stick skewered through the small white bun at her crown, round red-framed glasses pushed slightly askew by the hood's bulk, red eyeshadow smudged at the outer corners of her half-lidded eyes. Link lies opposite her, turned in on his right side so the two of them face each other nose to nose across a handspan of dark air, blonde sidelocks crushed flat under his own deep hood and spilling over his cheekbones, one long pointed ear poking free of the quilted rim. Both coats are absurdly long and oversized, the baffled nylon ballooning around their bound bodies so the arms seem to vanish into the bulk, the hem folding and stacking in deep quilted ridges against the floorboards, collars and hoods standing up around their faces in thick padded rings. Behind each back, coarse rope cinches their wrists to their ankles in a tight hogtie, the line running from wrist to ankle in one taut doubled strand, heels pulled up toward the small of the back so the puffer hems crush together; a broad cloth gag is knotted hard across each mouth, cutting into the soft quilted collar, dimpling their cheeks, the fabric damp and pulled taut at the corners of their lips. Their eyes are locked: Purah's chin tipped down, looking up through her lashes at him with a narrow, furious, unblinking defiance; Link's head tilted toward hers, one brow arcing, eyes wide and steady on her face, breath audible in the shared inch of air; neither turns to the lens. The only light is a thin blade of pale amber spilling through a single crack between the ceiling planks, laying a bright stripe across the two hood crowns, glinting off the lenses of her glasses, catching the wet sheen of the gags and the glossy skin of their cheekbones, while the rest of the cavity falls into deep blue-black shadow that swallows the far walls and makes the space read as endless and suffocatingly small. Palette held to warm nylon tones against cold near-black: the light stripe amber, the shadows blue-black, the coats muted olive on him and deep maroon on her, rope and gag cloth a dusty flax. Condensation beads on the nylon where warm breath meets cold quilted fabric, and the trapped air fogs the inside of her glasses in a crescent across the upper rim. Clean linework, gentle colors, smooth glossy skin tones, expressive eyes. Claustrophobic, defiant.
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Original Prompt
purah and link in long oversize puffer coats hogtie and gagged very tight with big hoods up and they looking in the eyes in a very tiny space in the dark
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Classic Anime
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AI artwork
Avatar image of Lee Hunter
character: link, princess_zelda, zelda_(princess_principal) 2girls, 1boy, link, princess zelda, blonde hair, pointy ears, blue eyes, long oversized puffer coat, big hood up, hood over head, puffy sleeves, quilted fabric, hogtied, bound wrists, bound ankles, wrists bound to ankles behind back, rope, gagged, cleave gag, cloth gag, very tight gag, looking at another, eye contact, very tiny space, cramped, confined, dark, darkness, low light, from above, high angle, dutch angle, close-up, side-lying, prone, facing each other, knees drawn up, cheek pressed to floor, tense shoulders, wide-eyed, furrowed brow, blush, sweatdrop, parted lips, fabric folds, zipper, depth of field, shadow, chiaroscuro. Shot from above at a steep, tilted high angle, the camera pushed in close so the frame is almost entirely filled by the two of them jammed into a shallow, cramped cavity barely wider than their shoulders -- a dark crawlspace of bare close-set walls and a low lip of floor that presses against them from every side, no sky, no window, nothing but the tight box of the space. Link lies on his right side, his long oversize puffer coat ballooning around him in quilted ridges that bunch against the wall and the floor, the big hood pulled up and gathered over his blonde hair so only his sidelocks and the point of one ear escape at the hood's edge; the coat's bulk is absurd against the narrow gap, the fabric creasing hard where it is crushed between his shoulder and the wall. Zelda lies facing him on her left side, her own long oversize puffer coat crushed into the same space, her big hood up and snug over her blonde hair with the braid pushed forward down her cheek, her pointy ears just visible beneath the hood's rim. Their bound forms are drawn into a tight knot: wrists lashed together behind each back and pulled down to the ankles, ankles crossed and tied, the hogtie arching each of them into a shallow bow so their knees are drawn up and their puffer coats ride and bunch at the hips and shoulders; the ropes bite into the quilted fabric and pull dimples into it, and where the cords cross the puffy sleeves the down compresses in deep channels around the binding. Both are gagged very tight: a broad cloth band pulled hard between the lips and knotted at the back of the head, cinching the cheeks and pressing the hood's edge down against the brow. Their faces are close, nearly forehead to forehead, and they are looking directly into each other's eyes -- Link's blue eyes wide and steady under a furrowed brow, Zelda's green-blue eyes locked on his, her lashes low, both of them breathing hard through the gag with parted lips and a faint flush across the cheeks; the shared gaze is the only thing that holds the composition together, their chins tilted toward one another so the eye line runs almost level between them. A single dim source from above and just outside the opening rakes down into the cavity, a cool pool of low light catching the quilted tops of the hoods, the bridge of each nose, the taut cloth of the gags, and the pale rope where it crosses the shoulders; everywhere the light does not reach -- the underside of the coats, the wall behind their backs, the far end of the crawlspace -- falls into dense near-black shadow, and the floor beneath them is swallowed by darkness. Palette is restricted to the muted dark tones of the cavity, the washed pastel and khaki quilted nylon of the two coats, the pale blonde of the escaped hair, the dull off-white of the gags and ropes, and the small warm glint of two pairs of eyes. A single dust motes drift in the shaft of light where the coat's crushed shoulder has displaced air in the narrow space. Clean linework, colors are gentle, skin tones smooth and glossy, with expressive eyes. Tense, intimate, claustrophobic.
Lee Hunter
AI artwork
Avatar image of Liya Hanterys
character: klee_(genshin_impact), nahida_(genshin_impact), copyright: genshin_impact 1girl, 2girls, klee (genshin impact), nahida (genshin impact), oversized puffer coat, long puffer coat, hood up, hogtied, gagged, cloth gag, wrists and ankles bound behind back, looking at each other, lying on side, from above, close-up, blonde hair, red eyes, white hair, green eyes, pointy ears A high-angle close-up shot looking down at two girls lying on their sides on a seamless, soft-grey studio floor. Both are encased in massive, floor-length oversized puffer coats with the hoods pulled tight over their heads, concealing their hair and ears; the fabric of the coats is thick and glossy, bunching heavily around their forms. They are both hogtied, their wrists and ankles bound tightly together behind their backs, forcing their legs to bend sharply upward against the bulk of the puffer coats. Both are gagged very tightly with thick white cloth gags that press their cheeks inward and pull the corners of their mouths taut. The two figures are positioned facing one another, their bodies slightly angled, as they lock eyes with an intense, focused gaze. The primary light source comes from above and to the left, creating soft, deep folds in the synthetic fabric of the coats and casting a gentle shadow beneath them. The palette is dominated by the muted grey of the floor and the contrasting colors of their coats, with the focus remaining on the emotive connection in their eyes. Effortlessly stylish.
Liya Hanterys
#Genshin Impact#Klee#Nahida
AI artwork
Avatar image of Lee Hunter
character: purah, princess_zelda 2girls, purah, princess_zelda, long oversized puffer coats, big hoods up, hoods drawn forward over the head, hogtied, bound wrists behind back, bound ankles drawn up behind, gagged tightly, cleave gag pulled taut, looking at each other, eye contact, from side, close-up, cramped confined space, darkness, prone on side, red eyes, white hair, short hair, hair bun, hair stick, round red-framed glasses, red eyeshadow, black gloves, blonde hair, long hair, braid, parted bangs, green eyes, glossy skin, clean linework, expressive eyes, facing each other, side profile, fabric compression The camera sits low and level with them at close range, so the frame is almost entirely filled by the two of them pressed together on their sides inside a space barely wider than their bodies -- a lightless cavity of packed dark, its walls close enough that the big hoods of the puffer coats touch the surface on every side and the quilted baffles of the two coats are crushed flat where they meet the enclosure and where they meet each other, the fabric puckering into tight horizontal ridges at every compressed line. They face each other, head to head; the hood of Purah's coat is drawn right up and forward so its padded rim crowds around her cheek, white hair escaping in short loose strands across the dark fur of the opening, her round red-framed glasses catching the single light, red eyeshadow smudged at the outer corners of narrowed red eyes fixed on Zelda. Zelda's hood is up the same way, its rim pressed to the quilted shoulder of Purah's coat, blonde bangs parted against her brow and her long braid jammed back inside the collar, its tail pushed up along her spine under the puffed fabric; her green eyes are open and angled straight into Purah's. Both are hogtied inside the coats: wrists bound together at the small of the back with the coat sleeves shoved up and bunched at the elbow, ankles pulled up behind them so the heels of their boots hover near their bound hands and the taut quilting of the coats strains across their backs, seams lifted, each body bowed by the tie. A cloth gag runs tight through each of their mouths, cinching the corners of the lips and sinking a shallow groove into each cheek, wet-dark where it crosses the lips. The one light comes from a thin sliver of an opening somewhere above and out of frame, raking down across the hood rims, the glass of Purah's lenses and the damp line of both gags, and leaving everything behind and below them in solid, unrelieved black; the only colour that reads is white hair and pale gold braid, two red lens rims, and the deep matte tones of the two coats. The sliver's light dies a hand's width into the space, so the walls fall away into pure dark and the two hooded heads float in it, breath misting the cold air between their faces. Intimate, tense.
Lee Hunter
#The Legend of Zelda#Purah
AI artwork
Avatar image of Liya Hanterys
character: nahida_(genshin_impact), qiqi_(genshin_impact), copyright: genshin_impact 2girls, nahida_(genshin_impact), qiqi_(genshin_impact), oversized puffer coat, long coat, hood up, huge hood, hogtie, bound ankles and wrists, gagged, tight gag, cloth gag, looking at each other, eye contact, tiny closet, dark, dimly lit, from above, close-up, sitting, lying on back A high-angle close-up shot looking down into the cramped, dark interior of a tiny closet. Two girls are trapped together, their bodies pressed against the narrow walls. One girl has white hair with green gradients and green eyes, while the other has purple hair and purple eyes; both are engulfed in massive, long oversized puffer coats that swallow their frames, with the very big hoods pulled far forward, obscuring their foreheads. Both are hogtied, their ankles and wrists bound tightly together behind their backs, forcing their legs to bend sharply upward. Thick cloth gags are tied very tight across their mouths, compressing their cheeks. They are positioned face-to-face in the gloom, their gazes locked in an intense, silent exchange of looking directly into each other's eyes. The only light is a dim, cold sliver filtering through the closet door's gap, casting deep shadows in the folds of the puffer coats and leaving the corners of the small space in absolute black. The palette is dominated by the dark, muted tones of the closet and the matte texture of the heavy coats. Quiet, claustrophobic intimacy.
Liya Hanterys

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